Unusual American Modern 18k gold chain, ca 1980. Small yellow gold links interspersed with large tooled ovals with central wraparound band as well as thick and solid rose ovals. With clasp. Very good condition.

Length: 32 in. Weight: 21.7 dwt/33.8 g. #1232

German 800 silver bowl commemorating Napoleon I and Marie-Louise. Lobed quatrefoil with embossed medallion bust portraits of the couple surmounted an eagle; at bottom a military trophy. Open sides with leaf swag with pendant ribboned medallions (vacant) applied to interior. Beaded rim. Mounted end handles in form of burning torch between gryphons.

The eternal flame such as might have been supposed to burn between Napoleon and his teenage bride, an Austrian archduchess—and grandniece no less ...

Luminous Obsidian stones are at the center of this large and lovely Antonio Pineda Bracelet in a design known as the Swans. Measuring 1 1/4" wide by 7 1/3" long it is a bracelet with a bold modernist style. Very heavy at 108 grams. Secure clasp and attached safety chain. Hallmarked with the Antonio Taxco crown, 970, Hecho en Mexico, Silver and the eagle 17. The Swan design in the form of a Necklace is featured in the book Silver Seductions. This is a gorgeous bracelet with an impressive style.

American Modern ring with cabochon tiger eye in 14k yellow gold setting; brilliant-cut diamond on each shoulder. Hallmarked. Excellent condition.

Size: 8 1/2. Weight: 10.5 dwt (16.3 g). #1223

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

Kawase Hasui
Uji Bridge (aka Bridge on a Starry Night)
Note: But are the stars fireflies? The Uji Bridge and River are known for fireflies.
Date: 1930s.
Size: Koban. Approximately 7.75 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Hasui's oval seal at lower left.
Made in Japan stamped on verso.
Reference: Hotei #Hp-24.
Medium: Japanese woodblock print.
Condition: Excellent.

German 800 silver picture frame, ca 1920. Oval window in chased and tooled surround comprising flower heads and leaves. Textural with irregular rims. With glass, silk lining, and velvet back with hinged easel support. With loose-mounted ring. For portrait (vertical) display. Marked with Hanau maker’s stamp Vereinigte Silberwarenfabrik. Very good condition.

Dimensions: H 7 5/8 x W 5 3/4 in. Window: H 5 1/2 x D 4 in. #BY044

Victorian ring in platinum on 18k gold with rose-cut diamonds and rubies in crisscross design. England, ca 1880. Hallmarked. Excellent condition.

Size: 4 1/2. Weight: 2.1 dwt (3.2 g). #1221

Shodo Kawarazaki (1889-1973)
Water Hyacinth (Mizuaoi)
Date: 1950s. Later edition.
Size: Oban. 16.0 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left. Carver and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Osuga Yuichi (b. 1939)
Japanese Bellflower (Kikyo)
Date: ca. 1970s or later.
Size: Oban. 15.875 x 10.75 inches.
Publisher: Unsodo. Publisher's "Gei" watermark at lower left.
Carver: Monju. Printer: Sugimoto
Medium: Japanese woodblock print.
Condition: Upper left margin edge has vertical crease.

Ohara Koson (?)
Three Birds (Gallinules) (Matsumoto catalog name)
Size: Approximately 14.4 x 9.0 cm. 5.75 x 3.625 inches.
Date: ca. 1910.
Sealed "Yamagishi," which may be the carver Kazue Yamagishi (1891-1984).
Publisher: Matsumoto (no. 420)
Medium: Japanese woodblock print.
Condition: Excellent.
An early and rarely seen design. Not found in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland) but similar to the artist's gallinule...

Large Dutch silver cow creamer, 1910. A sweet beast with stocky body on slender legs and delicate hoofs. Head quizzically turned to side with flexed ears, sharp horns, red cabochon glass eyes, and gaping mouth spout. Flicked back tail handle and hinged back cover. Appears to be unmarked. Very good condition.

Dimensions: H 7 1/4 x L 10 3/8 x W 3 3/8 in. Weight: 19.5 troy ounces. #BX771

German 800 silver cow creamer, ca 1910. Stocky body, flexed ears, flicked-back tail handle, and hinged and stippled back flap with engraved wreath and applied fly finial. A gentle face with red-glass eyes and gaping-mouth spout. A capacious dispenser on four firmly planted hoofs. German marks and American importer’s mark for Buchholz & Zelt in New York. Very good condition.

Overall dimensions: H 7 1/2 x L 10 x W 3 1/8 in. Weight: 17.5 troy ounces. #BX770

European silver fish-form spice box, 19th century. Hinged head and lower mouth, and faceted red eyes. Articulated and scalloped wide body, and hinged fins and tail. Loose-mounted ring. Unmarked. Very good condition with deep patina.

Overall dimensions: H 1 5/8 x L 3 1/8 x D 1 7/8 in. #BS513

German 800 silver cigarette case, ca 1910. Rectangular and hinged with curved corners. On cover are enameled sin symbols: Women (opera girl), wine (champagne), and gambling (cards and ponies). Three vices – but smoking is not among them. Marks include maker’s stamp (Louis Kuppenheim) and no. 130. Very good condition with intact color.

Dimensions: H 3 1/2 x W 3 1/4 x D 3/8 in. Gross weight: 4.3 troy ounces. #BX884

Ide Gakusui
Berries
Size: Approximately 5.5 x 3.75 inches.
Date: 1950s-60s.
Gakusui signature and seal lower left.
Publisher: Watanabe Shozaburo
Woodblock print is tipped along the top edge to original 7 x 4.75-inch blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Sparrows
Publisher: Doi. Issued by Odawara Shoten.
Date: 1940. This edition likely post-2000.
Print size: Koban. 8 x 5.75 inches.
Koitsu catalog no.: Similar to TK-DH-90.
Medium: Japanese woodblock print.
Condition: Excellent.

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...