Very elegant and elaborate ceremonial Silk Chiffon, hand embroidered with brocade, sequins and pearls. Good condition. Size: L. 83" (212 cm.) x W. 35.5" (90 cm.)

Some of the finest embroidery of Khyber Pakhtunkhwa (formerly known as North West Frontier Province, or NWFP) comes from Swat Valley, known for its lush green mountains and turquoise colored rivers. The typical 'ram's horn' pattern seen in many parts of central Asian embroideries and carpets is reflected in this cushion cover from Swat...

Embroidered in vivid turquoise silk floss with a top stitch of golden silk floss, this woman's shawl ("phulkari") from Swat Valley measures 97 cm x 198 cm and is in excellent condition. The designs are stylized rosettes with densely embroidered borders and a medallion motif in the center. Black is the dominant color for the background of Swati embroideries, which share many motifs in common with the embroidery from Hazara district...

This lovely cushion cover from Swat Valley is densely embroidered in mustard and salmon floss-silk thread in darning stitch on a black cotton ground. The motifs are typical of the embroidery of Swat and Hazara regions of Pakistan, geometric and curvilinear motifs outlined in yellow running stitch. The textile is in excellent condition and features a slit on the back for a pillow insert. It measures 38 x 38 cm. Estimated age: mid to late 20th century.

This Tibetan woven wool sash from the mid to late 20th century measures 5½ x 104 inches (14 x 264.2 cm) including the braided fringes and is in excellent condition. These sashes are used by Tibetans to tie their traditional apron attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. The luster of these wool belts is derived from the high lanolin content to be found in the hairs of high-altitude goats living in the Himalayan range from which these belts are woven...

A woven wool sash from Tibet, circa mid to late 20th century. Measuring 15.3 x 300 cm including the fringes, it is in overall good condition, but with some fraying. These sashes are used by Tibetans to tie their traditional attire (chuba for women, lokpa for men) and also to secure knives, bundles etc. Enlargement #6 shows the use of these sashes in traditional Tibetan nomadic culture (© 1995 East of Lo Manthang by Peter Matthiessen and Thomas Laird).

A woman's shift ("kurta") from Swat in vivid pink silk embroidery with green and purple accents on a black cotton background. This kurta has exceptionally fine cross-stitch embroidery at the sleeves, suggesting a link with Indus Kohistan. Indeed, it is not uncommon for embroidered panels for dresses from Indus Kohistan to be found in the markets of Swat (see Nasreen Askari, Colours of the Indus, © 1997)...

A framed lithograph entitled "Horse" by the artist, Kaiko Moti (1921-1989). Moti was born in Bombay, India. He studied at the Bombay School of Fine Art and spent time living and working in Paris. He is most famous for his images of horses. This lithograph is signed in pencil and numbered 15 of 100. Framed.

Age: mid 20th century

Dimensions of frame: 23" high x 28 3/4" wide

BLACK JAR

Pottery, India. Late 20th century. approx. D 14 x H 13 cm (5.51 x 5.11in). Rustic taste but with elegance...

This cushion cover from Hazara district features stylized floral patterns and curvilinear geometric motifs outlined with a top stitch of black thread on mustard-colored cotton. Touches of turquoise and shocking pink combine with rust-colored silk floss thread to create an overall design suggestive of central Asian influence. It measures 41 x 41 cm and is in excellent condition. Late 20th century.

Embroidered in vivid pink on olive cotton, this purse from Swat valley is 50-60 years old and in excellent condition. Geometric patterns embroidered in straight stitching in pink floss silk are outlined in yellow and white double running stitch, with accents of purple and cream. The purse measures 18 x 19.5 cm.

Typical of the mountainous Swat valley in northern Pakistan, this cushion cover is distinguished by the black cotton background embroidered in a zinging, shocking pink. This amazing piece measures 12¼ inches x 32 inches (31.1. cm x 81.3 cm). Swati embroidery patterns are traditionally handed down from mother to daughter and these are the typical color contrasts. In Swat, the embroidery is called bagh or flower garden...

