Circa 1920's hand carved Japanese ivory okimono of a long tailed rooster on a wood perch. Excellent antique condition.

Ohara Koson
Wading Egret
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: Early 20th century.
Reference: K14.14 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Publisher: Daikokuya
Signed and sealed by the artist.
"Made in Japan" stamped on back.
Condition: Excellent.
Embossing on face, tail, and body.

Hiroshi Yoshida
Temple in the Wood
Date: 1940.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating self-printing by the artist.
Medium: Japanese woodblock print.
Condition: Toned paper. Corner margins have heavy creases.
Dedicated in top margin: "Captain and Mrs Tibbitts, Wishing a Merry X'mas and a Happy New Year - Gozo and Shiori"

Tsuchiya Koitsu (1870 - 1949)
Kameido Tenmangu Shrine.
Date: 1933.
Size: Oban. Approximately 16.75 x 11.25 inches.
Publisher: Doi Hangaten. Also has Doi watermark.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: TK-DH-4.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.
There is also a version of this print in which the shrine is red...

This is a wonderful Netsuke Set depicting Kiyohime, the Dragon Witch, holding the Dojoji Bell, right next to her beloved Anchin. According to Japanese legend, Kiyohime the daughter of an innkeeper, fell in love with the pilgrim Anchin, but was rejected by him. The enraged Kiyohime turned herself into a dragon witch who went to the Dojoji temple to look for Anchin who had hidden under a huge bell. In this set, Anchin can be inserted into the bell, where he fits exactly, Photo number 3...

Kawase Hasui (1883-1957)
Evening at Soemon-cho, Osaka
Selection of Scenic Views of Japan II, Kansai Edition.
Date: 1933.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo.
Watanabe red 6mm seal at lower right corner, indicating a lifetime edition printed between 1946 and 1957.
Signed and sealed by the artist.
Reference: Hotei #318.
Medium: Japanese woodblock print.
Condition: Pristine. Removed from original folder.

Ohara Koson
Deer in mountains
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (49)
Reference: K41.9 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with a few black dots in upper third. Pencil number on back
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Tsuchiya Koitsu
Port Tomo, May 1939
Size: Chuban. Approximately 10.0 x 7.5 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-54
Condition: Tipped at top to original cardstock. Very light foxing.

Kawase Hasui
Moonlit Night at Miyajima (Miyajima no Tsukiyo)
Size: Oban. Approximately 15.25 x 10.5 inches.
Signed and sealed lower right.
Date: 1947.
Publisher: Watanabe Shozaburo. Red, round 6 mm publisher's seal at lower left, indicating a first edition (first state).
Reference: Hotei #497.
Condition: Print is fully adhered to backing board.

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Yuki” (“Snow”). It is undated, but likely dates from the 1970s. The image is pencil-signed, numbered 13/35, and titled in kanji in the lower section. The paper size is: 37”V x 25”H. Very good overall condition. There is a small abrasion in the paper just under the penciled kanji title and the paper in the upper left corner is slightly wrinkled...

Ohara Koson
Eagle with outspread wings
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (45)
Reference: K13.2 and plate 68 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Spot in top margin. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

The Choraku line of potters began when a student of Kichizaemon XI (Keinyu) and Kichizaemon XII (Konyu) opened an independent kiln in Kyoto in 1904. The line was officially given the name Choraku in 1906 by Choyuken, the head of a very influential tea ceremony association. Red Raku chawan are a favorite of tea enthusiasts and seem to have a face for every mood. In the right light they may appear like an amber sunset on the horizon. In another light, like lanterns moving through a misty field...

Shotei Takahashi (Hiroaki) (1871-1945)
Snow in Uchikawa
Date: Pre-1916.
Size: Mitsugiriban. 14.625 x 6.375 inches.
Shotei seal at right.
Publisher: Watanabe Shozaburo (#682). S-81 in Shotei catalog.
Reference: Shotei cat. M-116. Ota #60. Watanabe #682. Ota-ku Folk Museum notes date this print 1907-1915.
Medium: Japanese woodblock print.
Condition: Fading and toning. Spotting in snow. Chip at lower right edge and corner...

Kawase Hasui
Evening Shower at Imai Bridge, 1932
This is a lifetime edition printed between 1946 and 1957.
Size: Oban. Approximately 15.5 x 10.5 inches.
Publisher: Watanabe Shozaburo. Bears the 6 mm seal.
Medium: Japanese woodblock print.
Condition: Excellent with a couple of scuffs at upper left corner. Uncirculated.
Provenance: The Robert O. Muller estate.

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Firebird” dated 1971. The print is pencil-signed, numbered 30/60, and titled in kanji in the lower section beside the artist’s red seal. Paper size: 35 7/8”V x 23 1/2"H. Very good overall condition. The right paper edge cut is slightly irregular. This image is illustrated as plate 19 in the reference book “Aramusha: Ouchi Makoto The Artist Warrior” by Mary and Norman Tolman. The artist’s co...

Japanese bamboo and wisteria branch gourd-shaped basket, beautifully woven, with open container for holding floral arrangement at largest node. wisteria branch base.

Circa 1930s
Size: Height 17" Width 13" Depth 8"

A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873. From this point forward, he divided his time mainly...

Tsuchiya Koitsu
Himeji Castle, March 1936
Size: Mitsugiriban. Approximately 16.0 x 7.25 inches.
Publisher: Takemura Hideo
Koitsu catalogue no.: TK-TM-14
Condition: Tipped at top to original cardstock. Toning and light foxing.