Catalog: Antiques: Decorative Art: Ceramics (175)

SOLD A Worcester mug with flared sides decorated in transfer printed underglaze blue of sprigs of natural flowers. Although it is unmarked the transfer on one side is identical to the one shown on the side of a Worcester marked jug shown in plate 282 of Godden’s Caughley and Worcester Porcelains 1775-1800. The transfers are well printed. 3 ¾ inches (9.5 cm) tall and a little more in diameter across the handle.

Condition: No chips, cracks, hairlines or repairs. Minor firing flaws...

An elaborately painted and gilt cabinet cup and saucer depicting St. Stephan cathedral in Vienna. The painting is delicate and the tiny figures are from the 19th century. The gilding is both flat and raised. The saucer is 5 ¼ inch diameter (13.5cm). The cup is 2 3/8 inches tall (6.5 cm).

Condition: no chips, cracks, hairlines or repairs...

A pair of large Chinese made and decorated porcelain serving plates for the Western market circa 1790. Good flowers painted in a complex design covering most of the surface. The square edge appears to be gilded with something more like bronzing powder than fire gilding. 11 1/8 inches (28.5 cm) diameter.

Condition: one with minor rim chips, minor stacking wear and some black firing spots. The other with a fairly significant rim chip and associated hairline.

Hand painted in dark underglaze blue with a serrated rim this large bowl is soft paste porcelain. The decoration of a Chinese arrangement of flowers and twining plants is typical of Tournai. Height 4.5 inches (11 cm) and 11 inches (28 cm) diameter. Late 18th century.

Condition: no chips, cracks or repairs. Some scratches to the interior of the bowl and small flaw in the body of the bowl.

This style of decoration was popular at the time and still looks excellent today.

A group of three Staffordshire plates. The first a small (6 ½ inch diameter) pearlware plate with good handpainted roses and a solid colored border with lines and dots. The second plate (8 3/8 inches diameter) also pearlware handpainted with a border of small roses, leaves and ovals over two lines. The third a ceramic plate with a shaped edge (10 1/8 inches diameter) with a very bold free hand painted single Adam’s rose dominating most of the area. All are unmarked...

Stoneware jar in the form of an orange with the registry mark for F & R Pratt of Fenton for 1878 on the base. 4 inches (10.2 cm) tall and 4 inches (10.2 cm) wide.

Condition: no chips cracks, hairlines or repairs. Minor staining and some tiny areas of paint loss.

A stoneware dinner plate with a shaped edge transfer printed in light blue with an elaborate floral border on the lip and an equally elaborate alpine view with flowers and chalet in the well. On the back a floral cartouche with the title, “Genevese” in the center and “Opaque China” on the lower edge with a script capital “A.” This pattern was made by Minton with the letter “M,” this plate was probably made by them with a different letter. English circa 1830...

A William Ridgway “Oriental” green transfer printed platter with a vaguely Middle Eastern fantasy scene in the well surrounded by a border of alternating floral bouquets and Middle Eastern buildings against a sprigged green ground. On the back the Ridgway mark of an urn and beehive over the subject name, “ORIENTAL.” and the initials, “WR.” printed in green. The initials for William Ridgway were used from 1830 to 1834...

A Staffordshire punch bowl decorated with both freehand painting and the transfer of the Chinese ladies and part of the fence in the center of the bowl. The border and the four sprays that decorate the outside of the bowl are all hand painted, as is the pink lustre mountain behind the ladies. The decoration is bright and cheerful. 9 ½ inches diameter, 4 ½ inches tall.

Condition; Excellent, no chips cracks hairlines or repairs...

A very well molded pitcher with floral decoration on each side, molded foot, lip and handle. Across the front of the pitcher and on either side of the neck are hand painted flowers, very much in the Adam’s Rose” style. This form of molded pitcher closely resembles those in porcelain of J. and R. Riley of Burslem. The body is very white, but isn’t porcelain. 8 3/8 inches (21.5 cm) to the top of the handle and approx. 6 ½ inches (16.5 cm) across the handle...

A Staffordshire plate stenciled, cut sponge decorated and hand painted with the three rabbits, the frog, the clouds and grasses stenciled in brown in the center of the plate within a blue line, surrounded by hand painted red flowers, green leaves and blue cut sponge flowers contained within a red line on the rim. The rabbits in the yellow painted grass are fairly natural. The green painted frog less so...

A pottery circular flask with the center of both sides decorated with a purple transfer of a man fishing in a river across from a church. The transfer surrounded by a brown/red raised band then hand painted purple flowers, green leaves, and red buds...

A transfer printed, hand colored and gilt large mug with Japanese inspired patterns on two sides, an elaborate decoration on the inside rim and a brown edge at the top. Blue printed mark on the bottom. The body is hand thrown, but the handle is molded. Circa 1820. 4 5/8 (12 cm) tall 5 1/8 (13 cm) diameter body, with handle 7 inches (18 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. Some scratches on the interior and some wear to the brown on the rim.

Great Imari deco...

A pair of molded edge porcelain dessert serving bowls, Spode circa 1814 with bat transferred fruit in the center. Pattern number 1686. Neither is marked, but the distinctive border of twined dolphins alternating with a large plant (?) is a Spode design. The pattern of fruits is currently made by Spode and called “Chatham.” The border is set off with a band of gilding at the rim and the inside edge. The bat transfer is an unusual color, almost brown at some angles and gold at others. The di...

A molded edge porcelain dessert serving dish, Spode circa 1814 with bat transferred fruit in the center. Pattern number 1686 hand painted on the bottom. Unmarked, but the distinctive border of twined dolphins alternating with a large plant (?) is a Spode design. The pattern of fruits is currently made by Spode and called “Chatham.” The border is set off with a band of gilding at the rim and the inside edge. The bat transfer is an unusual color, almost brown at some angles and gold at others...

A cup and deep saucer in the bamboo pattern with an early printed Spode mark on the cup. The transfer design was applied over glaze by the “pluck and dust” method of transferring color followed by hand painting of the gilding. The color is referred to in the Spode literature as, “chestnut brown,” though this one has a reddish tint. Saucer 5 ½ inches diameter, cup 2 inches tall.

Condition: no chips, cracks, hairlines or repairs. Very minor gilding wear.

A Sevres salad bowl with lobed and slightly ruffled edge in the “feuille de choux” pattern decorated with sprigs of flowers in the bowl and the outside with the raised pattern outlined in blue and gilt. The interlaced “L”s enclose the letter “K” for the date 1763. The four dots in an angled square are the painter’s mark. The inside of the foot rim has the hole from firing. The bowl is approx.. 2 95 cm) inches tall and 8 5/8 (22 cm) inches diameter.

Condition: no cracks, hairlin...

A Sevres salad bowl with lobed and slightly ruffled edge in the “feuille de choux” pattern decorated with sprigs of flowers in the bowl and on the outside with the raised pattern outlined in blue and gilt. The interlaced “L”s enclose the letter “F” for the date 1758. The heart in overglaze blue is the painter’s mark, Antoine-Louis Fontelliau. The inside of the foot rim has the hole from firing. The bowl is approx. 2 (5 cm) inches tall and 8 ¾ (22 cm) inches diameter.

Condition...