Catalog: Vintage Arts: Regional Art: Asian (258)

An exceptionally fine embroidered purse from Katawaz (Ghazni province), Afghanistan, circa early to mid 20th century. The embroidery on this piece is basically metallic embroidery on both sides, with mirror stitching and fine metallic couching. The front side is comprised of Bokhara couching, where the thread is taken across the surface for the desired length, then, bringing the needle back to the beginning, it is caught down at regular intervals by small stitches. The process is repeated until the entire surface is covered, the small holding stitches being staggered from one thread to the next, giving a characteristic relief to the pattern. The blue beads are there to ward off the evil eye. A unique piece, not likely to bore. Condition: Excellent. No stains, no flaws of any kind. The purse measures 6 1/4 x 11 1/2 inches (15.9 x 29.2 cm) when fully extended and elongated. When closed, it measures 5 x 6 1/4 (12.7 x 15.9 cm).

A Pashtun nomad's purse from Katawaz, Ghazni province, circa mid 20th century. There are blue beads along all the edges, used to ward off the evil eye. The purse has metallic trim along all the edges and fine Bokhara couching which covers the entire surface area, front and back. The beaded cord winds around the purse to keep it closed. There are two pockets inside, lined with red cotton fabric. The purse measures 6 x 11 inches when opened and elongated, 5 x 6 1/2 inches when closed. The workmanship on this charming textile is staggering. Condition: Excellent. No fraying, no missing beads, no stains.

A Hazara woman's hat from Bamiyan province, Afghanistan, hand-embroidered in silk thread on a cotton ground depicting rosettes in yellow, green, blue, pink and turquoise. Long and short stitch and some herringbone stitch in silk thread. Diameter: 21 cm, circumference: 55.5 cm. The hat is in excellent condition. Estimated age mid 20th century.

Due to its strategic location on the ancient Silk Road, the area of Indus Kohistan on the Indus River has absorbed many influences from East and West. This young child's helmet ("khohl") from Indus Kohistan is topped with a beaded tassel, reminiscent of the Phrygian caps of antiquity. Such hats are everyday wear for the small children of the region, one of the most impoverished in all of Pakistan. This child's cap measures 17 inches in circumference and 6 1/2 inches in diameter. Buttons, white beads and metal ornaments adorn the cap, intended to ward off evil spirits ("djinn"). The embroidery is satin stitch and straight stitch in acrylic and metallic thread on black cotton. It is in excellent condition given its age (late 20th century). The inside and top is lined with printed fabric.

Measuring 32.5 x 208 cm on black cotton, this woman's scarf from Hazara district in Pakistan is embroidered in satin stitch in floss silk thread. The curvilinear motifs are outlined with stitches of golden floss thread. The motifs are arranged into geometric compositions indicative of Central Asian influence. Condition is excellent and its estimated age is late 20th century.

Measuring 22.6 cm x 23.3 (22.6 x 51.3 including the belt), this child's waistcoat panel was hand-embroidered by Pashtun Mangal women in silk thread on a green silk and red cotton background, in a delicate combination of satin stitch, herringbone stitch and long and short stitch. Its estimated age is mid to late 20th century. Condition is excellent. The Mangal are one of the largest and perhaps the most powerful and influential Pashtun tribes, residing in Southeastern Paktia and adjacent Khost provinces of Afghanistan. The name "Mangal", is derived from the Sanskrit name for the planet Mars. The Mangals are known for their independent nature, and have a long history of resisting British forces, central and provincial governments, Soviet army, and even fellow Pashtun Taliban militia.

This child's hat from the remote valleys of Indus Kohistan measures 15 cm in diameter and 45 cm in circumference. Embroidered in an extremely fine tent stitch (petit point) and ladder stitch in acrylic thread, it features a beaded tassel and a horned amulet made of the teeth of a musk deer, believed to repel evil spirits. The hat is estimated to date to the mid or late 20th century and is in excellent condition.

Meticulously worked in cross stitch in cotton thread, this yurt ornament (saye gosha) is from Mazar-i-Sharif in northern Afghanistan, where the Uzbeks form 10% of the population. The embroidered portion of this textile measures 19.5 x 20 inches, not including the wool fringes, which measure an additional 5 inches. The width of each panel is 10 inches including the fringes. Condition is overall good with one minor stain and some missing fringes. Estimated age: late 20th century. The reverse is lined with cotton cloth.

This is an old pair of sleeve cuffs from Maqur district in Ghazni province, Afghanistan, embroidered on a thin muslin ground. Red, orange, green and bergundy silk threads are embroidered in a very finely worked ladder stitch, forming interlocking volute designs. Small glass mirrors are artfully incorporated into the embroidery. Mirrorwork embroidery is quite popular in parts of India, Pakistan and Afghanistan. Known as "shisha" in the Indian subcontinent where it is thought to have originated, this type of embroidery is also sometimes done with small pieces of mica. These sleeve cuffs are estimated to date from the early to mid 20th century and are in excellent condition. Muslin on a linen ground.

