This lovely white Hagi chawan rests firmly on a wari kodai or “split foot.” The crackled milky glaze varies in consistency across the curves and contours of the bowl with some areas tending towards a faint brown, adding an interesting dimension to the landscape.

The creator of this piece Matsuura Mugen (1944 - ) has spent his life in the pursuit of perfecting the art of Hagi...

This chawan was fired in the kilns of one of Kyoto’s best known raku-yaki potters, Sasaki Shoraku III (1944-). The Shoraku line began when the grandfather of the current potter established a kiln near the famous Kiyomizu temple, nestled at the foot of the eastern mountains in Kyoto. In 1945, the kiln was moved to Kameoka near the Yada shrine where it remains today.

Raku teabowls are made by hand, without the use of a potter's wheel...

This striking chawan is a fine example of “Oni Shino” (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

This is a wonderful Kanbishi chawan of Living National Treasure Potter Arakawa Toyozo with its original signed wooden box.

It is in mint condition with no cracks and no repairs.

Size: 5,3 inches x 4,9 inches x 3,0 inches

Toyozo Arakawa (1894 - 1985) rediscovered the techniques of manufacturing Shino glazes first perfected during the Momoyama and Edo periods...

A captivating piece described on the box as “aka e sakana bun” which can be loosely translated as, Depiction of Fish with Red Overglaze. Okuda (1920-1999) was a student of both Hamada Shoji and Kawaii Kanjiro and his kiln was visited by a number of well-known artists including the likes of Bernard Leach...

A captivating bowl created by Kyoto potter Kawai Zuiho, most likely in the early 70’s. This bowl features a red undercoat which is visible in places through the greenish overglaze. The effect is quite striking and sure to attract the eye. With a convenient indent on the side, this bowl fits comfortably in the hand.

Kyo-Yaki is high-fired ceramic and pottery that centers around the Higashiyama district of Kyoto...

A lovely Shino tea bowl fashioned from coarse Mino clay and covered in a crackled feldspar glazing. The front and sides of the bowl are decorated with paintings of abstract foliage resembling Iris leaves and the base of the bowl is unglazed, displaying rough clay...

Fantastic tea bowl by Kingyoku Nakata, the best specialist of Chibu art, made 40 years ago.

This bowl is designed with a granular white painting called 'Shiro (white)-Chibu, which is very rare in Kutani. (Ao (blue)-Chibu was made more often. Please take a look on an Ao-Chibu Tea Bowl - our item # 0188)

Beside the Shiro-Chibu there is a golden arabesque design, which is called Kin-Karakusa.

The Tea Bowl is offered together with its original wood box...

Hagi-yaki has a tradition stretching back over 400 years and is prized for its subdued colors and classical features, especially the glazing, which is often clear and vivid. The natural ash Hagi glaze of this piece gives it a mellow yet robust feel. In addition, the split wari-kodai at the base together with the asymmetrical hand-molded shape offers the user a unique tactile experience The sides of the bowl show pale ash, ivory, and faint hints of lavender...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

This is a wonderful vintage Japanese Raku style tea cup of Ohi ware with an amazing amber glaze which was made about 50-60 years ago by Rakusai Ohi. The seal of 'Ohi' is stamped on the bottom. The original wooden box with the signature and the seal of the artist is also included.

Ohi ware has become well known for its use of Ame-gusuri, or amber glaze. Being a Raku style, it was low-fired and is quite light and soft in the hands...

Splendid Japanese incense container, also known as kogo, used for tea ceremony. The persimmon has a small lady bug sitting near the head of the persimmon...

This impressive han-tsutsu Shino chawan was made by the late 13th generation Mino potter Kato Seizo (1930-1979, Kagekiyo). Kato’s works are well-regarded throughout Japan and he has won a number of honors and awards over the course of his career as an artist. Not surprisingly, he is equally appreciated abroad and by foreign experts of Japanese pottery. Robert Yellin wrote of Kato: "Kato was one of the finest Mino potters after the first generation of Showa greats, such as Kato Tokuro and Araka...

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten ash of t...

Please check our new category 'Vintage Tea Bowls', where we present once in a while high quality vintage chawans. This is a vintage Japanese hand-shaped pottery tea bowl of Seto ware, which was made about 50 years ago.

The seal of the potter is stamped on the bottom. Very artistic Tenmoku glaze.

Size: 8,8 cm height x 13 cm in diameter. Wooden Box available for 30 USD.

Shipping included

About Seto ware: Seto ware is the pottery made in Seto city and ne...

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery. He was a great potter in his own right who was designated as a Human Intangible Cultural Treasure...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age. Tozan III received many prestigious awards during his years as a potter and has the distinction of having his pottery held by the Imperial Household. Tsutsu chawan have an especia...

Comfortable in the hand and with a unique textured black Raku glaze, this tea bowl by 20th century potter Samukawa Seiho would make a fine addition for collector and practicing tea devotee alike.

Born in Osaka at the very end of the 19th century, at a young age his family moved to Kyoto where he would later take up an apprenticeship under well-known potter Sawada Sozan. After achieving a high degree of skill in his craft, he then took a position with a ceramics company where he work...