This Tibetan wool sash measures 12.7 cm x 340.4 cm in length including the silky fringes. The tigma (cross) motif is an ancient good luck charm among Tibetans and here it is depicted in a discontinuous weft pattern design. These sashes are traditionally worn to secure the traditional Tibetan attire called a chuba. The high lustre of the wool is attributed to the high lanolin content of the goat wool in the high altitude regions of the Tibetan plateau...

Pair Himalayan Tibetan Stupa shape Brass Chops, Seals, Stupa Altar pieces, 2 1/4" high, 1" to 1 1/8" wide on the bottom, carved double fish and other Buddhist symbols inside hexagonal shape bottom, the condition is good.

Richly carved with geometrical carvings, the upper part figures a houses supported by milk pots, H H26 cm, Thickness 3 cm , weight 250 gr Further information on request

Bhutanese colorful Bamboo Bangchung covered Food Basket, 8 3/4" diameter, 3 1/2" high include top cover, hand woven colored Bamboo, yak skin pull or handle is attached to bottom basket on the side to pull open, usually this type of baskets closes very tight to store food, leather handle on the side is helpful to open top and bottom apart. The condition is good.

Tibetan Himalayan hand woven Wool Rug, with Buddihist motifs and double fish among free flowing Tibetan Clouds in cream color background, purchased new carpet in Shigatse or Gyantse Rug factory in 1980's, thick wool and heavy weight, 6 1/2'(78") x 4 1/2'(54"), with free flowing Tibetan Clouds and various Buddhist motifs in the cream color background, made by "Tibet-Gyen Carpet Factory" in Tibet, cloth label in the back, the condition is good, no wears or damages.

Formal Indian Sari (just like the ones you see in Bollywood movies), worn for weddings or important religious occasions. This has never been worn. I acquired it from an estate where it has been sitting in a trunk for the past 20 years, and the inside humdity, which caused the brown dye to bleed into the embroidered border somewhat. Please examine images. This L: 5m x 1.4m and is handloomed silk. It was woven in Banaras in the two toned Tanchoi style and silver thread “jari” embroidery...

In Bhutan, the Land of the Thunder Dragon (Dzongkha), the time spent in embroidering textiles is considerable and can involve as much as a year for certain ceremonial textiles such as this one with a black background, called a "napsham". Surprisingly, the intricacy of the woven design elements that closely resemble embroidery is created on looms, mostly backstrap looms. This textile measures 97 x 243 cm including the fringes and is embroidered in cotton yarn on a raw silk ground...

Nepalese Ghee Butter Tea or Chaang wooden Bottle with brass mount with Top connected with Brass chain, 8" high, the condition is new.

Depicting curling horned and star patterns, this wedding textile from the Hazara district of Pakistan, in the province of Khyber Pakhtunkhwa (formerly known as NWFP) is densely embroidered in silk floss thread on a black cotton ground. It measures 70 x 77.5 cm and is in excellent condition. The motifs are curvilinear and embroidered in dark red in a combination of satin stitch and long and short stitch, outlined with a top stitch of golden silk floss. Estimated age: late 20th century.

This little Hazara purse from Afghanistan was designed to hold kohl or some other small item. Embroidered in fine brick stitch in various colors of silk with the edges fringed with white glass beads, the purse measures 12 x 12 cm with the flap closed. It is in excellent condition, dating to the late 20th century.

Nepanese Wooden Ghee Butter Tea Bottle or Chaang with Brass mounted with top attached with brass chain, 6" high, the condition is new.

A pair of hand-carved window frames from Bhaktapur, an ancient Newar city in the Kathmandu Valley. They measure 44 x 45.5 cm and are dated to the late 20th century. Woodwork has been part of Nepal’s traditional architecture and wood carvings have graced temples, monasteries, residential homes and palaces since the twelfth century, although the earliest surviving temple decorated with wood carvings, bears the date 1396...