Measuring 30 x 32.5 cm, this child's waistcoat from Afghanistan is embroidered in cross stitch in silk thread in geometric patterns, very typical of Hazara embroideries. However, as Bernard Dupaigne has noted, Pashtun and Hazara embroideries are sometimes difficult to distinguish due to the geographic proximity of both groups in the central region of Afghanistan. There is a style that incorporates the Hazara predilection for geometric designs in cross stitch, while the Pashtun influence is reflected in the typical Bokhara couching technique that frames the outer edges of this textile. Metallic threads are laid in parallel in satin stitch, with tiny stitches fastening the metallic thread at regular intervals to form a relief pattern. Condition: Excellent. Estimated age: mid 20th century.

A vintage silk purse with mirrors ("shisha"), embroidered in whorl designs in silk thread on a dark purple silk background. A neat example of the couching technique favored by the Pashtuns, where the metal threads form a neat grid of lines and then fastened down with staggered stitches. This purse is from Katawaz (Ghazni province) in Afghanistan. Condition: Excellent. This purse measures 13.5 x 16.5 cm and is decorated with blue turquoise beads along the edges.

This densely embroidered purse is from Katawaz (Ghazni province), Afghanistan and measures 12x25 cm when opened, 11x12.5 cm when closed. The metallic thread embroidery is not taken through the background fabric but applied onto it in satin stitches, laid parallel to each other and held down by tiny stitches in orange thread. This embroidery technique serves to create the curvilinear designs in relief. The core is red, green and aubergine silk velvet and the relief designs are neatly framed in by a band of emerald and metallic thread in satin stitch. The outer edges of the purse are trimmed with white beads. Printed cotton fabric lines the inside of the purse. Condition: Excellent. Estimated age: mid 20th century (probably 1960s).

A densely beaded Uzbek purse, probably from Mazar-i-Sharif or Kunduz, northern Afghanistan. The designs are typical of Uzbek embroidery in which variations on geometric shapes are emphasized for talismanic effect. The purse is edged with gold trim and blue beads as a prophylactic against the evil eye. The purse is lined with green and pink silk, and a red cotton fabric. There are three pockets inside. Condition: Excellent. Measures 15x25 cm when opened, 12x15 cm when closed. Estimated age: early to mid 20th century.

This hand-embroidered purse was made by Pashtun nomadic women of Katawaz in Ghazni province and measures 15.5 x 25.5 cm. The embroidery designs are a combination of eight-pointed stars and abstract wave and spiral motifs in fine ladder stitch, neatly arranged in a series of rectangular panels with gold braiding. Mirrors ("shisha") are expertly fastened down in an intricate ladder stitch and embellished with gold thread executed in Romanian couching (pokhtaduzi), where the small holding stitches are staggered across the length of the gold thread. The blue and white seed beads on tiny silk tassels frame the edges of the purse, not only for decorative effect but also to avert evil from the wearer. The purse is estimated to the date to the mid 20th century and is in perfect condition. It features two pockets lined with printed cotton fabric. Silk thread on a silk background.

A Hazara prayer cloth from Wardak or Bamiyan province, Afghanistan, circa early 20th century. Satin stitch in multicolored silk thread on fine white linen. Squares and triangles are embroidered in complex symmetrical arrangements to form a very balanced, unified composition. Measures 32 x 32 cm. Condition: Very good, a small mend on the perimeter.

A hand-embroidered bag made by Pashtun nomads from Ghazni province (probably Katawaz), Afghanistan. Floral motifs combined with arabesques in herringbone stitch in silk thread on a purple silk background. The Bokhara couching technique is used to maximum effect, where the metallic threads are laid parallel to each other and fastened at regular intervals by tiny red stitches. Blue beads adorn the edges to ward off the evil eye. The interior of the bag is lined in a blue printed fabric. Measures 12.5 x 17 cm. Condition: Excellent. Estimated age: mid 20th century (probably early to mid 1960).

This is a Hazara woman's hat from Bamiyan province in central Afghanistan. Circumference: 51.5 cm; Diameter: 18 cm. The embroidery technique is satin stitch in pink and yellow silk thread on a green polyester ground. Its condition is excellent given its age (mid 20th century). No spots, bleeding, etc.

Embroidered in satin stitch and Holbein stich in red, green and blue silk thread, this Pashtun napkin measures 21 x 22 cm and is dated to the early to mid 20th century. Condition is good overall given the age of this textile, though with a few light brown stains and some missing threads. The repetitive geometric design alternates the embroidered areas with others left unworked, leaving a surprisingly dynamic impression.