A set of five Arita sake cups, guinomi, in tsutsu-gata form decorated in sometsuke style with a scrolling vine arabesque, hagi-karakusa, imitating the habit of the Bush clover, hagi, a member of the Vetch family one of the seven plants emblematic of Autumn. The base decorated with a hakama border and the inner rim with a diaper border, renzoku mon, and the bottom of the cup with an auspicious gobenka mon. The cups have a pleasing cylindrical form, slightly tapered to the top that is particularl...

A good Arta dish of awabigata form decorated in somenishikide style with a pattern of various shellfish and plants with a seascape of waves and plovers above. A brocade band of Karakusa scroll in iron red and gilt inset in a “pea green” enamel ground framing the composition combined with gilding to rim. The exterior painted with waves and boats. See Volume I no 449, Shibata Collection for a similar dish with wave and boats reverse there dated c.1740-70. The dish measures approximately 6 inc...

A good Arta dish of awabigata form decorated in somenishikide style with a pattern of various shellfish and plants with a seascape of waves and plovers above. A brocade band of Karakusa scroll in iron red and gilt inset in a “pea green” enamel ground framing the composition combined with gilding to rim. The exterior painted with waves and boats. See Volume I no 449, Shibata Collection for a similar dish with wave and boats reverse there dated c.1740-70. The dish measures approximately 6 inc...

A Large Hexagonal Chinese Imari Tea Caddy. Decorated in the typical palette with various landscapes. Chinese C1720/40 Height: 5 3/8" (13.7 cm). Condition: frits, two shallow flakes 1.4 and 1.3 cm to shoulder. Hairline crack from a bruise in the unglazed neck with small 0.5 cm chip to base.

A Japanese Imari porcelain deep dish decorated with a 'faux' armorial. Late 18th century.

Approximately 14.8cm width. The dish has light wear to the enamels from use. There is a shallow flake to the rim, noted in the photographs.

Please study the photographs.

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A dish of auspicious shuronagata, hemp palm form, decorated in gilt outlined enamels with Bamboo and Prunus, emblematic of the season of Spring and the New Year. The reverse decorated with three pairs of ribbon tied shippo, and a six character reign mark for the Chinese Emperor Chenghua. The base of the dish supported by set of 4 spur marks distributed in a Y shaped form. The dish was probably produced at the Kakiemon kiln in the Nangawara valley. See no 254 at page 135 Kakiemon – The Whole A...

Chinese Imari plate, late Kangxi to Yongzheng, early 18th century. Decoration of a fisherman and a pagoda in a mountainous seascape within diaper borders, all in underglaze blue and overglaze red and gilt. Diameter "9/ 23 cm. Condition: some roughness to the rim and small spots of wear to the well.

A set of five Sake cups of tapering cylyndrical form, nozoki, decorated in underglaze blue with a diaper border, renzuku mon, to inside of the mouth, and an iron red diaper ground inset with shaped reserves or mikomi, each containg a gilt outlined and enameled Suisen, the Japanese Narcissus with Chrysanthemum demi florets in iron red and gilt with matsuawabishi mon in underglaze blue flanking them. The cups date to the end of the late Mid Edo period. The cups measure between 5.5cm and 6cm high ...

A Namasu or small serving bowl in revived Kakiemon style decorated with a depiction of the Seven Sages of the Bamboo Grove in low moulded relief; here represented by just two of them. The Sages were synominous with a hedonistic lifestyle of drinking and poetry. The foliate rim of the dish with a fuchi beni, brown glaze. The central roundel in the well of the bowl decorated with a Namban or Tojin style figure of a European with a two legged long tailed dog like creature. This is the kind of novel...

A pair of Namasu or small serving bowls in revived Kakiemon style decorated with a depiction of the Seven Sages of the Bamboo Grove in low moulded relief; here represented by just two of them. The Sages were synominous with a hedonistic lifestyle of drinking and poetry. The foliate rims of the dishes are painted with a fuchi beni, iron brown glaze. The central roundel in the well of each bowl is decorated with a Namban or Tojin style figure of a European with a two legged long tailed dog like cr...