Vintage bronze or brass geometric floral Hookah Base or Vase, . Great as a vase or with parts a Hookah as made. Size 9" by 7"

A king-sized cotton duvet cover from Nepal, measuring 111 x 74½" inches (43.7 x 29.3 cm) in purple, red and green. The viúvavajra ("crossed vajra") and chevron motifs are depicted in wool thread in chain stitch. Condition: Excellent. The vajra (meaning diamond or thunderbolt) is believed to represent firmness of spirit and spiritual power and is displayed in the national emblem of Bhutan.

Mask carved in a very hard wood from the root of the tree whose local name is "Jugardana". On the top of the mask, you can still see natural parts not modified by the sculptor. These masks are mainly used for decorative purposes. H 20 cm

Tibetan Himalayan Wool Horse Rug with Dragon design, purchased in Lhasa Tibet early 1980's, 35" x 25" wide, curled up Dragon in the center on dark blue background bordered by Tibetan motif, the outer border is sewn with red Felt fabric and the bottom is dark blue fabric. The condition is new.

Very unusual “janus” designed mushroom mask; one side shows the native wrinkled face of the mushroom whereas the opposite side shows a smooth face with more carving work. Eyes and mouth are common to both faces. The mask has ear pendants, which are made with 2 different seeds, one is rudraksha bead which is the seed of a very common tree in Nepal. These seeds are very popular for making Hindu and Buddhist rosaries and the second is the “rita bead” core of the Himalayan soap nuts “Sapin...

A hand-emboidered purse from Pakistan, measuring 19 cm x 21 cm. The embroidery technique is a combination of ladder stitch and satin stitch in silk on a black cotton ground. The purse is framed on all three sides by white glass bead tassels. Estimated age: late 20th century. Condition is excellent.

Square white marble plate with a high rim , perfect for floral arrangements or use out doors, water tight .There a few available as well as round . Size 10" by 10" by 3" stand not included

This man's wedding shawl (known as "malir", or "doshalo") is from Tharparker district in Sindh province and would be a gift from a bride and her family to the groom for his wedding day attire. It is basically an embroidered "ajrak", meaning a red handspun, mordant-dyed, resist-printed cotton, embroidered in the four corners with stylized peacocks symbolizing fertility, and randomly placed mirrors ("shisha") as accents. The embroidery is a combination of ladder stitch, satin stitch and chain stit...

Measuring 32.5 x 208 cm on black cotton, this woman's scarf from Hazara district in Pakistan is embroidered in satin stitch in floss silk thread. The curvilinear motifs are outlined with stitches of golden floss thread. The motifs are arranged into geometric compositions indicative of Central Asian influence. Condition is excellent and its estimated age is late 20th century.

This is a woman's shift known as a "jumlo" from the remote Indus Kohistan area of northern Pakistan. Jumlos are among the most lavishly embroidered textiles in all of Asia and are usually worn with an embroidered shawl known as a "chuprai". This tunic is embroidered in silk floss thread on black cotton in extremely fine half cross-stitch ("petit point") and the surface darning stitch for which Swati embroidery is famous. It is further embellished with assorted metal trinkets, amulets and buttons...

The embroidery of Swat Valley is renowned for its dramatic colors stitched against a black background. This cushion cover from Mingora in Swat is in satin stitch in a deep purple with pink highlights. The embroidery is silk floss thread outlined with yellow outline stitching on a black cotton background. There is one small tear on one corner of the textile. It measures 41 x 41 cm and is dated to the mid or late 20th century.

A pair of Syrian pier mirrors made of Wengi wood. Inlaid crown and frame with brass, mother-of-pearl, Ebony, bone, and Mahogany. The crown each features a bouquet of flowers each with its own individualized pot displaying Carnations and Poppies. The frames display scrolling morning glories and a double border of an inlaid rope design of bone, Mahogany and Boxwood. scrolling morning glories. With beveled mirrors.

