Traditional Georgian-style sterling silver candlesticks, ca 1950. Each: Spool socket with detachable bobeche on knopped and flanged shaft; foot square. Gadrooned rims. Fully marked including stamp for Prill Silver Co., Inc. a New York maker active from 1930s-1970s. Very good condition.

Dimensions: H 9 1/2 x W 4 1/4 x D 4 1/4 in. Total weight: 34 troy ounces. #BX824

Victorian ring in platinum on 18k gold with rose-cut diamonds and rubies in crisscross design. England, ca 1880. Hallmarked. Excellent condition.

Size: 4 1/2. Weight: 2.1 dwt (3.2 g). #1221

Victorian glass decanter with sterling silver mounts. Made by William & George Sissons in Sheffield in 1876. Cylindrical with spread base; etched fruiting grapevines. Sterling silver collar with branch-form scroll-handle mounted at base to beaded gridle. Cover domed and hinged with cast finial in figure of reclining nude ephebe holding a jug. Cover and collar have chased and applied flowers in irregularly curved frames on stippled ground. Shell-form spout with horned and hirsute satyr’s head. ...

Shodo Kawarazaki (1889-1973)
Water Hyacinth (Mizuaoi)
Date: 1950s. Later edition.
Size: Oban. 16.0 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left. Carver and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Osuga Yuichi (b. 1939)
Japanese Bellflower (Kikyo)
Date: ca. 1970s or later.
Size: Oban. 15.875 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left.
Carver: Monju. Printer: Sugimoto
Medium: Japanese woodblock print.
Condition: Upper left margin edge has vertical crease.

Toko Shinoda (1913-2021)
Title: Discovery
Size: Approximately 14.125 x 10.5 inches.
Date: 1980s or earlier.
Edition: 33/35.
Medium: Lithograph with red and black sumi-e brushstrokes.
Condition: Slight toning to former matte edge.

Ohara Koson (?)
Three Birds (Gallinules) (Matsumoto catalog name)
Size: Approximately 14.4 x 9.0 cm. 5.75 x 3.625 inches.
Date: ca. 1910.
Sealed "Yamagishi," which may be the carver Kazue Yamagishi (1891-1984).
Publisher: Matsumoto (no. 420)
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design. Not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland) but similar to the artist's gallinule...

Edwardian Neoclassical glass tray with sterling silver gallery. Made by R. Wallace & Sons Mfg. Co. in Wallingford, Conn., ca 1910. Glass is clear with cut star. Gallery is straight with pierced ornament, reeded rim, and cutout tubular handles. Fully marked including maker’s stamp and no. C1529. Very good condition.

Dimensions: H 2 3/4 x W 13 1/8 x D 12 1/4 in. #BT638

Victorian sterling silver baby cup. Made by George John Richards in London in 1853. Baluster bowl with leaf-capped double-scroll handle and scrolled skirted foot. Embossed vegetation clusters in engraved leafing scroll frames; a third frame vacant. Fully marked. Very good condition.

Overall dimensions: H 4 3/8 x W 4 3/8 x D 3 in. Weight: 4.8 troy ounces. #BV954

Modern sterling silver serving tray. Made by Tiffany & Co. in New York. Round with stepped rim. Smart and functional with nice heft. Fully marked including maker’s stamp, pattern no. 21252, director’s letter m (1907-47), and wartime star (1943-5). Very good condition.

Dimensions: H 1/2 x D 10 in. Weight: 16.2 troy ounces. #BX445

German 800 silver cigarette case, ca 1910. Rectangular and hinged with curved corners. On cover are enameled sin symbols: Women (opera girl), wine (champagne), and gambling (cards and ponies). Three vices – but smoking is not among them. Marks include maker’s stamp (Louis Kuppenheim) and no. 130. Very good condition with intact color.

Dimensions: H 3 1/2 x W 3 1/4 x D 3/8 in. Gross weight: 4.3 troy ounces. #BX884

George III sterling silver mustard pot. Made by Andrew Fogelberg in London 1770. Drum-form with flat and hinged cover; leaf-capped s-scroll handle with open scroll thumb rest. Engraved leafing scrollwork, including frame engraved with armorial. Detachable cobalt glass liner. Fully marked. Very good condition.

Overall dimensions: H 3 1/4 x W 3 3/4 x D 2 1/2 in. Weight (silver only): 4 troy ounces. #BV986

Ide Gakusui
Berries
Size: Approximately 5.5 x 3.75 inches.
Date: 1950s-60s.
Gakusui signature and seal lower left.
Publisher: Watanabe Shozaburo
Woodblock print is tipped along the top edge to original 7 x 4.75-inch blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Sparrows
Publisher: Doi. Issued by Odawara Shoten.
Date: 1940. This edition likely post-2000.
Print size: Koban. 8 x 5.75 inches.
Koitsu catalog no.: Similar to TK-DH-90.
Medium: Japanese woodblock print.
Condition: Excellent.

Victorian sterling silver letter opener. Made by George Neal & George Neal in London in 1900. In form and with dimensions of a 12-inch ruler. Tapering point for getting underneath the fold. A stylish and useful desk novelty. Fully marked. Very good condition. Weight: 2.5 troy ounces. #BW008

Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for engraving. Fully marked including maker’s stamp and postwar pattern no. 23617. Very good condition.

Dimensions: H 3 7/8 x D 7 3/4 in. Weight: 14.2 troy ounces. #BX699

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...