Chinese Qing dynasty (19th century) export watercolor on paper painting titled “Chinese Junk.” A lone figure stands at the front of the junk tending to the sails. The heads of the rowers are barely visible. Originally purchased from or framed at Berry-Hill Galleries on 5th Avenue in New York. Recently reframed with archival materials and UV glass in a substantial gold leaf frame with silk mat and gold filet. Sight size: 16 1/4" x nearly 22” (frame: 23 1/2" x 29”). Soiling and foxing sp...

The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.

This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...

The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province. Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo ...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

Contemporary watercolor painting on paper dated 1993 by Zhang Daoxing (born 1935) depicting three female tea leaf pickers with white flower decorated aprons and flowers adorning their heads. A pony is at the lower left. Mounted with a white silk border for framing, it can be loosely rolled for shipping. Mounting: 35” x 35” (painting: 26 7/8” x 27 1/4"). Very good overall condition. Zhang Daoxing's work was included in a Columbia University 1998 exhibition titled "Brushed Voices: Calli...

Chinese Antique Crane and Peaches Scroll, colorfully and vibrantly painted with dancing red-crested crane next to stream and ripe peach-laden tree, pigment beautifully applied, late 19th century, two seals and signed artist name Zhao Ahi Qian (1829-1884), picture size: 54.5"H 27.75"W, overall size: 86.5"H 36.25"W, some wear in center of painting.

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Chinese Qing dynasty to Republic period rectangular form hinged camphor wood storage box with dove tail joints, narrow removable inner shelf, round brass lock plate at the center front, and brass side carrying handles. Late 19th to early 20th century. 17 1/4" long x 9 3/8” wide x 8 3/4" high. Very good overall condition with only a few fine cracks from age. From the Phoenix, Arizona estate of a former expatriate to China from 1983-1987.

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...