Catalog: Antiques: Regional Art: Asian: Japanese (113)

This late Meiji (1868~1911) 3 piece calligraphy lacquer box is 7 ¾ inches long, 6 ¾ inches wide and 1 ¾ inches high. The outside of the cover depicts an open winged eagle resting on a stand; autumn flowers and plants before a full moon appear inside. There are two movable pieces decorated with gold maple leaves in the box. Also, there is a small round metal container, maybe a water dropper, decorated with a gold and silver crane and plum blossom tree...

This unusually shaped carved bone snuff bottle is a late Meiji period (1867~1911) product. It is 2 3/4” long, 1 ¼” wide and ¾” thick. It depicts a curled shrimp as the body of snuff bottle. The bamboo spoon is a replacement. It has a great patina and is in great condition.

This cast bronze incense burner is an early 20th century product. It is 6 ½” high (with carved hardwood base is 9 ¾” high) and 9 ¼” in diameter. Two bands of archaistic designs surround the upper half of the body. The lower half contains four floral designs which are repeated in relief on the cover of the vessel. It is in great condition.

This late 19th or early 20th century Japanese Imari vase is 13 ½” high and 6 ½” on the widest part. The ribbed body was painted a traditional gold, orange and blue floral and bird design. There is a Shishi (lion) on the top of the domed shape lid. It is in great condition.

This small ivory carving of a geisha is a late Meiji period (1868~1911) product. It is 3 1/8" high, 1 1/4" wide and a little less than 1" thick. It depicts a geisha bowing her head demurely and looking at the floor. Her right hand holds her kimono robe closed; her left hand rests on her chest. The artist signature is on the bottom. It is in great condition.

This Japanese ceremonial Tenmoku style chawan (tea bowl) is a late Meiji period product. It is 5 ½” in diameter at the top, the foot is 1 ½” in diameter and 2” high. It has a very dark brown with white textured spots on the exterior. The base is not glazed and there is a swirl mark in the center. The interior of the chawan is richly colored black, dark brown, light brown and grayish blue. It is in excellent condition.

This nicely executed ivory carving of a geisha is a late Meiji period (1868~1911) product. It depicts a formally dressed geisha holding a flower in her right hand and an umbrella in her left hand. It is 6 ¼” high, 1 ¾” wide and 1 ½” thick. The artist’s signature, “Masayuki,” is on the bottom. Aside from some hair line cracks due to age, it is in great condition.

This early 20th century Japanese carved bone and tagua statue is 6 ¼” high, 2” wide (the base is 2 5/8” wide) and 1 ¾” thick. It depicts a man who appears to be a merchant. His left hand carries a pouch; his right hand is raised up and holds an unknown subject. His body was carved from bone and his head was carved from tagua (vegetable ivory). Aside from a small repair on the collar, it is in good condition.

This early 20th century Japanese netsuke is 1 ½ inches high, 1 ½ inches wide and 3 quarters of an inch thick. It depicts a mythical beast with a human face. The creature has the body of a horse; however, it is covered with horns and flames raise from its legs. It is signed “Masayaki”. It is in great condition.

This late Meiji white molded ceramic netsuke is 1 5/8” long, 1” high and 1 ¼” wide. It depicts a reclining Shi Shi (lion) with its mouth wide open and a loose ball inside. Aside from some tiny black spots due to the firing, it is in very good condition.

This mid. 19th century Japanese Imari (Aka-e) vase is almost 10 ½” high and 4 ¾” on widest part. There are two sections; one depicts a painted phoenix, butterfly and maple tree, the other depicts a geisha holding an umbrella standing in front of iris and hanging flowers. The rest of the vase is decorated with floral and textile designs. It is in perfect condition.

This late 19th century Japanese hexagon cloisonn¨¦ vase is 7 ½ inches tall and 3 ¾ inches wide. It has various phoenix cartouches on a dark blue background. There is a small chip close to the bottom quarter.

Realistically cast as a walking elephant, its head and trunk raised high. Its teeth are made of ivory. Meiji period. It is in great condition. H: 8 ½ inches, L: 10 inches, W: 4 ½ inches

This realistically cast Meiji period bronze vase is 13 1/4 inches tall and 5 inches in diameter at its widest point. It depicts an eagle resting on an old tree. There is a stamped maker¡¯s mark on the bottom which reads ¡°Hidemitsu¡±. The owner purchased this piece from Sotheby¡¯s in the early seventy¡¯s. It is in excellent condition.

This very well carved and rare Japanese ivory okimono is a mid-19th century product. It is 10 ¾” high, 3″ wide and 2 1/4″ thick both measured from the bottom. It depicts a fisherman sitting on a wood stool with his tool box on his side. He is repairing his broken fish net which is hanging on a tall pole. The artist (carver) did a wonderful job on the fisherman’s robe, his cigarette pipe and pouch, even the tool box was carved with wood grain...

This Japanese walrus tusk carving of a young maiden is a late-19th century or early 20th century product. It is 7 ¼” high (8 7/8” high with wood base) and 2 ¾” wide. It depicts a young maiden holding a long necked vase in one hand and a long stemmed flower in her other hand. There is a tall stand beside her with an incense burner. The statue is permanently mounted on the carved wood base. It is in great condition.

This small Japanese ivory okimono is a mid-19th century product. It is 4 1/8″ high, 1 3/4″ wide and 1 1/4″ thick. It depicts a smiling fisherman standing on the shore. The fisherman is wearing a traditional bandanna and a straw apron. He uses both hands to pull a fish net in. The artist’s signature “Gyokudo” is on the base. Aside from some old repairs and crack lines due to its age, it is in good condition.

This superb ivory carving of an aristocratic young woman holding a child is a mid or late Meiji period (1868~1911) product. The woman is formally dressed in a kimono decorated with patterns and floral designs. Her hair is elaborately coiffed. She holds a boy in her left arm and a parasol in her right hand. The child is holding a branch of chrysanthemum. The piece is very well executed and stands 10 ¼” high, 4” wide and 3 1/8” thick (measured from the bottom)...