Edwardian Regency sterling silver trinket box. Made by Mauser Mfg. Co. in New York, ca 1910. Heart-shaped. Sides straight with chased garland. Cover hinged and raised with vacant center bordered by flowering branch. Gilt-washed interior. Fully marked including maker’s stamp and no. 3666. Very good condition.

Dimensions: H 1 7/8 x W 4 1/8 x D 4 3/8 in. Weight: 4.7 troy ounces. #BY419

English Georgian Classical sterling silver ewer, 18th century. Girdled ovoid bowl and scrolled helmet mouth with beaded and flowering strapwork rim; cast double-scroll handle with Venus, her torso undraped offering grapes to recumbent Cupid. Satyr head applied to spout exterior. Chased leaf borders. Gilt-washed interior. Marked. Very good condition with deep patina.

Overall dimensions: H 9 3/4 x W 7 1/2 x D 4 in. Weight: 21.4 troy ounces. #BR833

French Belle Epoque Classical 950 silver tea urn, ca 1900. Ovoid with turned stained-wood handles with silver scroll and leaf mounts. Scaly fish spout with tail mount and gaping mouth spout and turned stained wood and silver scroll tap. Double-domed cover with berry finial. Three double-scroll supports with leaf mounts and feet mounted to stepped and stained-wood drum-form blocks. Heating element set in scroll-mounted ring. Twisted fluting and lobing. Vitruvian scroll and leaf borders. Engraved...

Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.

Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”

Ahem.

Fully marked including maker's stamp and ...

Turn-of-the-century German Rococo 800 silver box. Rectilinear with tapering sides and chamfered corners with scroll supports. Cover hinged, raised, and inset. Chased ornament with chubby, bare bottomed cherubs with adroitly arranged drapery surrounded by garlands and and Classical architecture. Gilt-washed interior. Marks include Hanau maker’s stamp (Storck & Sinsheimer). Very good condition.

Dimensions: H 3 7/8 x W 6 3/8 x D 4 1/2 in. Weight: 15.5 troy ounces. #BX028

Classical coin silver christening mug, ca 1850. Baluster bowl with high-looping leaf-capped s-scroll handle and round stepped foot. Large scrolled frame (vacant) surrounded by rural idyll with house and barn set in bosky landscape. In foreground a hunter takes aim at a fox. No vermin allowed in paradise. New York retailer’s stamp (Ball, Black & Co.) and star and eagle associated with Hartford production. Very good condition with nice patina.

Overall dimensions: H 5 x W 5 x D 3 1/8 in. Weight...

Art Nouveau sterling silver nursery rhyme baby cup. Made by Whiting in New York, ca 1900. Tall and waisted bowl with wavy rim and c-scroll handle with splayed trefoil mount and baluster tail. Engraved depiction of the Three Blind Mice, sightless rodents with alert ears and long whiskers. Acid-etched text: "Three / Blind / Mice / Did you / ever see / such / a sight in / your life". Gilt interior. Fully marked including maker's stamp and no. 413A. Very good condition with strong definition.

Dime...

Francis I sterling silver 3-light candelabrum. Made by Reed & Barton in Taunton. Central socket on spool base to which are mounted to reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Engraved and low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, patt...

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

Pair of Francis I sterling silver 3-light candelabra. Made by Reed & Barton in Taunton. Each: Central socket on spool base to which are mounted two reeded wraparound branches, each terminating in single socket. Branches have short leaf and flower band. Branch plug set in socket mounted to baluster shaft; raised foot. Low relief ornament with leaves and fruit and flower clusters. Sockets bellied and shaft and foot fluted. Foot and bobeche rims scrolled. Fully marked including maker’s stamp, pat...

German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabited by cherubs feasting on grapes in company of a goat as well as waving torches and hoisting flower baskets overhead. Cast double-scroll end handles surmounted by cast figures of same, precariously perched and drapery-clad cherubs. Four scroll- and flower-mounted stepped supports. Gilt-washed interior. Fully marked ...

Pair of traditional Georgian sterling silver 4-light candelabra. Made by Asprey in London, 1992-3. Each: Four capped and curvilinear arms each terminating in single faceted socket with same wax pan and baluster pendant. Arms mounted to tall and faceted baluster finial set in girdled and knopped baluster shaft on square, stepped, and chamfered foot. A stylish step back in time by a noted maker.

Fully marked including date letters for 1992 (bases) and 1993 (arms). Excellent condition.

Dimensi...

Victorian sterling silver baby cup. Made by George W. Shiebler & Co. in New York, ca 1890. Curved bowl with allover frond and flower repousse on stippled ground. Reeded scroll bracket handle wrapped with applied band decorated with stylized flower head. Gilt-washed interior. Fully marked including maker’s and retailer’s (JE Caldwell) stamps and no. 1306. Very good condition with deep patina.

Dimensions: H 3 3/4 x W 4 1/2 x D 3 1/8 in. Weight: 4.8 troy ounces. #BY965

Edwardian Art Nouveau sterling silver card case. Made by Clark & Sewell in Birmingham in 1906. Rectangular with hinged cover and plain back. On front is one maiden with faraway look, one iris flower, two water lilies, and the sun in the act of setting or rising (direction not indicated). All surrounded by whiplash border. The works! A wonderful period piece. Fully marked. Very good condition with strong definition and deep patina.

Dimensions: H 3 3/4 x W 2 5/8 x D 1/8 in. Weight: 2 troy ounce...

Pair of German silver birds, ca 1920. A rooster and hen with downturned wings and flamboyant flouncy tails. The rooster has a shaggy crown and raised talon and looks down while the hen, who has a small trim crown and scaly wattles, looks up. Cawing beaks suggest a barnyard tiff. Marked. Very good condition Gilt wash traces.

Dimensions: Rooster: H 6 x L 6 1/2 x W 2 1/2 in. Hen: H 4 3/4 x L 6 3/4 x W 2 1/2 in. Total weight: 10.6 troy ounces. #BZ417

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead-and-reel frames (vacant). Detachable brass liner. Gilt interior. Fully marked including maker’s stamp (Bruckmann & Söhne). Very good condition with nice patina.

Dimensions: H 8 3/4 x W 17 3/4 x D 8 1/2 in. Weight (wi...

George III sterling silver baby cup. Made by William Bennett in London 1811. Flared rim with low-relief fruiting grapevine border; leaf border at bottom. Cast handle in form of two snakes with entwined scaly bodies and bead-eyed heads. Gilt-washed interior. Fully marked. Very good condition.

Overall dimensions: H 3 3/8 x W 4 1/4 x D 2 7/8 in. Weight: 5 troy ounces. #BY768

Splashed across a beautifully textured backdrop of shimmering black, the willow leaves painted in silver bring with them a sense of calm and contemplation. Generously proportioned though not too heavy in the hand, the wide base ensures stability while the upward curvature of the sides breaks with convention and offers a unique and decidedly modern flair.

Born in Kyoto as the 4th son of a famous lacquer artist named Shogo, Banura Shiro (1941-2001) followed suit and went i...