Naoko Matsubara (Japanese-Canadian, born 1937 Tokushima, Japan)
Shrine Market (Tenjin-ichi)
Edition: 47/50
Date: ca 1960s-70s.
Print size: 38.75 x 27.0 inches.
Framed size: 44.5 x 32.75 inches.
Signed, titled, numbered, and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Excellent. Upper right corner margin has light crease.
Notes: This very large framed print is not available for commercial shipment. Free pickup or delivery in Grea...

Joichi Hoshi (1911-1979)
Field
Size: 32 inches by 17.25 inches.
Date: 1974.
Edition: 63/99
Signed, dated, and numbered by the artist.
Medium: Japanese woodblock print on gold leaf.
Condition: Light toning at margin. Back margin has tape residue and one reinforced corner.
Note: Please see additional images for texture and metallics.

Large Japanese Meiji silver chalice, ca 1890. Oval bowl with irregular rim on tall cylindrical shaft flowing into raised and scalloped foot. Spout hammered ground. Double walled. Applied iris and chrysanthemum flowers and blossoming branches. Wire stem with flower head and bud wrapped around shaft. Mount Fuji-form mono plate (vacant). No cliché left behind. A wonderful ceremonial vessel for the advanced export market. Japanese marks and “Kuhn & Komor / Sterling”. Kuhn & Komor was a Hungari...

Birds Eye View of Kiyomizu Temple in Snow
Artist: Not known. After a similar Hasui design.
Print size: Approximately 5.625 x 3.5 inches.
Date: 1950s-60s
Publisher: Watanabe Shozaburo.
Print is attached along its top edge only to original blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Rare Japonesque mixed metal tray. Made by Tiffany & Co. in New York, ca 1878. Square with curved sides and straight edges. Two birds soar and glide. One is viewed from below and the other from above (that is, from bird’s eye). An original and jokey design incorporating the exotic flattened Japanese perspective. Feathers are gold, and beaks, eyes, and wispy, dangly talons are copper. Crescent frame engraved with calligraphy-style presentation dated 1879. Ground hand hammered. Corner leaf-and-sc...

Large turn-of-the-century German 800 silver figural spice box. A bird grips a gnarly branch with scaly talons. Sweet and downy with tucked-down wings. Head detachable. Marked. Very good condition.

Dimensions: H 12 3/4 x L 8 1/2 x W 7 in. Weight: 27 troy ounces. #BW899

Takehiko Hironaga (b. 1935)
A Store in Kakunodate (2) - From the Akita / Kakunodate Series
Japanese title: Kakunodate no Shouho 角館の商舗 (2)
Size: 24 x 18.5 inches.
Date: 1982.
Edition: 23/50.
Condition: Excellent. Right margin has toning.
Hironaga traveled throughout Japan to make prints of its traditional buildings. The influence of his friend Kiyoshi Saito is apparent in this work.

Toshi Yoshida (1911-1995)
Spring from the Birds of the Seasons series.
"Flying Around the Plum Tree"
Date: ca. 1980.
Size: 21.25 x 13.5 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top back margin has tape residue.

Toshi Yoshida (1911-1995)
Winter from the Birds of the Seasons series.
"Sitting Under Snow-covered Leaves"
Date: ca. 1980.
Size: 21.5 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist in the image.
Medium: Japanese woodblock print.
Condition: Top back margin has tape. Very slight toning.

Toshi Yoshida (1911-1995)
Summer from the Birds of the Seasons series.
"Gathering Around Sarusuberi"
Date: ca. 1980.
Size: 21.25 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top back margin has tape residue. Very slight toning.

Toshi Yoshida (1911-1995)
Autumn from the Birds of the Seasons series.
"Serenity of Red Maple"
Date: ca. 1980.
Size: 21 x 13.25 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Top and bottom back margins have tape residue. Very slight toning.

Seiji Fujishiro 藤城清治 (born 1924)
Fairies in a Tree (Playing Instruments) 木の上の妖精たち
Size: 9.5 x 6.25 inches (24 x 16 cm)
Frame size: 17.5 x 15.75 inches (44.5 x 39.5 cm)
Not dated.
Signed and numbered in pencil by the artist.
Edition 119/500. With certificate of guarantee on back.

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

Yoshimoto Gesso
Blue Bird on Plum Branch
Date: 1930s.
Print size: Approximately 9.625 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Point-sized dot in sky.

Aoki Seiko (b. 1880)
Flying Cuckoo
Size: Approximately 9.75 x 4.625 inches. 24.8 x 11.8 cm.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #360 tag on back.
Medium: Japanese woodblock print.
Condition: Slight creasing where publisher's original tag is attached to back. Small dash mark indentation under bird.
- Rarely seen.

A beautifully crafted vase from a studio potter in the hills of Iga, a few hours drive east of Kyoto. Iga-ware has quite a long history—by some accounts dating back to the 7th and 8th century—with the major kilns being established some time around the end of the 16th century. Similar in many ways to Shigaraki pottery, the glaze is the result of kiln ash being vitrified and melted on to the surface of the clay body at extremely high temperatures during firing, which can last many days. To add...

Joichi Hoshi (1911-1979)
Great Tree (Small)
Date: 1975.
Edition: 15/60.
Sheet Size: 9.25 x 6.5 inches.
Image size: 7.25 x 5 inches.
Signed, dated, and numbered by the artist in pencil.
Notes: Yellows, blues and greens in the tree with gold leaf metallics on silvery background. Frequently seen in unlimited edition, here is a rarely encountered numbered example.
Condition: Matte line in margin. Tape residue on back. Foxing in margin and on back.