Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

Turn-of-the-century Chinese silver mustard pot. Round and bellied bowl with plain concave neck, thin scroll handle, and spread foot. Modish floral ornament in form of chased and applied water lilies and pads heightened with engraving on stippled ground. Chinese marks. Very good condition.

Dimensions: H 2 3/8 x W 3 1/4 x D 2 3/8 in. Weight: 2 troy ounces. #BV330

Chinese export silver mug, ca 1850. Straight and upward tapering sides applied with leafing bamboo on stippled ground. Branch-form handle and rims. Applied rondel engraved with single-letter monogram in buckled belt. On underside is engraved “H. J. T. / 1855”. Interior gilt washed. Chinese mark and initials KHC for Khe Cheong, a Canton silversmith and retailer active from ca 1830s-70s. Very good condition.

Overall dimensions: H 5 x W 5 1/2 x D 3 1/4 in. Weight: 10 troy ounces. #BX462 ...

Antique Chinese three section desk with attractive brass tone handles, nicely complimenting the warm finish of the wood. Simplistic in design, with eight medium drawers and one long drawer along the topmost section. Great full size for modern day use. Size: 31.5" height, 53.75" width, 30" depth

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

Chinese silver censer, ca 1910. Drum-form agate body set in silver gilt mounts with scrollwork and lunettes. Leaf-capped side bracket handles. Upward tapering support and stepped foot with fretwork brackets. Cover raised with pierced scrollwork borders bud finial with leaf brackets on solid central mount with scrolls and fan. Silver gilt and heightened with blue, green, and red enamel. Marked “Silver”. Very good condition.

Dimensions: H 8 3/4 x W 7 3/8 x D 4 3/8 in. #BY170

Chinese silver mug, ca 1865. Straight and upward tapering sides with dense low-relief frieze: Spearmen and swordsmen on foot and horse thrust and lunge and, in some cases, fall in battle. Applied armorial shield with engraved presentation dated “May 4th 1865”. S-scroll handle in form of scaly dragon with horned head peering over rim. Marked. Very good condition with deep patina.

Overall dimensions: H 5 1/4 x W 5 1/4 x D 3 1/4 in. Weight: 10.8 troy ounces. #BX464

Chinese export silver mug, ca 1860. Straight and upward tapering sides with applied pictorial frieze on engraved and stippled ground: Scenes of social life with contemplative sages and chaste maidens amongst palm trees and pagodas. Pastoral exoticism enlivened with scaly, slithering dragon handle, ferocious head peaking above the rim. Armorial cartouche (vacant). Marked “HCH”. Very good condition.

Overall dimensions: H 5 1/2 x W 5 x D 3 in. Weight: 9.6 troy ounces. #BX463

Turn-of-the-century Chinese export silver picture frame. Oval window in shaped surround with scrolls and flower heads at top, and leaves, stars, flowers, and heart cartouche vacant on stippled ground at bottom. With glass, silk lining, velvet back, and hinged easel silver wire support. Marked “Sterling”. Very good condition with deep patina.

Dimensions: Frame: H 7 1/4 x W 4 3/4 in. Window: H 4 1/4 x W 2 3/4 in. #BW978

Seto is a pottery tradition established in the 12th century with the aim of reproducing fine Chinese porcelain and tenmoku-style tea bowls—which were hard to come by in Japan at the time. Later, during the Muromachi period, Seto potters established kilns in Mino thus starting the period known as ko-Seto, or “old Seto.” These pieces were distinctive as they were produced in small batches and with great care. Later in Edo, the large-kiln style of production or “ogama” was introduced ushe...

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

An often overlooked implement in tea ceremony, here we have the humble kogo (incense box) with an image of a sleek and flowing dragon. Commonly thought to represent strength, freedom, good luck, and magic, dragons are a popular theme in the artwork across Eastern cultures. Interesting to note, the dragon here is portrayed in the Korean style with four claws, with dragons in China typically having five claws and dragons in Japan typically having three. Fashioned by one of the few great female Jap...

