Very elegant and elaborate ceremonial Silk Chiffon, hand embroidered with brocade, sequins and pearls. Good condition. Size: L. 83" (212 cm.) x W. 35.5" (90 cm.)

Nepalese Ghee Butter Tea or Chaang wooden Bottle with brass mount with Top connected with Brass chain, 8" high, the condition is new.

Embroidered in vivid turquoise silk floss with a top stitch of golden silk floss, this woman's shawl ("phulkari") from Swat Valley measures 97 cm x 198 cm and is in excellent condition. The designs are stylized rosettes with densely embroidered borders and a medallion motif in the center. Black is the dominant color for the background of Swati embroideries, which share many motifs in common with the embroidery from Hazara district...

This Ghurra which imitates a chain is carved from a single piece of wood so without any gluing. The top shows 2 two protectors sitting back to back like Janus H 6 cm. This work testifies to a great mastery of wood carving and also to a deep respect for churning work. H 23 cm More information on local origin on request

Tibetan Himalayan Shigatze Wool Rug with two(2) Dragons chasing Flame in cream color 100% wool on cotton backing, bordered with wide floral branches in the separate Cartouches, thick heavy weight, 72"(6') x 36"(3'), owner purchased in Shigatze in Tibet around 1980. Cloth label in the back and in good condition.

A woman's shift ("kurta") from Swat in vivid pink silk embroidery with green and purple accents on a black cotton background. This kurta has exceptionally fine cross-stitch embroidery at the sleeves, suggesting a link with Indus Kohistan. Indeed, it is not uncommon for embroidered panels for dresses from Indus Kohistan to be found in the markets of Swat (see Nasreen Askari, Colours of the Indus, © 1997)...

Bhutanese colorful Bamboo Bangchung covered Food Basket, 8 3/4" diameter, 3 1/2" high include top cover, hand woven colored Bamboo, yak skin pull or handle is attached to bottom basket on the side to pull open, usually this type of baskets closes very tight to store food, leather handle on the side is helpful to open top and bottom apart. The condition is good.

This type of phurba shows tall, single or twin riders. They all seem to originate from Langtang District and are attributed to the Tamang people. The iconography of the Hayagriva horse is often found in Buddhist iconography. Here, the horses have riders who are the shamans; the mythical horse with its supernatural power will allow the shaman to move around the dangerous invisible world of demons and other evil spirits...

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover is distinguished by the black cotton background embroidered in a zinging, shocking pink. This amazing piece measures 12¼ inches x 32 inches (31.1. cm x 81.3 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh or flower garden...

Richly carved with geometrical carvings, the upper part figures a houses supported by milk pots, H H26 cm, Thickness 3 cm , weight 250 gr Further information on request

Measuring 8 x 116 inches (20.3 x 294.6 cm) including the braided fringes, this woven wool sash from Tibet is in excellent condition. The sash is a dark bergundy with indigo stripes and orange thread sewn along the edges to prevent fraying. Estimated age: mid to late 20th century...

Two(2) Tibetan Himalayan Glass Zi shape Beads, 37mm x 14mm (1 1/2" x 1/2").

This cushion cover from Hazara district features stylized floral patterns and curvilinear geometric motifs outlined with a top stitch of black thread on mustard-colored cotton. Touches of turquoise and shocking pink combine with rust-colored silk floss thread to create an overall design suggestive of central Asian influence. It measures 41 x 41 cm and is in excellent condition. Late 20th century.

Measuring 29 x 37 cm this child's waistcoat is from Indus Kohistan. Condition is excellent, and it dates to the mid 20th century. The embroidery technique is straight stitch in silk thread on a black cotton background, embellished with white glass beads and buttons. Kohistan has a rich local history as a crossroads between Central, South and Southwestern Asia...

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

This man's wedding shawl (known as "malir", or "doshalo") is from Tharparker district in Sindh province and would be a gift from a bride and her family to the groom for his wedding day attire. It is basically an embroidered "ajrak", meaning a red handspun, mordant-dyed, resist-printed cotton, embroidered in the four corners with stylized peacocks symbolizing fertility, and randomly placed mirrors ("shisha") as accents...

This Tibetan woven wool sash from the mid to late 20th century measures 5½ x 104 inches (14 x 264.2 cm) including the braided fringes and is in excellent condition. These sashes are used by Tibetans to tie their traditional apron attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. The luster of these wool belts is derived from the high lanolin content to be found in the hairs of high-altitude goats living in the Himalayan range from which these belts are woven...

From our Indian Subcontinent Collection, a fine and large tempura on silk original painting depicting figures in what seems like a celestial dance, almost a magical procession...

Depicting curling horned and star patterns, this wedding textile from the Hazara district of Pakistan, in the province of Khyber Pakhtunkhwa (formerly known as NWFP) is densely embroidered in silk floss thread on a black cotton ground. It measures 70 x 77.5 cm and is in excellent condition. The motifs are curvilinear and embroidered in dark red in a combination of satin stitch and long and short stitch, outlined with a top stitch of golden silk floss. Estimated age: late 20th century.

Some of the finest embroidery of Khyber Pakhtunkhwa (formerly known as North West Frontier Province, or NWFP) comes from Swat Valley, known for its lush green mountains and turquoise colored rivers. The typical 'ram's horn' pattern seen in many parts of central Asian embroideries and carpets is reflected in this cushion cover from Swat...

