A Pair of Very Rare Chinese Yuan / Ming Dynasty Longquan Celadon Vases (Published / Exhibited: Ex. Helen D. Ling Collection)
This extremely rare pair of vases was made during the 14th - 16th century at the Longquan kilns in Zhejiang province. They are "heavily-potted" with elaborate moulded decoration covering the entire outer surfaces. On one side of each vase the decoration centres around the Chinese "shou" character (meaning longevity), whilst on the other side, the Chinese "fu" character...
Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases
This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...
Fine Rare Chinese Song / Yuan Dynasty Inscribed Buddhist Sanskrit Pottery Jar
This very rare and fascinating pottery jar was made around the 13th - 14th century during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province, at the time a particularly isolated part of China. It is made from a relatively highly-fired grey pottery the surface colour varying in places from pale to dark grey although much of t...
A Chinese 'Longquan' kiln celadon-glazed arrow vase, probably Yuan/Ming Dynasty.
Height: 15 cm Width / Diameter: 7.7 cm
A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'.
An accompanying 1973 British Museum letter suggests a...
A fine and very rare pair of monochrome rouleau shaped porcelain vases with apple green lustrous glaze; the base and interior are glazed white.
There are old collector's labels to the base.
These items were made in China, in the late 17th or early 18th Century, during the reign of the Kangxi emperor (1662-1722).
Condition - excellent - no damages and no restoration.
13cm (5inches)high.
清康熙 苹果绿棒槌瓶一对
瓶底和瓶身内部施白釉。两个瓶...
DESCRIPTION: A beautifully mounted Chinese roof tile of a Ming warrior seated upon a horse. The bearded soldier, his right hand on his hip, sits erect upon his amber horse which stands on the curved tile base. This earthenware tile has been decorated in a sancai glaze of predominately green and amber colors. A beautifully carved custom rosewood base has been made for this large tile, the base itself probably being over 100 years old. CONDITION: Quite good condition with the usual wear one wou...
Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog
This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.
Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...
Rare Chinese Western Han Dynasty Bronze Cauldron / Jar
This domestic bronze cooking vessel was made during the Western Han Dynasty (206 BC - AD 8) or possibly earlier. It has two handles on opposing sides of the shoulder. It is quite "heavily-cast" and the casting lines are quite pronounced, especially across the flat base. There is some corrosion, mostly to the base where it comprises mostly malachite (green) and azurite (blue). There are also black carbon deposits on the surface in places,...
Fine & Rare Chinese Southern Song Dynasty Qingbai Glazed Porcelain Dish (with carved & moulded decoration)
This attractive porcelain dish, or shallow bowl, was made during the Southern Song Dynasty (AD 1127 - 1279). It is coated in a finely-crackled pale greenish translucent qingbai glaze, save for the rim and flat base that remain intentionally unglazed. To the small flat base is a Chinese character in fired-on black pigment that most likely represents a name.
The upper surface is decor...
Chinese Qing Dynasty Pair of massive Canton lidded urns with Fou dog lids Approximately 42 inches high and 20 inches wide, come with associated carved wood stands
A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.
The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.
A rare to...
A pair very decorative Chinese shellwork and mother-of-pearl encrusted vases in the Grotto-style. The four sides with an engraved medaillon showing an elephant, dormice, rabbits or a deer. Wooden core and lacquered base. Condition: few missing shells, traces of age. Dimension: c. 18 cm height.
A Chinese Dehua Blanc De Chine 'Guan Yin' Figure. Circa, 17th Century, Late Ming Dynasty.
Found in the Philippines.
Measurements: height (7.5"inches).
Condition: one of the figures has been reattached and there is a small kiln defect behind the Guan Yin's head.
Photos by: The Oriental Room®
Feel free to contact me at theorientalroomph@gmail.com for further inquiries, price offers, additional photographs, experts assessment and authentication regarding this antique, or for...
24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...
A gilt bronze Libation Cup decorated on the outside with auspicious symbols: Cranes, Bamboo,Prunus blossom and Lingzhi fungus and with some of the Buddhist Bajixiang ("eight precious emblems").
This item was made in China in the Ming dynasty (1368-1644) and is from the collection of a British Architect who was born in China and lived in Shanghai until 1931 when he migrated to the UK.
Condition: very good - no damages, repairs or losses - but there is some copper oxidation and surface wear...
Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...
Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...
A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...