Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.
Dimensions: H 2 1/4 x D 1 5/8 i...
Midcentury Modern sterling silver toothpick holder. Made by Alphonse La Paglia (d. 1953) in New Jersey. Drum-form with double-banded mouth rim. Spread base applied with cast band comprising alternating leafing scrolls and flowerheads. Fully marked including maker’s stamp and no. 160. Very good condition.
Dimensions: H 2 x D 2 in. Weight: 3.8 troy ounces. #BY921
Midcentury Modern sterling silver toothpick holder. Made by Alphonse La Paglia (d. 1953) in New Jersey. Drum-form with double-banded mouth rim. Spread base applied with cast band comprising alternating leafing scrolls and flowerheads. Fully marked including maker’s stamp and no. 160. Very good condition.
Dimensions: H 2 x D 2 in. Weight: 4 troy ounces. #BY920
Striking Modern Classical sterling silver bowl. Retailed by Tiffany & Co. in New York. Round and curved. Chased imbricated and graduated egg-and-dart ornament. Tactile with beautiful shimmer. Marked “Tiffany & Co. / Sterling / Portugal”. Excellent condition with deep patina.
Dimensions: H 4 x D 8 3/4 in. Heavy weight: 26.5 troy ounces. #BZ340
Midcentury Modern sterling silver porringer. Made by Richard Dimes in Boston. Curved sides and cast open and scrolled handle with kitty sitting pretty, with stiffened forelegs and gaping, gleeful mouth. Fully marked including maker’s stamp and no. 137. Very good condition.
Dimensions: H 1 5/8 x W 6 1/2 x D 4 1/4 in. Weight: 4 troy ounces. #BZ377
Kawase Hasui
Enoshima at Night
Date: 1930s.
This is a late edition (post-1989) printed from the original blocks.
Approximately 6.25 x 4.25 inches.
Publisher: Watanabe.
Artist's oval seal at lower right.
Reference: Hotei #Hp-23.
Medium: Japanese woodblock print.
Condition: Excellent.
Kawase Hasui
Pinebeach at Miho
Date: 1930s.
Print sze: Koban. Approximately 5.875 x 4 inches.
Publisher: Watanabe Shozaburo
"Made in Japan" stamped on verso bottom margin.
Reference: Hotei #Hp-9
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.
Shoda Koho
Moonlit Sea with Clouds - Sepia version
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 9.875 x 7.125 inches.
Date: 1910-1938.
Koho seal at lower left.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku
An early marginless edition as originally issued.
"Made in Japan" stamped on bottom left verso.
Medium: Japanese woodblock print.
Condition: Back has adhesive residue. A few spots in upper sky.
Note: Examples of thi...
Tsuchiya Koitsu
Lake Yamanaka
Date: 1939.
Size: Oban. 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark upper right corner.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-62 edition.
Koitsu catalog no. TK-DH-54.
Condition: Slight fading. Very light creasing.
Modern sterling silver vase. Made by Tiffany & Co. in New York, ca 1908. Cone with flared mouth on vertical ovoid knop mounted to domed foot. Fully marked including maker’s stamp, pattern no. 17188 (first produced in 1908), and director’s letter m. Very good condition.
Dimensions: H 9 x D 3 1/4 in. Weight: 8.5 troy ounces. #BY804
Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.
Dimensions: H 13 x W 10 1/2 in. #BY97...
Classical silver butter dish. Made by Vilhelm Christensen in Copenhagen in 1890. Globular; cover hinged side disc and barbell mounts. Cast double-scroll mounted brackets for tongs and four lion head monopodium supports. Engraved fretwork and stylized pendant flowers. Danish restraint from the perfervid fin-de-siecle. Three-letter script monogram engraved on underside. Marked with maker’s stamp, assayer’s stamp (Simon Groth), and Copenhagen Three Tower mark dated 1890. Very good condition. La...
Victorian Classical sterling silver biscuit jar. Made by Henry Holland in London in 1872. Drum form; cover flat and hinged with vasiform finial. Engraved stylized floral ornament and oval frame (vacant). Mounted to round stand with four leafing-scroll and flower supports. Beading. Fully marked. Very good condition.
Overall dimensions: H 7 1/4 x W 8 x D 7 1/8 in. Weight: 23.5 troy ounces. #BZ367
Aesthetic sterling silver olive spoon. Made by Gorham in Providence, ca 1885. Cast stem with entwined leaf and olive. Shallow and pierced bowl with engraved leaves. At other end pick comprising graduated triangles. Butler finish. Fully marked including maker’s stamp and no. 267. Very good condition with deep patina.
Dimensions: H 11 3/4 x W 1 x D 3/4 in. Weight: 2.2 troy ounces. #BZ228
Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.
Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...
Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...
Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...