Abstract floral patterns combine with medallion motifs in shades of dark red and pink in this kameez from the Hazara district, North West Frontier Province (recently re-named Khyber Pakhtunkhwa). Silk floss on cotton (a handwoven coarse cloth called khaddar), the embroidery is in the characteristic phulkari stitch which resembles a satin stitch but only on the front side. Each cuff has an embroidered band in brick stitch...

A Tibetan ewer beautifully worked in silver alloy, probably with later gilding. The compressed body with two cartouches showing the subject of "the four harmonious brothers" and a monk sitting under a tree among animals and treasures. The lid with a vajra-shaped knob and decorated with Buddhist symbols. Silver tested. Condition: few traces of usage, areas with little oxidation. Dimension: c. 15 cm long, 12.5 cm high, weight: 321 g.

This lovely cushion cover from Swat Valley is densely embroidered in mustard and salmon floss-silk thread in darning stitch on a black cotton ground. The motifs are typical of the embroidery of Swat and Hazara regions of Pakistan, geometric and curvilinear motifs outlined in yellow running stitch. The textile is in excellent condition and features a slit on the back for a pillow insert. It measures 38 x 38 cm. Estimated age: mid to late 20th century.

This is a woman's shift known as a "jumlo" from the remote Indus Kohistan area of northern Pakistan. Jumlos are among the most lavishly embroidered textiles in all of Asia and are usually worn with an embroidered shawl known as a "chuprai"...

Vintage bronze or brass geometric floral Hookah Base or Vase, . Great as a vase or with parts a Hookah as made. Size 9" by 7"

Embroidered in vivid pink on olive cotton, this purse from Swat valley is 50-60 years old and in excellent condition. Geometric patterns embroidered in straight stitching in pink floss silk are outlined in yellow and white double running stitch, with accents of purple and cream. The purse measures 18 x 19.5 cm.

This lady's shawl from the Hazara region in Pakistan measures 105 x 224 cm including the fringes. The geometric patterns are hand-embroidered in straight stitching in vivid pink floss-silk with touches of light pink, outlined in yellow double running stitch on a black wool ground. The shawl is dated to the late 20th century and is in perfect condition.

This little Hazara purse from Afghanistan was designed to hold kohl or some other small item. Embroidered in fine brick stitch in various colors of silk with the edges fringed with white glass beads, the purse measures 12 x 12 cm with the flap closed. It is in excellent condition, dating to the late 20th century.

The embroidery of Swat Valley is renowned for its dramatic colors stitched against a black background. This cushion cover from Mingora in Swat is in satin stitch in a deep purple with pink highlights. The embroidery is silk floss thread outlined with yellow outline stitching on a black cotton background. There is one small tear on one corner of the textile. It measures 41 x 41 cm and is dated to the mid or late 20th century.

A hand-emboidered purse from Pakistan, measuring 19 cm x 21 cm. The embroidery technique is a combination of ladder stitch and satin stitch in silk on a black cotton ground. The purse is framed on all three sides by white glass bead tassels. Estimated age: late 20th century. Condition is excellent.

Mask carved in a very hard wood from the root of the tree whose local name is "Jugardana". On the top of the mask, you can still see natural parts not modified by the sculptor. These masks are mainly used for decorative purposes. H 20 cm

A pair of Syrian pier mirrors made of Wengi wood. Inlaid crown and frame with brass, mother-of-pearl, Ebony, bone, and Mahogany. The crown each features a bouquet of flowers each with its own individualized pot displaying Carnations and Poppies. The frames display scrolling morning glories and a double border of an inlaid rope design of bone, Mahogany and Boxwood. scrolling morning glories. With beveled mirrors.

Dimensions of each: 47 1/4" High by 23 3/4" Wide

Measuring 32.5 x 208 cm on black cotton, this woman's scarf from Hazara district in Pakistan is embroidered in satin stitch in floss silk thread. The curvilinear motifs are outlined with stitches of golden floss thread. The motifs are arranged into geometric compositions indicative of Central Asian influence. Condition is excellent and its estimated age is late 20th century.

This tobacco pouch ("kochor") from Indus Kohistan is embroidered in silk thread on cotton, with extremely fine cross- tent and satin-stitch, and white glass beaded tassels to adorn the edges. The bag measures 7" x 8" with the tassels. There is a string on the side of the bag which is used to hang the purse from the water pipe ("huqqa") while it is being smoked. There is some slight damage on one face, unsurprising given the age of this purse which is estimated to date from the mid to late 20th...

In Bhutan, the Land of the Thunder Dragon (Dzongkha), the time spent in embroidering textiles is considerable and can involve as much as a year for certain ceremonial textiles such as this one with a black background, called a "napsham". Surprisingly, the intricacy of the woven design elements that closely resemble embroidery is created on looms, mostly backstrap looms. This textile measures 97 x 243 cm including the fringes and is embroidered in cotton yarn on a raw silk ground. Condition is ne...

A king-sized cotton duvet cover from Nepal, measuring 111 x 74½" inches (43.7 x 29.3 cm) in purple, red and green. The viúvavajra ("crossed vajra") and chevron motifs are depicted in wool thread in chain stitch. Condition: Excellent. The vajra (meaning diamond or thunderbolt) is believed to represent firmness of spirit and spiritual power and is displayed in the national emblem of Bhutan.