Victorian Regency sterling silver salver. Made by John Aldwinckle and James Slater in London in 1880. Round and solid well engraved with stylized garland frame (vacant) in ornamental surround. Shoulder has applied ribbon-tied garland with pendant patera and open colonnade; beaded rim. Three c-scroll supports with open colonnade and applied garland. Fully marked. Very good condition.

Dimensions: H 2 1/8 x D 18 1/4 in. Heavy weight: 78 troy ounces. #BY506

This pretty brooch with stones mounted in silver-topped 18k gold has been designed in the shape of a flower. The petals have been formed from 5 incised citrines in a warm smokey yellow-brown color which surround a cut diamond in the center. The stem of the flower and the petals' border are all highlighted by inlaid old European and rose-cut diamonds. The back has been marked with a French guarantee stamp. The brooch measures approximately 1 3/4" X 1 1/4" and was made Circa:1880. It is a lov...

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

Edwardian Classical sterling silver urn. Made by Tiffany & Co. in New York. Curved and tapering bowl with leaf flange on domed foot; leaf-capped, wrapped, and mounted high-looping side handles. Chased leafing-scroll border with pendant flowers. Mouth rim wavy with applied leaves. Foot rim has applied swags and leaves. Gilded inside and out. Turn-of-the-century sumptuousness. Fully marked including maker’s stamp, pattern no. 14368B and director’s letter C (1902-7) and volume (7 1/2 pts). Very...

Pair of George III sterling silver tureens. Made by William Pitts in London in 1785. Each: Ovoid body with upturned ends on oval foot; high looping tapering and leaf-mounted end handles. Cover raised with leaf-capped vasiform finial in pointille and pendant flower surround as well as engraved armorial. Beading. Elegant Georgian Neoclassicism. Fully marked. Very good condition.

Overall dimensions: H 6 x W 9 3/4 x D 4 1/2 in. Total weight: 42.4 troy ounces. #BY312

Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...

Fabulous Chrysanthemum sterling silver coffee and tea set. Made by Tiffany & Co. in New York. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl.

In the celebrated pattern that is an American interpretation of a Japanese motif. To Baroque forms are applied a profusion of climbing, wrapping, and bunching flower heads. Chrysanthemum was introduced in 1880 and this set dates from the first quarter century of its production.

All pieces fully marked including maker’...

Edwardian Modern Regency sterling silver basket. Made by the Sweetser Co. in New York, ca 1910. Faceted octagonal bowl with straight and tapering sides on spool support mounted to raised and faceted octagonal foot; fixed curvilinear handle. Engraved ornament with fluted and paterae curvilinear borders forming frames of which four vacant and the others inset with garlands, scrollwork, and vases. Handle has pendant flowers and oval frames inset with paterae. Fully marked including maker’s stamp ...

Edwardian Regency sterling silver box. Made by Gorham in Providence in 1917. Square with straight sides. Cover hinged with gently curved top and scrolled top. Allover engine-turned wave ornament on box sides and cover top, which also has engraved garland and wreath (vacant) with pendant flowers; cover sides plain with pointille borders. Interior velvet lines. Perfect for jewelry and keepsakes. Fully marked including maker’s stamp, date symbol, no. 7113, and letter R. Excellent condition.

Ove...

Edwardian Classical sterling silver vase. Made by Tiffany & Co. in New York, ca 1912. Tapering sides with flared mouth rim and stepped round foot. Acid-etched vertical ornament with alternating wide and narrow curvilinear frames with stylized leaves and volute scrolls; foot encircled with curvilinear volute scrolls and pendant flower heads. Fully marked including maker’s stamp, pattern no. 18193B (first produced in 1912), and director’s letter m. Very good condition with strong definition.

Edwardian Classical sterling silver vase. Made by Tiffany & Co. in New York, ca 1912. Tapering sides with flared mouth rim and stepped round foot. Acid-etched vertical ornament with alternating wide and narrow curvilinear frames with stylized leaves and volute scrolls; foot encircled with curvilinear volute scrolls and pendant flower heads. Fully marked including maker’s stamp, pattern no. 18193B (first produced in 1912), and director’s letter m. Very good condition with strong definition.

Francis I sterling silver teapot. Made by Reed & Barton in Taunton, Mass. Bellied ovoid body on domed foot, high-looping leaf-capped scroll handle, and leaf-capped s-scroll handle; cover hinged and domed with leafing-scroll quatrefoil finial. Strapwork frames (vacant) on front and back between cornucopias and pendant ribbon-tied flowers. Rims irregular with applied leaves and scrolls. Fully marked including maker’s stamp, pattern name, no. 570A, and phrase “Hand Chased”. Very good conditio...

Edwardian Classical sterling silver coffee set on tray. Made by Tiffany & Co. in New York, ca 1921. This set comprises coffeepot, creamer, and sugar on tray. Each: Fluted ovoid body on same foot. Covered domed with vasiform finial. Handles capped and double-scrolled. Engraved ornament including curvilinear frames inset with leafing scrollwork, diaper, and pendant flowers.

All pieces fully marked including maker’s stamp, director’s letter m, and sequential order nos. 8389 (coffeepot), 8390...

Pair of magnificent French Neoclassical 950 silver 7-light candelabra, ca 1880. Each: Six leaf-wrapped s-scroll arms each terminating in single leaf-and-dart socket, mounted to central socket on shaft set in petal mount on knopped and tapering shaft; raised foot on 3 bracket-mounted feet. Imbricated leaf wreaths and garlands, fluting, beading, and pendant flowers. Two oval medallions with armorials for Bernard de Lassus, a mountaineering baron, who divided his time between the remote peaks of th...

Edwardian Art Nouveau sterling silver epergne. Made by James Dixon & Sons in Sheffield in 1905. Large round and shallow basket set in round mount with shell-and-scroll apron surmounting fluted and knopped baluster on raised and bellied base. Two scrolling and whiplash arms, each supporting ring inset with smaller same basket. Four scrolling stretchers mounted to central pendant knops and same supports on quatrefoil feet. Pierced loose and fluid leaves and scrollwork. Gadrooned rims. Fully marke...

Gorgeous museum-quality Japonesque sterling silver trophy bowl. Made by Gorham in Providence in 1884. Large and round with allover ornament in relief. Horned serpents swim slack-jawed through the water. Talons and heads “puncture” the surface to form side handles. Astride one sits an artist, brush in hand recording the thrashing undulations and roiling waves. At mouth rim are applied strewn shells. Foot in form of entwined snakes.

Modish exoticism a world away from the fresh air and fair p...

Set of 4 Victorian Classical sterling silver candlesticks. Made by Hawksworth, Eyre & Co. Ltd in Sheffield in 1880. Each: Gadrooned urn socket with detachable bobeche mounted to stepped top of tapering and fluted pillar on raised square base. With one 4-light inset comprising central socket on wax pan to which are mounted 3 scrolled and reeded arms each terminating in same. Central socket has domed cover with vasiform finial. Low relief pendant flowers and garlands with ribbon and paterae. Beadi...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...