Takahashi Shotei (Hiroaki)
In the evening; fishing at Tsukudajima
Size: Approximately 15 x 7 inches.
Date: pre-1936.
Publisher: Watanabe Shozaburo. No. 202 in 1936 Watanabe catalog. M-2 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: Margins edges toned from previous framing.

Ohara Koson
Carp
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (86).
Reference: K39.8 and plate 100 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father, John Jay. Their Bedford home is now the John Jay H...

Takahashi Shotei (1871-1945)
Evening Glow at Sakawa Bridge
Date: Pre-1936.
Size: Mitsugiri-ban. Approximately 15.25 x 6.75 inches.
Publisher: Watanabe Shozaburo.
Reference: M-9 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: Very good. Upper left corner has crease.

Paul Jacoulet
Korean Baby in Ceremonial Costume, Seoul (Bébe Coréen en Costume de Cérémonie, Séoul)
Date: September 12, 1934.
Size: Approximately 18.75 x 14.0 inches.
Jacoulet signature and watermark with fan seal.
Edition: 316/350.
Reference: Print #4 in The Prints of Paul Jacoulet by Richard Miles.
Condition: Some fading. Small, faint spot in upper background.
- Jacoulet's first study of a child.

Ohara Koson
Peafowl on flowering cherry
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson seal.
Publisher: Daikokuya (97)
Reference: K38.13 and plate 87 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. A few small black marks in sky at left and above bird. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a de...

Ohara Koson
Peacock on a bough of a pine tree, a peahen behind
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature seal.
Publisher: Daikokuya (6)
Reference: K38.17 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Black mark at top margin and in sky at lower right.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendan...

Ohara Koson
A white-fronted goose flying in front of a full moon, reeds below
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (132)
Reference: K11.16 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of Uni...

Hashiguchi Goyo
Rain at Yabakei
Date: 1918. This edition 1980.
Publisher: Tanseisha
Size: Dai-oban. 19.25 x 13.5 inches
Condition: Excellent color and condition.

Artist: Yamamoto (seal)
Gotemba in Snow
Bears artist's seal.
Publisher: Takemura Hideo. Bears round Takemura seal.
Date: 1930s. Collected after WWII but very likely from Takemura's pre-war stock.
Size: 5.5 x 3.5 inches.
Tipped at top to original greeting card.
Condition: Print is very good. Card is discolored.

Saito Hodo (aka Nishimura Hodo)
Street in Front of Restaurant
Date: 1920s-30s.
Size: Oban. 19.75 x 13 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Excellent.
Note: Paintings and woodblock prints variously signed "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar style and at times depict...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Saito Hodo (aka Nishimura Hodo)
A balcony scene with falling cherry blossoms
Date: 1920s.
Size: Oban. 15.25 x 10.25 inches.
Publisher: Takemura Hideo.
Signed "H. Saito" by the artist.
Medium: Japanese watercolor.
Condition: Faint matte line.
Note: Paintings and woodblock prints variously signed as "H. Saito" (Saito Hodo) and "Nishimura Hodo" were published by Takemura Hideo. They are very likely by the same artist. Works with these signatures had similar s...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

Tadamasa Ueno (Torii Tadamasa)
Kumadori Ju-hachi Ban. Makeup for Asagao Senpei from Sukeroku. Eighteen Famous Kabuki Plays.
Date: 1940. First edition.
Size: 15.75 x 10.75 inches.
Publisher: Watanabe Shozaburo. Seal E (1932-42) at lower left margin.
Signed and sealed at upper left.
Condition: Fading in the blues. The upper background was tinted blue where formerly matted.

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Shin-Bijutsukai Japanese Design Magazine, vol. 28
Compiled by artist Furuya Korin (1875–1910).
A monthly magazine (1902-06) featuring the work of talented design artists.
First published 1905. This Yamada Unsodo-published edition dates to 1906 or later.
Contains 20 full-page, original woodblock-printed designs.
Publisher: Kyoto Unsodo.
Size: 9.5 x 6.5 inches.
Medium: Woodblock-printed book bound with silk ties.
Condition: Some wear at front and back cov...