A finely enamelled Japanese export bowl decorated with Chrysanthemums and Peonies between a pair of Fan Shaped reserves of Kiku form. The petals alternating between a gilt leaf and tendril blue brocade and an unusual iron red shaded wash. The veins of the gilt leaves created by the use of a scraffito technique. The interior with a band of peony and prunus sprigs. The central well of the bowl decorated with an iron red and gilt kiku mon. A single ring to the interior of the foot-rim of the bowl. ...

Small Chinese Export cup and saucer, first part of the 18th century, Yongzheng or early Qianlong. “Batavia” brown glaze with reserves of flowers in Imari colours and gilt. Diameter of saucer "4/ 10.5 cm, height of cup "1 ½/ 3.5 cm. Condition: wear to the gilt, one hairline each to cup and saucer (cf. pics).

Lovely fluted porcelain teapot decorated in the Imari palette with butterflies and flowers. H. 12,5 cm. This teapot is in in excellent condition: original lid, no cracks, chips or repairs, only minor ware to the gilding.

A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design. These are symbols associated with the Taoist Immortals Zhongli Quan and Li ...

A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children. The more famous Hirado patterns also date from this period. It was also a relatively common practice at this period to represent the Eight Immortals as children, so the design could also connote a wish for immortality, longevity ...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design. The fierce Chinese Dragons have been replaced with benign Buddhist...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design. The fierce Chinese Dragons have been replaced with benign Buddh...

A koro of rounded barrel shaped profile decorated with a repeating pattern of underglaze dragons, chilong, framed by rectangular shaped reserves constructed from c form scrolls set against a pine scale ground painted in aubergine, green and yellow enamels. The lip of the rim painted in blue and the interior of the rim painted with a diaper band. The koro dates to the late mid Edo period c.1750-80. It measures approximately 12.5cms in diameter (12cm at the rim), and stands 8cms high with a reces...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A single spur to the base. Dating Kyoho era, c1710-40. The plate measures approximately 24.5cm in diameter (...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base. Dating Kyoho era, c1710-40. The plate measures a...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base. Dating Kyoho era, c1710-40. The plate measures a...

A rather unusual export dish decorated with a Kraak style border of six larger panels containing respectively a pair of Peaches, symbols of Longevity, and a scroll and whisk, representative of the Eight precious objects, Baxia, with the smaller intermediate panels decorated with a combined clove and jewelled Rhinoceros horn motif. The centre is decorated with a wreath of Pomegrantes and Pomegranate leaves in iron red, green and blue enamels, partially disguising an unglazed circle, enabling stac...

The dish has an unusual square form with indented corners and a raised almost vertical rim which suggests that it was probably intended to be used for the serving of sashimi, sliced raw fish. This type of dish is described in Japanese as a shihou-sumioshi sara. By the late Mid Edo period sashimi had been growing in popularity being prepared by professional chefs, and was served both in aristocratic and in wealthy households and Ryokan. The somewhat surreal landscape contains a pair of Cranes,...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which one of the pair of figures is parodied in mitate style as a proud Rooster and Hen. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinations of painting and poetry during the late Eighteenth century. The second dish...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which the first of the pair of figures is parodied in mitate style one of whom has a board on his head and one presumes losing opponent has a miserable expression. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinatio...

A fine large fan shaped sweetmeat dish decorated with a central motif of a wide mouthed baluster form vase flanked by a pair of rectangular shallow sand filled bronze trays, suiban, containing arrangements of Cherry, Camelia, Chrysanthemums and Pinkes. The rim framed by a Chrysanthemum arabesque and the reverse of the dish painted with floral sprigs in iron red and a thunder fret border in underglaze blue to the outside of the foot-rim. The dish is strikingly similar in form and decoration to e...

A Japanese Export Imari plate decorated with a pavilion amongst flowering trees. The reverse plain with four spur marks. Arita porcelain circa 1750.

Approximately 23.5 cm diameter. Perfect condition.