Dimensions of each: 47 1/4" High by 23 3/4" Wide

A Tibetan ewer beautifully worked in silver alloy, probably with later gilding. The compressed body with two cartouches showing the subject of "the four harmonious brothers" and a monk sitting under a tree among animals and treasures. The lid with a vajra-shaped knob and decorated with Buddhist symbols. Silver tested. Condition: few traces of usage, areas with little oxidation. Dimension: c. 15 cm long, 12.5 cm high, weight: 321 g.

This tobacco pouch ("kochor") from Indus Kohistan is embroidered in silk thread on cotton, with extremely fine cross- tent and satin-stitch, and white glass beaded tassels to adorn the edges. The bag measures 7" x 8" with the tassels. There is a string on the side of the bag which is used to hang the purse from the water pipe ("huqqa") while it is being smoked. There is some slight damage on one face, unsurprising given the age of this purse which is estimated to date from the mid to late 20th...

Tibetan Himalayan Shigatze Wool Rug with two(2) Dragons chasing Flame in cream color 100% wool on cotton backing, bordered with wide floral branches in the separate Cartouches, thick heavy weight, 72"(6') x 36"(3'), owner purchased in Shigatze in Tibet around 1980. Cloth label in the back and in good condition.

Measuring 29 x 37 cm this child's waistcoat is from Indus Kohistan. Condition is excellent, and it dates to the mid 20th century. The embroidery technique is straight stitch in silk thread on a black cotton background, embellished with white glass beads and buttons. Kohistan has a rich local history as a crossroads between Central, South and Southwestern Asia. Predominantly inhabited by Dardic and Pashtun tribes since ancient times, Kohistan has been invaded and contested by Persians, Greeks, S...

From our Indian Subcontinent Collection, a fine and large tempura on silk original painting depicting figures in what seems like a celestial dance, almost a magical procession. Back in the day we used to call these compositions "Peshawars," referencing their point of origin as Peshawar Pakistan, but it is possible that similar pieces are being produced in the border regions of Northern India these days as travel through Pakistan has become much more hazardous.

Size and Condition: Framed ...

This Ghurra which imitates a chain is carved from a single piece of wood so without any gluing. The top shows 2 two protectors sitting back to back like Janus H 6 cm. This work testifies to a great mastery of wood carving and also to a deep respect for churning work. H 23 cm More information on local origin on request

Measuring 8 x 116 inches (20.3 x 294.6 cm) including the braided fringes, this woven wool sash from Tibet is in excellent condition. The sash is a dark bergundy with indigo stripes and orange thread sewn along the edges to prevent fraying. Estimated age: mid to late 20th century. These sashes are called kaabo and are traditionally used to tie and secure the national attire called chuba for women, lokpa for men (see enlargement #5, courtesy of Thomas Laird and Peter Matthiessen, East of Lo Mantha...

Abstract floral patterns combine with medallion motifs in shades of dark red and pink in this kameez from the Hazara district, North West Frontier Province (recently re-named Khyber Pakhtunkhwa). Silk floss on cotton (a handwoven coarse cloth called khaddar), the embroidery is in the characteristic phulkari stitch which resembles a satin stitch but only on the front side. Each cuff has an embroidered band in brick stitch. The tunic measures 37 1/2 x 68 inches while each sleeve measures 27 1/2 ...

This type of phurba shows tall, single or twin riders. They all seem to originate from Langtang District and are attributed to the Tamang people. The iconography of the Hayagriva horse is often found in Buddhist iconography. Here, the horses have riders who are the shamans; the mythical horse with its supernatural power will allow the shaman to move around the dangerous invisible world of demons and other evil spirits. It is likely that this phurba is not used as the smaller ones are for fight...

Two(2) Tibetan Himalayan Glass Zi shape Beads, 37mm x 14mm (1 1/2" x 1/2").

