Art Nouveau sterling silver trophy cup. Made by Tiffany & Co. in New York. Urn on tall and spread foot; double-scroll side handles. Chased semi-abstract tendrils terminating in volute scrolls, garlands, and pendant flowers. A fluid, slightly hallucinatory take on traditional ornament. Gilt-washed interior. Fully marked including maker’s stamp, pattern no. 8637, director’s letter T (1892-1902), and volume (3 pints). Excellent condition.

Dimensions: H 7 7/8 x W 10 1/2 x D 6 3/8 in. Weight: 2...

French Belle Epoque Classical 950 silver tea urn, ca 1900. Ovoid with turned stained-wood handles with silver scroll and leaf mounts. Scaly fish spout with tail mount and gaping mouth spout and turned stained wood and silver scroll tap. Double-domed cover with berry finial. Three double-scroll supports with leaf mounts and feet mounted to stepped and stained-wood drum-form blocks. Heating element set in scroll-mounted ring. Twisted fluting and lobing. Vitruvian scroll and leaf borders. Engraved...

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

Restauration Classical silver gilt box. Made by Jean-Baptiste Claude Odiot in Paris, ca 1820. Drum form with spread base; cover raised. Cast egg-and-dart and floral rims. Heart engraved with single script letter monogram set in flower wreath on cover top and body. Sumptuous Return-of-the-Bourbons luxe from the Ancien Regime do-over years. Fully marked including maker’s stamp and the fineness (950) stamp instituted in 1819. Very good condition with nice toning.

Dimensions: H 2 1/4 x D 1 5/8 i...

Victorian sterling silver drinks set. Made by Gorham in Providence in 1888. This set comprises pitcher and mug on tray.

Pitcher and mug have curved bodies and split-mounted branch handles. Tray lobed quatrefoil. Applied scroll rims. For fermented refreshment as indicated by the on-message fruiting grapevines in tactile relief. Hefty rusticity wrought from precious metal. Each has engraved script monogram. Fully marked including maker’s stamp, date symbol, and nos. 230 (tray), 1520 (pitcher),...

Edwardian Art Nouveau sterling silver card case. Made by Clark & Sewell in Birmingham in 1906. Rectangular with hinged cover and plain back. On front is one maiden with faraway look, one iris flower, two water lilies, and the sun in the act of setting or rising (direction not indicated). All surrounded by whiplash border. The works! A wonderful period piece. Fully marked. Very good condition with strong definition and deep patina.

Dimensions: H 3 3/4 x W 2 5/8 x D 1/8 in. Weight: 2 troy ounce...

Nostalgic glass vanity jar with enameled sterling silver cover. Made in London in 1934. Oval jar with straight and fluted sides. Cover has motoring scene: A Victorian lady and two gentlemen tootle along in a turn-of-the-century automobile. A sweet look back. Hallmark includes George V’s silver jubilee mark. Indistinct maker’s mark – possibly Thomas Dalton Pannett & Son, Ltd. Fine condition with strong color.

Dimensions: H 4 1/8 x W 3 x D 2 in. #BN321

Turn-of-the-century Classical sterling silver trophy cup. Made by Tiffany & Co. in New York. Ovoid body, flared mouth, and c-scroll handles with realistic leaf and bud mounts. Spread foot has same applied to four supports. Interior has gilt wash. A fine design with lots of room for engraving. Fully marked including pattern no. 14417 (first produced in 1900) and director’s letter T (1892-1902). Very good condition.

Dimensions: H 10 x W 10 1/2 x D 6 1/2 in. Heavy weight: 54.4 troy ounces. #...

Victorian Classical sterling silver coffee and tea set. Made by Gorham in Providence in 1885. This set comprises 5 pieces: Coffeepot, teapot, creamer, sugar, and waste bowl. Each: Round body with floral repousse between chased and engraved leaf-and-dart and ogee borders; beaded rims. Handles high looping and covers domed with reeded finial. Coffeepot and teapot have s-scroll spout with applied stylized ornament. Coffeepot neck has engraved stippled zigzag border with incised trefoils.

Fully m...

When the founder of the Urasenke style of tea ceremony, Senso Soshitsu (1622 -1697) was invited to Kanazawa as the lord of the tea ceremony for the powerful Kaga lords in 1666, the first Chozaemon came with him and established Ohi-yaki ware in Kanazawa. Chozaemon had been the chief apprentice for the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ohi-ware has held a high place in the world of tea ceremony desp...

George III sterling silver goblet. Made by Hester Bateman in London in 1785. Ovoid bowl on upward tapering stem flowing into raised foot. Beaded and zigzag borders. Spare Georgian Neoclassicism by a collectible maker. Fully marked. Very good condition.

Dimensions: H 6 3/8 x D 3 1/4 in. Weight: 5.7 troy ounces. #BY307

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

George III sterling silver baby cup. Made by William Bennett in London 1811. Flared rim with low-relief fruiting grapevine border; leaf border at bottom. Cast handle in form of two snakes with entwined scaly bodies and bead-eyed heads. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 3 3/8 x W 4 1/4 x D 2 7/8 in. Weight: 5 troy ounces. #BY768

Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.

Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437

George III sterling silver tea caddy. Made by Hester Bateman in London in 1782. Straight oval bowl; cover domed with cast vasiform finial. Engraved garland and swag and ornamental borders. Beading. Beautiful Neoclassicism for a special blend. Fully marked. Very good condition.

Dimensions: H 6 1/4 x W 5 1/4 x D 3 1/2 in. Weight: 12.3 troy ounces. #BZ711

Austrian 800 silver 4-piece coffee and tea set on tray, ca 1920. This set comprises coffeepot, teapot, creamer, and sugar on tray.

Each: Tapering hexagonal body on raised foot. Handles high-looping stained-wood. Covers stepped with stained-wood finial (pot covers side-hinged). Spouts v-form. Tray has oval well with tapering sides and flat shoulder. Fashionable geometric forms from postwar Mitteleuropa.

Pre-1922 marks. Excellent condition. Teapot handle has minor irregularity.

Dimensions: ...

Hampton sterling silver coffee and tea set on tray. Made by Tiffany & Co. in New York, ca 1930. This set comprises 7 pieces: Hot water kettle on stand, coffeepot, teapot, creamer, sugar, and waste bowl on tray.

Rectilinear with gently curved sides and concave corners. Covers stepped and concave with finial (pot covers hinged). Handles scrolled bracket. Coffeepot and teapot spouts faceted and s-form. Creamer has small lip spout. Creamer and waste bowl have reeded rim. Tray rectilinear with conc...

Painted lacquerware in Asia is thought to have more than 3,000 years of history; originating in China and then later spreading to South East Asia, Korea, and Japan. One reason this craft has taken centuries to perfect is that the sap of the tree used is highly toxic and irritating to the skin and to the lungs. Even minor contact with the raw materials can cause serious issues, making collecting and refining it quite labor intensive. Additionally, once collected it takes on average 3-5 years for ...