Catalog: Antiques (338)

Ko Imari Oranda-jin Hexagonal Hakukaku Mukuzuke c.1800 A deep octagonal bowl, mukuzuke, or choku, decorated with eight panels containing figures of orand-jin Dutchmen in various poses and involved in a number of activities. Some carry canes or cudgels and are perhaps involved in some sort of martial activity, whilst others carry a dove, a chatusbo (tea-jar) and a ruyi sceptre, auspicious objects...

A namasu of slightly flattened form with an inturned rim. Decorated in nishiki-de style with a combination of underglaze blue, gilding and gilt outlined enamels typical of the late Mid Edo period c.1750-80. The central mikomi incorporating auspicious peonies painted in underglaze blue with two eliptical reserves containing a beached boat and elements of a landscape. Framed by a band containing two partially obscured dragons chasing flaming pearls...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

A rather curious dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets...

An interesting dish of moulded Kraak form decorated with a partially obscured Chinese four toed Dragon painted in underglaze cobalt blue with gilt outlined enamelled auspicious clouds framed by a band of stylised Chrysanthemum demi-florets to the rim. The reverse of the dish is decorated in underglaze blue with stylised Chinese style auspicious clouds and a six character mark for the Emperor Yongzheng...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl. The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...

A very fine quality dish decorated with a pattern of stylised Lotus-mon with three quadrilobed reserves each containing an element of the shochikubai, pine, take, bamboo, matsu, and prunus, ume. The centre decorated with a small central roundel framed by a border of demi-florets containing a Dragon delineated in gilt with green and iron red enamels holding a jewel, tama, in its claw. The rim of the dish is decorated with a border of alternating double crested waves and gilded...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety...

A sometsuke o-zara decorated with an elaborate Tako-karakusa, so called Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

A sometsuke o-zara decorated with an intricate Tako-karakusa, Octopus scroll, ground inset with three hexalobed shaped reserves each containing a Shishi, Buddhist lion, flanked by Peonies, botan ni shishi zu...

An Arita abalone (Mother of Pearl) shaped dish painted in somenishikide style with a stylised landscape of Mountainous Islands, a shoreline with rocky outcrops with various trees including Pine, flowers and grasses with a rather peculiar and precarious structure in the foreground seemingly lacking several posts in its construction. The reverse decorated with landscape vignettes to the reverse and a six character mark for the Chinese Emperor Qianlong...

A rare Arita flower vase following a bronze form decorated in somenishikide style. The long flared neck decorated with a plume of stylised leaves with a pair of ring handles enamelled in green and iron red with gilding. The wasted bulbous body of the vase decorated with the figure of a Chinese scholar fishing and the reverse with stylised waves and flowering plants. The vase measures 22.5cm high and is approximately cm in diameter at its widest point 9.5cm. It weighs 620grams...

A good Arta dish of awabigata form decorated in somenishikide style with a pattern of various shellfish and plants with a seascape of waves and plovers above. A brocade band of Karakusa scroll in iron red and gilt inset in a “pea green” enamel ground framing the composition combined with gilding to rim. The exterior painted with waves and boats...

A good Arta dish of awabigata form decorated in somenishikide style with a pattern of various shellfish and plants with a seascape of waves and plovers above. A brocade band of Karakusa scroll in iron red and gilt inset in a “pea green” enamel ground framing the composition combined with gilding to rim. The exterior painted with waves and boats. See Volume I no 449, Shibata Collection for a similar dish with wave and boats reverse there dated c.1740-70. The dish measures approximately 6 inc...

A barbed form dish decorated in kakiwake style with a White Elephant and Chinese Boy. The design here is not the Confucian parable of Shun and the Elephants, but one that explores a Buddhist theme. The White Elephant in Buddhism is symbolic of mental strength achieved through the practice of the Dharma. The boy figure holding a staff stares at rocks and Banana plaintain, symbols of longevity and the impermanence of life. He may be a representation of Henkitsu, the Bohisattiva Fugen. Boy avatars,...