Ohara Shoson (Koson)
Snow on Willow Bridge
Size: Oban. Approximately 15.25 x 10.25 inches.
Date: 1927.
Publisher: Watanabe Shozaburo. With Watanabe C seal (Used 1929-42).
Shoson signature and seal.
Reference: S44.3 and image #166 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A conservator has repaired top margin blanks and tears. One had impinged on the image.
Note: One...

Katsuyuki Nishijima
Title: Tsubakizaka Pass in Snow
Size: 17.25 x 12.5 inches.
Edition: 12/500.
Date: post-1980.
Medium: Japanese woodblock print.
Condition: Excellent. Top back margin has former tape marks.

Katsuyuki Nishijima
Title: Kudaya (The Kudaya Travellers Inn in Kyoto)
Size: 17.125 x 12.5 inches.
Edition: 405/500.
Date: post-1980.
Medium: Japanese woodblock print.
Condition: Excellent. Top back margin has former tape marks.

Takahashi Shotei (Hiroaki)
Fireworks, Shubinomatsu
Size: Mitsugiriban. 15 x 6.75 inches.
Date: pre-1936.
Publisher: Watanabe Shozaburo.
Sealed and titled in the image.
Reference: Shotei catalog M-23. Watanabe #222, Ota-ku #195
Medium: Japanese woodblock print.
Condition: Excellent. Top back edge has paper residue.

Set of 4 European gilt 935 silver and glass figural Buddha place card holders, ca 1925. Each: Contemplative and cross-legged figure of the Zen-man himself in molded glass. For a Siddhartha serene dinner party. Colors are green, blue, orange, and clear. Chamfered rectangular base and u-form back support. In leather-bound case with fitted velvet and silk lining. Marked. Very good condition.

Dimensions: H 1 5/8 x W 7/8 x D 3/4 in. Case: H 1 1/2 x W 5 3/4 x D 2 5/8 in. #BY940

Belle Epoque Rococo 950 silver jardiniere centerpiece, ca 1900. Bombe oval bowl with wide and tapering rim. Embossed twisted fluting and applied round frames (vacant) with scallop shell crown supported by winged cherubs. Elaborate end handles, each with cast figure of lunging cherub, holding drapery in one hand and flowers in the other, between leaf-wrapped double-scrolls. Four leaf-mounted scroll supports. A sumptuous homage to the 18th century. Detachable brass liner. Fully marked including Mi...

Kawase Hasui (1883-1957)
Snow at Shiba Park (Shiba Koen no Yuki)
Date: 1931
Size: Oban. Approximately 15.25 x 10.25 inches.
Publisher: Watanabe Shozaburo.
Edition: First. Watanabe B seal (used 1927-32) in right margin.
Reference: Hotei #244.
Condition: Formerly matted with some tonal difference primarily near lower margin. One foxing mark in lower foreground.
Note: This famous Hasui design was also used later in a 1953 Pacific Transport Lines calendar.

Gyosui Suzuki
Two Egrets (Herons) Among Flowers with Moon
Date: 1930s.
Print size: Approximately 9.5 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's seal lower left.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Very light crease upper left (photo).
Note: Very rare. We could find no other example of this design.

Yoshimoto Gesso
Blue Bird on Plum Branch
Date: 1930s.
Print size: Approximately 9.625 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue. Point-sized dot in sky.

Yoshimoto Gesso
Sparrows and Red Flower
Date: 1930s.
Print size: Approximately 9.75 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso).
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Yoshimoto Gesso
Cherry Blossoms
Date: 1930s.
Print size: Approximately 10 x 5 inches.
Publisher: Nishinomiya Yosaku (Stamp on verso)
Artist's signature lower right.
Medium: Japanese woodblock print.
Condition: Back top edge has paper residue.

Kaoru Kawano (1916-1965)
Two Kittens
Date: 1950s-60s.
Size: Approximately 16.75 x 11.25 inches.
Sealed by the artist at lower right and on verso.
Self-published by the artist.
Medium: Japanese woodblock print.
Condition: Tape residue at back margins and top front margin.

Modern carving pair with knife and fork. Made by Christofle in France, ca 1970. Tapering easy-grip silver-plated handles. Knife blade and 3-tine shank are stainless steel. Handy for the holidays and all the days in between. Marked. Good condition.

Dimensions: Knife: H 12 3/4 x W 1 1/2 x D 1/2 in. Fork: H 10 1/8 x W 1 1/8 x D 1/2 in. #BX127

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead-and-reel frames (vacant). Detachable brass liner. Gilt interior. Fully marked including maker’s stamp (Bruckmann & Söhne). Very good condition with nice patina.

Dimensions: H 8 3/4 x W 17 3/4 x D 8 1/2 in. Weight (wi...

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

Kawase Hasui
Dawn Over Lake Shoji
Size: Approximately 8.75 x 7 inches.
Date: 1935. First and only edition.
Publisher: Watanabe Shozaburo for a calendar commissioned by Japan Government Railways. Please see the included original Japanese Government Railways tag.
Reference: Hotei #370.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Back has areas of paper residue and slight thinning.
Note: Not many examples of this woodblock print have survive...

Ohara Koson (Shoson)
Redstarts on Flowering Cherry Branch
Size: O-tanzaku. 13.5 x 7.25 inches.
Date: 1910s
Koson signature and seal at lower right.
Publisher: Daikokuya.
Medium: Japanese woodblock print.
Reference: K26.5 in Koson catalog.
Condition: Top back corners have paper residue.
- This print features lovely woodgrain.

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....