This lady's shawl from the Hazara region in Pakistan measures 105 x 224 cm including the fringes. The geometric patterns are hand-embroidered in straight stitching in vivid pink floss-silk with touches of light pink, outlined in yellow double running stitch on a black wool ground. The shawl is dated to the late 20th century and is in perfect condition.

In Tibetan Buddhism, the Kartika, or Drigug, is a ritual flaying knife used in burial rituals, with the handle crafted as a dorje. A tool of the wrathful female deities known as Dakinis, the kartika symbolizes the cutting of all things material, symbolized by the human body. The blade is left dull (never sharpened) because it was used in a ritual representing the flaying of flesh and not for the actual purpose.

Shamanic phurbu whose top part shows a rider with hands joined in the ritual gesture of Namaste. The mount is not a horse but could be the ashoka lion. age circa 50 years. Height 29cm.

old mushroom mask, with a shiny black patina. These mask are made from tree parasit mushroom with a minimal carving work. The aime of the carvers is to take advantage of the native form of the mushroom. These masks are usually hung inside homes to function as protective effigies. They are more occasionally used as face masks during festival season, H 29 cm, width 38 cm weight1Kg.

A tobacco pouch from Indus Kohistan, probably Palas or Kolai valley. Cotton embroidered with silk in satin stitch. The string on the side of the bag is used to hang the pouch from a huqqa (water pipe) while it is being smoked. Circa second half of 20th century. Condition of this textile is excellent.

Measuring 15.5 x 16 inches (39.4 x 40.6 cm), this textile from Kandahar, Afghanistan is embroidered in silk thread embroidery on a fine silk ground which is stitched onto a fine cotton linen panel. Depicting eight pointed star and rosette motifs in exquisitely fine satin stitching in counted-thread technique, the sheen of the silk is worked so that the light catches it in different settings, a characteristic feature of the embroidery ("khamak") of Kandahar. This textile is dated to the early to ...

Mask from Mompa theater, depicting a dog or wolf showing threatening fangs. Old black patina leaving in places traces of white coating. Hardwood H 23 cm

Two very playful Southeast Asian panthers skillfully carved from red palm wood. They can be displayed on any one of 3 sides and look as thought they were designed to be viewed in whatever position you place them. The wood is heavy and dense feeling very much like a hardwood and weighs about 3 lbs. In excellent vintage condition, they measure 9.5 inches long by 5 inches high. Dates early 20th century.

A two-double janus ancestors which could seems rough at first glance but looking carefully reveals a peculiar design, the larger form is yet anthropomorphic with a superposed carved second human silhouette, the back side is similar. From Rukkum district, mid 20th, presented on an iron stand, H 24 cm:

Large Ghurra showing a powerful scene involving the founding couple of the family. it is an excellent overview of the primordial symbolism of the churning milk saga. Age is difficult to predict, because this kind of luxurious ghurra might not be used every day, based on its signs of use, it may be from the end of the 20th, but from the point of view of design he is much older.rom late 20 th , from the design point of view it is be much more older. H 31 cm , wide 11 cm, thick 4 cm More inform...

Robust ghurra surprising by its gigantic dimensions, while little use index can be observed despite an estimate good age ( 40 to 50 years). The ghurras may well ask riddles unanswered for now. Important geometric and symmetrical prints with beautiful black patina areas due to aging wood and also likely handling... H 34 cm, thickness 4.5 cm , max wide 13 cm weight 800 gr Presented on a metal stand Further information on request

Very nice Ghurra with the mythic scenary of a protector riding a cow and surmounted by another cow. Very hard wood showing a Glossy brown patina. H 27cm. More information of local origin

This item is coming from people from Terai community, It represent a drum player which be activated through a complicated rope network, at least two or three explanation can be forwarded regarding the role of this piece. Height 23 cm wide 23 cm, the piece is based on a metal stand Two similar pieces are available More information on request

Wonderful Southeast Indian Wooden Bowl. Description: Nicely carved with woven decoration on the border, from a piece of a tree trunk. Size: 11.75"W x 8"D x 2.75"H, in great condition.