Please study the photographs.

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A decorative and colourful Arita nagazara or long dish decorated with a central botan-mon, double Peony motif with alternating panels of Chrysanthemums and under-glaze blue Chrysanthemum leaf arabesques, and Shishi, lion dogs, set against an iron red Peony Petal ground. The dish is good condition, with the exception of a small shallow flake to the top left hand corner of one of the dishes. Dating circa 1760-90, Horeki to Meiwa, late Mid Edo, a similar dish is illustrated in the Complete Catal...

A rare Arita flower vase following a bronze form decorated in somenishikide style. The long flared neck decorated with a plume of stylised leaves with a pair of ring handles enamelled in green and iron red with gilding. The wasted bulbous body of the vase decorated with the figure of a Chinese scholar fishing and the reverse with stylised waves and flowering plants. The vase measures 22.5cm high and is approximately cm in diameter at its widest point 9.5cm. It weighs 620grams. The vase probably ...

A Japanese scalloped rimmed bowl with a janome, bulls eye base, decorated wth three lotus form reserves each containing an auspicious somewhat rotund karashishi with a ribboned cash symbol inset against a rather unusual budo karakusa, grape vine arabesque. The base decorated with a stylised lotus pattern and the rim with a pattern of alternating double crested waves and gobenka. The interior decorated with a shochikubai-mon; the Three Friends of Winter. The form and style of the bowl is typical ...

A Chinese porcelain moulded dish of sixteen petaloid form, (chrysanthemum form, kikugata) decorated with panels of flowers, Chrysanthemums, Plum Blossom, brocade bands and Tea flowers to the centre. The reverse painted with sprigs in iron red and underglaze blue. The dish dates to the late Kangxi circa 1700-1720. The dish measures 18.5cms in diameter. There is some as to be expected fritting to the rim with a shallow chip visible to the reverse related to one of fritted areas, and a difficult t...

A very fine Chinese Imari saucer dish decorated with elaborate sprays of Chrysanthemums and Irises with a central motif of a Chrysanthemum all richly gilded with a minimum of underglaze blue elements in the design. The edge of the dish with a gilded brown glazed rim. The reverse painted with two prunus sprigs in iron red and underglaze blue. The dish dates to the early 18th century; late Kangxi to Yongzheng. The dish measures 22cm in diameter and 4cm high at the rim and is in excellent conditi...

Ko Imari Shochikubai-mon and Tako Karakusa Dish mid 18C A moulded dish of lotus petal form with an upturned rim decorated in underglaze blue with a central Shochikubai mon, representing the auspicious Three Friends of Winter, framed by border of scrolling waves, uzunami, and a stylised lotus arabesque of so-called octopus scroll form. The reverse decorated with a meandering band of stylised Lotus vine, karakusa, and an auspicious four character fukichosun mark. The dish is in good condition, ...

An 18th Century Japanese porcelain scalloped serving bowl, with lid, decorated with the Imari colors of red, blue, white, cream, and gold. The tureen measures about 9 1/4" long x 6 1/2" wide x 7" tall. The Shippo design family crest has been applied in gold on the blue panels. The finial is modeled as a sixteen pedal chrysanthemum blossom. The condition is excellent, with some wear to gold highlights. The asking price includes shipping within the USA.

Japanese Imari ware porcelain charger with the image of a large koi fish in blue cobalt underglaze, with red and blue ground of scrolls, plum blossoms, the plate with fluted foliate petal edges, the underside with blue floral motifs and bands. The underside has a blue marking.

Circa 1800s

Dimensions: 14" x 2 3/4" H

A namasu or serving dish of unusual quadrilobed form with scalloped suhama style rim; a stylization of a wave washed beach. An auspicious form referencing Horai-san, the isle of the Immortals and therefore a wish for a long life. The bowl is decorated with a central mon of a stylised Lotus motif, perhaps also containing elements of the aoi-mon, and karakusa. Surrounded by four panels containing an unusual four toed Water dragon emerging from stylised waves. Each panel separated by columns of pe...