Pair of German silver wedding cups. Imported to England by Martin Sugar in 1891. Each: Snug-fitting bodice and raised arms holding aloft scrolled brackets with swing-mounted double-domed bowl. Larger bowl in form of skirt. Chased and engraved strapwork and leafing scrolls. On back is a Green Man between conch-blowing cherubs. One in form of bosomy woman with crown. The other in form of hirsute man with wreath.

Hanau maker’s stamp (Neresheimer) and English sterling standard import marks with ...

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

Pair of Belle Epoque Classical 950 silver gravy boats. Made by Odiot in France, ca 1900. Each: Ovoid with u-form end spouts and raised oval foot mounted to Oval shaped stand. Molded rims. Bowl sides have applied cast leafing scrollwork and stand rim interspersed with leaf-mounted scallop shells. With liner. Fully marked including Minerva head, maker’s stamp, and nos. 178 (stand) and 4122 (liner). Very good condition with nice patina.

Overall dimensions: H 5 x L 9 7/8 x W 6 in. Total weight: ...

A green turquoise pendant with matching chain. The center turquoise appears to be stabilized with an epoxy film. The silver and dyed howlite bead chain measures 20"; the pendant 2" x 1-5/8". Ganadonegro has been creating jewelry since 1984. The pendant is signed on the back.

German 800 silver figural wedding cup, ca 1920. A Baroque dame with snug-fitting bodice and wide and raised lace collar holds aloft scrolled-brackets with swing-mounted double-domed lobed and garlanded bowl. Second larger bowl in form of conical skirt with patterned fabrics and delineated folds and hang. Ornament chased and engraved. Hanau maker’s mark (Neresheimer). Very good condition with nice patina.

Dimensions: H 13 7/8 x W 5 5/8 x D 4 1/8 in. Weight: 19.8 troy ounces. #BZ592

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...

Set of 4 turn-of-the-century French Belle Epoque Rococo 950 silver open salts and spoons. Each salt: Open oval with scrolled and leafing rim and four reeded and scrolled supports. Asymmetrical scrolled cartouches engraved with interlaced script monogram. Cobalt glass liner with scalloped rim. Each spoon: Double-sided gilt-washed shell bowl and tapering stem with raised scrollwork. All pieces have maker’s stamp for V. Boivin. Spoons have Minerva head. Very good condition.

Overall dimensions: ...

A rare and beautiful set from Margot de Taxco includes a large confetti enamel Necklace with a large Fish at the center and Wave shaped links at the sides along with the matching Wave earrings. Multi colored confetti enamel with green being the dominate overall color. The necklace measures 15" long and weighs 101.2 grams. The clip back earrings measure 1 1/2" long by 1/2" wide and together they weigh 16.4 grams. The necklace is hallmarked Margot de Taxco, 5644, Sterling Made in Mexico with the e...

This stunning bracelet by Felipe Martinez has the most gorgeous Azur-Malachite stones in vivid shades of blue and green set in thick sculped links. Measures 6 5/8" long by 1" wide and weighs 76.7 grams. Hallmarked "Piedra y Plata, Martinez, Sterling, Taxco, 175" and the eagle 3. No damage noted, it has a secure clasp and attached safety chain. Martinez was known for his superb lapidary skills and this beautiful bracelet is a wonderful example of his work.

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Ramp up your allure with a turn-of-the-century parasol handle. Silver and amber cylinder mounted to cone with enameled stylized vertical leafing branches on green guilloche basket-weave ground. Silver rim with seed-pearl border and cabochon-cut pink hardstone top. For a flirty, twirling come-hither. In a leather-bound case with fitted velvet and silk lining with Parisian retailer’s gilt stamp (Dupuy). Worn marks appear to be those of Georg Adam Scheid; also, French import marks. Very good cond...

An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Yuzo Kondo is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelain), he did not settle on this style until well into his potting career that lasted over seven decades. The piece shown here then would be from an earlier period and is evidence of his competency with varied styles and glazes—not just the one he is most well-known for. As any experienced potter will tell you, tenmoku ...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

This amazing bracelet is one of Antonio Pineda's most important and impressive designs and is often referred to as the "Cage" Bracelet. Crafted in Antonio's favored 970 grade silver it is a massive piece measuring 7 1/2" long by 1 1/2" wide at the front tapering to 1" at the back and it weighs an impressive 134.4 grams. Hallmarked with the Antonio Taxco crown mark, 970, Hecho en Mexico, with the eagle 17 and the design number ZZ679. Circa 1955 it is in good vintage condition with only minor age ...

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...