Cute Japanese Ichimatsu Doll Festival Holding Tamari Ball
Made in Japan
good for its age
This is a Japanese ichimatsu ningyo doll, she's kawaii holding a tamari ball. This is great to give as a gift to your daughter or even friends who love dolls. Itchimatsu dolls represent either a boy or a girl usually with glass eyes and flesh-colored skin, originally made of gofun, a smooth, porcelain like substance made from ground oyster shell. but in 1927 a Friendship Doll exchange invol...
Classical sterling silver compote. Made by John Wendt for Ball, Black in New York, ca 1870. Round and curved bowl mounted to open support comprising three leafing oak shoots with acorns inset with cast figure of standing boy holding a ball in each hand with one arm raised. Domed foot. Reeding and beading.
A fashionable centerpiece evocative of youth and growth. The figure suggests the influence of the Dancing Faun, the ancient statue in the Uffizi in Florence that was a grand tour icon. The fr...
Jumbo big game-era safari flask. Made by George Unite in Birmingham in 1888. Glass body. Upper part encased in leather with cut-away vertical windows. At bottom detachable sterling silver cup engraved with armorial. Sterling silver collar with hinged and cork-lined ball cover engraved with same. The alpha model. Holds enough booze for everyone around the campfire. Fully marked. Very good condition with some handling wear from all those big sweaty hands.
Dimensions: H 11 x W 5 x D 2 1/2 in. #B...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
An example of some of the finest porcelain modern Japan has to offer. According to Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base. The unglazed portions at the foot of the bowl seen here in pictures was created by the artist's fingers as he plunged the vessel into the glaze while holding firmly to the porcelain...
A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...
Turn-of-the-century sterling silver baby set rich in period assumptions. Made by William B. Kerr in Newark. This set comprises cup, bowl, and plate.
Cup has acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”
Ahem.
Bowl sides feature modes of transportation...
Turn-of-the-century sterling silver baby cup rich in period assumptions. Made by William B. Kerr in Newark. Upward tapering sides and scroll handle.
Acid-etched frieze depicting sailor-suited, flag-holding, all-American boy with exotic coevals in native dress relegated to background. Symbolic imagery enhanced with verse: “Little Indian, Sioux or Crow, little frosty Eskimo, little Turk or Japanese—Oh! Don’t you wish that you were me?”
Ahem.
Fully marked including maker's stamp and ...
Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink f...
Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters. A devotee of Zen and a lover of tea, Sugimoto is able to create tea bowls that are not just attractive, pleasant to hold in the hand, and a joy to drink from; but tha...
Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...
Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.
Sugimoto (b. 1935) is one of the most important...
Rare Chrysanthemum sterling silver soup tureen. Made by Tiffany & Co. in New York. Lobed and oval bowl with scalloped and turned down scalloped rim. Bracket end handles and four splayed volute supports. Cover dulbe domed with bracket finial. Dense and textural cast ornament in form of alternating flower heads and leaves applied to rim and cover shoulder. With dense profusion of same applied to feet and wrapped and mounted to handles. A big, drool-inducing centerpiece made soon after this histori...
George VI sterling silver box. Made by WH Manton in Birmingham in 1938. Rectangular with curved corners. Cover hinged with gently curved top and tapering tab. Cedar-lined and partitioned interior; wood lined underside. Fully marked. Very good condition.
Dimensions: H 2 3/4 x W 7 1/8 x D 3 3/4 in. Gross weight: 18 troy ounces. #BZ609
Modern double picture frame. Retailed by Cartier in New York. Two vertical (portrait) rectangular windows in horizontal (landscape) rectangular surround. Sterling silver borders and sides. On front red guilloche enamel in shade of throbbing scarlet. For a hot twosome. With beveled glass, red lining, and same velvet back with hinged easel support. Marked “Cartier Sterling 925 Italy”. Very good condition with strong intact color. Velvet wear and discoloration.
Dimensions: Frame: H 3 1/2 x W ...
German 800 silver lady’s shoe, ca 1920. Plain sole and low heel, and loose-mounted c-scroll strap. Chased leafing and flowering scrolls on stippled ground. Hanau marks. Very good condition.
Dimensions: H 2 5/8 x L 7 3/4 x W 2 3/8 in. Heavy weight: 6.8 troy ounces. #BZ641
Set of 6 Belle Epoque cast 950 silver candlesticks in Louis XVI style, ca 1910. Made by J. Gruhier in France, ca 1910. Each: Spool socket with stepped and detachable bobeche. Tapering paneled shaft with stippled and elongated egg-and-dart; domed foot on octagonal base. Gadrooning and reeding. Substantial and elegant. Fully marked including Minerva head and maker’s stamp. Five have retailer’s stamp for Boin-Taburet, a Paris firm associated with adapting and reproducing historic French wares. ...
Traditional German gilt sterling silver stirrup cup, ca 1950. Conical bowl mounted with cast stag head—a furry, gaping beast with flexed-back ears and big antlers. Marked. Very good condition with nice toning.
Overall dimensions: H 6 1/4 x W 5 1/4 x D 3 in. Weight: 10.5 troy ounces. #BZ595