The poem accompanying the artwork on this antique scroll reads: Fishing little trout—Precious drops of dew glisten—Flowing with the blossoms—The mountains and rivers of spring ( Rengetsu, age 78 ). A rather later and mature work by Rengetsu, this piece was created right as Edo ended and Meiji began, marking a major turning point in Japanese history and culture.

Ōtagaki Rengetsu (1791-1875) was born into a Samurai family but soon after adopted by the Ōtagaki fam...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

This lovely Shino tea bowl fashioned from coarse Mino clay is covered in feldspar glazing, has a classic ferrous abstract painting across the front, and shows nice age—most likely from early to middle Edo.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in a single-chamber anagama style kilns set into the hillsides. Later, with the advent of large-batc...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku. Th...

Pair of English Neoclassical-style sterling silver candlesticks. Made by Tiffany & Co. in New York, ca 1917. Each: Urn socket mounted to tapering shaft on raised and round foot. Pointillé frames and Vitruvian scroll borders. Faceted. Fully marked including maker’s stamp, pattern no. 19221 (first produced in 1917), order no. 6727, and director’s letter m as well as phrases “Reproduction Original by John Green & Co. Sheffield 1797” and “Silver 13 1/2 OZS Wood Weighted”. Very good cond...

American Art Deco sterling silver tray, ca 1925. Retailed by Cartier in New York. Rectangular with chamfered corners, tapering sides, and molded rim. Fully marked including retailer’s stamp, no. 47/4, and phrase “Hand Made”. Very good condition.

Dimensions: H 3/4 x W 16 x D 12 in. Weight: 43.8 troy ounces. #BY625

American Art Deco sterling silver tray, ca 1925. Retailed by Cartier in New York. Rectangular with chamfered corners, tapering sides, and molded rim. Fully marked including retailer’s stamp, no. 47/4 and phrase “Hand Made”. Very good condition.

Dimensions: H 3/4 x W 16 x D 12 in. Weight: 43.8 troy ounces. #BY624

American Art Deco sterling silver tray, ca 1925. Retailed by Cartier in New York. Rectangular with chamfered corners, tapering sides, and molded rim. Fully marked including retailer’s stamp, no. 25/4, and phrase “Hand Made”. Very good condition.

Dimensions: H 3/4 x W 13 3/4 x D 10 1/4 in. Weight: 23.8 troy ounces. #BY623

Pair of English Retro Deco sterling silver wine coolers, 2014. Each: Chamfered and tapering bowl; stained-wood side handles with stepped sterling silver mounts. Tapering and stepped support mounted to chamfered square base. All planes and angles for holding a round bottle. Super stylish style-of barware. Fully marked including unidentified maker’s stamp (R&SN) and London assay stamp. Very good condition.

Dimensions: H 10 3/8 x W 8 5/8 x D 7 1/2 in. Heavy gross weight: 170 troy ounces. #BZ651...

Two Modern sterling silver drink stir sticks:

1) Thin round stem with ball terminal; bowl in form of golf club head. Marked “Tiffany & Co 925”. Very good condition. Dimensions: H 7 3/4 x W 1 3/8 in.;

2) Long round stem and oval bowl; cast figural rooster terminal, suggestive of either the early-bird special or the morning-after hair of the dog cure. Marked “Tiffany & Co. Makers Sterling”. Very good condition. Dimensions: H 10 3/4 x W 1 1/4 in.

Total weight: 1.8 troy ounces. #BZ347...

French Art Deco 950 silver box, ca 1920. Round and flat. Concentric engine turned ornament with engraved flowers on top center and patera on bottom center. Gilt interior. Sweet and pretty. Pocket size. Marked. Very good condition with some handling wear.

