Chinese silver mug, ca 1910. Straight and upward tapering sides and c-scroll handle. A spare form enlivened with applied wraparound dragon chasing its tail. Marks include stamp for Wang Hing, a maker and retailer in Canton and Hong Kong. Very good condition.

Dimensions: H 5 x W 5 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX461

Beautifully carved soap stone figure of sage Fulushuo, he leans on an elaborately carved staff and hold the peach of longevity, on an intricately carved dark stone stand on which are carved a bat and a deer, also symbols of happiness and longevity, wonderful expression, stone of a lovely orange and green, Republic Period (circa 1910-1930). Total size: 20 3/4" high x 8" wide x 5 1/2" deep.

Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle, ferocious head peaking above the rim. Armorial cartouche (vacant). Marked “HCH”. Very good condition.

Overall dimensions: H 5 1/2 x W 5 x D 3 in. Weight: 9.6 troy ounces. #BX463

Chinese silver mug, ca 1865. Straight and upward tapering sides with dense low-relief frieze: Spearmen and swordsmen on foot and horse thrust and lunge and, in some cases, fall in battle. Applied armorial shield with engraved presentation dated “May 4th 1865”. S-scroll handle in form of scaly dragon with horned head peering over rim. Marked. Very good condition with deep patina.

Overall dimensions: H 5 1/4 x W 5 1/4 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX464

Chinese export silver mug, ca 1880. Straight and upward tapering sides with allover low-relief battle frieze depicting soldiers—spearmen, lancers, and swordsmen—with a few hapless members of the flag corps wandering into the thick of things. In background (that is, at top) peacetime is represented by houses and trees. On front applied heraldic shield (vacant). Cast dragon handle—a horned scaly, serpentine serpent gripping the side with talons. Gilt-washed interior. Marked. Very good condit...

Rare mixed metal pitcher with lots of bugs. Made by Tiffany & Co. in New York, ca 1880. Globular with drum-form neck, small lip spout, and c-scroll handle. Modish insects—dragon fly, grasshopper, and butterfly—creep and dart among fluid and interlaced grass stalks applied to hand-hammered sterling silver ground heightened with floral engraving and copper inlay. A superb integration of Japonesque and Craftsman. Interlaced script monogram engraved to underside. Fully marked including pattern n...

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

Shoda Koho
Ueno Park
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 10.25 x 7.75 inches.
Date: 1910-38. A rare, early edition on card-like paper.
Publisher: Hasegawa. #1248 in Hasegawa catalog.
"Made in Japan" stamp and #427 tag on verso.
Not sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent.

Hans Frank, Austrian (1884-1948)
Venice II, 1925 (Venedig II, 1925)
Date: 1925.
Paper size: 17.5 X 13.25 inches (44.5 x 33.9 cm).
Window size: 16 x 12 inches (40.5 x 30.5 cm).
Signed and dated at lower right.
Medium: Color woodcut on laid Japanese paper.
Condition: Small crease at upper right corner. The odd small mark in image.
Attached with archival tape to top of a 24 x 20-inch matte).

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.625 x 3.625 inches.
Date: Late 19th/Early 20th century.
Publisher: Kobayashi Bunshichi (black seal).
Medium: Japanese woodblock print.
Condition: Light toning

Pair of Art Deco sterling silver 2-light candelabra. Made by Georg Jensen in Copenhagen, ca 1950.

Each: Two crisscrossing arms with twisted fluting each terminating in single faceted socket with wide flat rim; socket set in leaf ring. Arms mounted to side of shaft in form of bud with clusters of seeds applied to faceted leaves; bud set in same mounted to rings and flanges; raised foot.

Designed by Johan Rohde in 1920. Distinctive Danish Modernism synthesizing natural and geometric motifs.

Victorian Classical sterling silver baby cup. Made by Gorham in Providence in 1888. Straight sides and lobed bracket handle with reeded bands. Stylized ornament: Scrolled frame surrounded by scrolls, leaves, flowers, and a couple hovering insects. Butler finish. Mouth rim has egg-and-dart border. At bottom cast low-relief rinceaux band between reeded borders. Gilt-washed interior. Interlaced script monogram. Full marked including maker’s stamp, date symbol, and no. 3875. Very good condition.

Saint Dunstan sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1910. Globular with high-looping and capped handle, helmet mouth, and reeded foot ring. Girdle with pendant fleurs de lys applied to shoulder. Fully marked including maker’s stamp, pattern no. 14116E, director’s letter m, and volume (4 3/4 pts). Very good condition.

Dimensions: H 8 1/2 x W 8 1/2 x D 6 in. Weight: 28 troy ounces. #BZ354

American Midcentury Modern sterling silver picture frame. Retailed by Cartier in New York. Square window in wide, flat, and plain surround. With glass, silk lining, and wood laminate back and hinged easel support. Fully marked including retailer’s stamp, no. 77/17, and phrase “Hand Made”. Very good condition.

Dimensions: Frame: H 6 1/2 x W 6 1/2 in. Window: H 4 1/2 x W 4 1/2 in. #BZ639