Dimensions: H 3/4 x D 2 1/8 in. Weight: 2.2 troy ounces. #BZ625

Rare Chrysanthemum sterling silver soup tureen. Made by Tiffany & Co. in New York. Lobed and oval bowl with scalloped and turned down scalloped rim. Bracket end handles and four splayed volute supports. Cover double domed with bracket finial. Dense and textural cast ornament in form of alternating flower heads and leaves applied to rim and cover shoulder. With dense profusion of same applied to feet and wrapped and mounted to handles. A big, drool-inducing centerpiece made soon after this histor...

George VI sterling silver box. Made by WH Manton in Birmingham in 1938. Rectangular with curved corners. Cover hinged with gently curved top and tapering tab. Cedar-lined and partitioned interior; wood lined underside. Fully marked. Very good condition.

Dimensions: H 2 3/4 x W 7 1/8 x D 3 3/4 in. Gross weight: 18 troy ounces. #BZ609

Modern double picture frame. Retailed by Cartier in New York. Two vertical (portrait) rectangular windows in horizontal (landscape) rectangular surround. Sterling silver borders and sides. On front red guilloche enamel in shade of throbbing scarlet. For a hot twosome. With beveled glass, red lining, and same velvet back with hinged easel support. Marked “Cartier Sterling 925 Italy”. Very good condition with strong intact color. Velvet wear and discoloration.

Dimensions: Frame: H 3 1/2 x W ...

German 800 silver lady’s shoe, ca 1920. Plain sole and low heel, and loose-mounted c-scroll strap. Chased leafing and flowering scrolls on stippled ground. Hanau marks. Very good condition.

Dimensions: H 2 5/8 x L 7 3/4 x W 2 3/8 in. Heavy weight: 6.8 troy ounces. #BZ641

Set of 6 Belle Epoque cast 950 silver candlesticks in Louis XVI style, ca 1910. Made by J. Gruhier in France, ca 1910. Each: Spool socket with stepped and detachable bobeche. Tapering paneled shaft with stippled and elongated egg-and-dart; domed foot on octagonal base. Gadrooning and reeding. Substantial and elegant. Fully marked including Minerva head and maker’s stamp. Five have retailer’s stamp for Boin-Taburet, a Paris firm associated with adapting and reproducing historic French wares. ...

Pretty Art Nouveau sterling silver picture frame. Made by Meriden Britannia (part of International) in Connecticut, ca 1900. Rectangular window in flat surround with irregular interior rim. On front acid-etched wraparound scrolling leafing branch threaded-through corner circles; sides plain. With glass, silk lining, and velvet back and hinged easel support. Fully marked including maker’s stamp and no. C878. Very good condition with strong definition.

Dimensions: Frame: H 5 3/4 x W 4 1/2 in....

Traditional German gilt sterling silver stirrup cup, ca 1950. Conical bowl mounted with cast stag head—a furry, gaping beast with flexed-back ears and big antlers. Marked. Very good condition with nice toning.

Overall dimensions: H 6 1/4 x W 5 1/4 x D 3 in. Weight: 10.5 troy ounces. #BZ595

Tall Classical sterling silver wine ewer. Made by Moore for Tiffany & Co. at 550 Broadway, New York, ca 1855. Ovoid bowl with helmet mouth and raised round foot; cast high-looping fruiting grapevine handle. Foot rim encircled with same. Chased and engraved outsized leaves and squiggly tendrils, and bunches in relief. Irregular round frame (vacant). Early marks (1854-70) including maker’s stamp and retailer’s stamps, and pre-1860 pattern no. 488. Very good condition with deep patina.

Over...

Pair of tall Edwardian Neoclassical sterling silver candlesticks. Made by Gorham in Providence in 1908. Fluted columnar shaft on stepped square base. Composite Corinthian capital with detachable, concave, and chamfered bobeche. Beading. Fully marked including maker’s stamp, no. A3208, and date symbol. Very good condition.

Dimensions: H 12 5/8 x W 4 1/8 x D 4 1/8 in. Weighted. #BZ394