Catalog (158)

Two albumen photographs of the Tomb of Itimad-ud-Dualah at Agra, India. Neither is signed and though they are probably by different photographers they complement each other as one is a close up of the tomb while the other gives it some context in the surrounding garden.

The longer view is 8 5/8 (22 cm) by 11 3/8 (29 cm) inches with a card 14 (35.5 cm) by 17 (43 cm) inches. It is laid down to the cardboard.

The close up is attached to a larger piece of paper with a line of glue at the to...

An albumen photograph of the Kas Mahal in the center and portion of the Anguri Bagh in the foreground. This view is of part of the Agra Fort. I’m not sure but I think the Taj Mahal is just visible on the far right above the roof of the building. The image is 8 3/4 (22 cm) by 11 ½ (29 cm) inches. The card is 14 (35.5 cm) by 17 (43 cm) inches. The image is signed in the negative “Sache/215.” John Edward Sache was active from 1865 to 1882.

Condition: Good clear print, but the image must ...

An albumen photograph of the upper portion of the Taj Mahal in Agra, India fully laid down on cardboard stock. The blind stamp, “FRITH’S/SERIES” is in the lower left corner. The image is 6 3/8 (16 cm) by 8 ¼ (21 cm) inches. The card is 10 (25.5 cm) by 12 (30.5 cm) inches. In pencil on the back in the lower left is written, “3067 The Taj Agra India.” Francis Frith commissioned and bought from other photographers for his series.

Condition: Generally very good with a few spots in t...

A set of twelve Dutch delft wall tiles of a hand painted blue basket of fruit inside a square with a white square behind it at 45 degrees with the same orientation as the tile with its manganese ground. A fourth of a blue flower with a touch of manganese is painted in each corner. Each tile is approximately 5 3/16 inches (13.5 cm) square. Though the theme remains the same each tile has some different details, e.g. one has a bug over the basket.

Condition; four of the tiles have been broken a...

A set of six Dutch delft wall tiles of a hand painted blue basket of fruit inside a square with a white square behind it at 45 degrees with the same orientation as the tile with its manganese ground. A fourth of a blue flower with a touch of manganese is painted in each corner. Each tile is approximately 5 3/16 inches (13.5 cm) square. Though the theme remains the same each tile has some different details, e.g. one has a bug over the basket.

Condition; All have bumps and losses around the ed...

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside. Signed in the plate on the lower left outside the image, “D ...

A well painted oil on board landscape of green fields in the foreground and a tan one in the distance with a group of trees on the left under a cloudy blue sky. The frame is a molded gilt frame. It is a good size; 19 inches tall by 21 ½ inches wide. With frame it is 26 ½ inches by 24 inches.

Condition is excellent with a recent cleaning and new frame.

Eugene Leslie Smyth, American 1857-1932, landscape of an early spring field framed with bare trees and hills in the distance under a bright sky with fluffy white clouds. Nicely atmospheric without getting carried away. Oil on board in what is probably the original painted and gilt frame. Signed and dated lower left 1927. Painting size 19 ¼ by 15 ½ inches. With the frame it is 23 ¼ by 19 ½ inches. Condition: Excellent, cleaned fairly recently. Frame in good condition. Very pleasing painting...

John Hawkins, American 20th century, a New York based artist, oil on board signed and dated, “John Hawkins 1926” in the lower left. A good view of sailboats at sea with some clouds, a stiff breeze and accompanying gulls. The painting is 17 5/8 inches by 19 ½ inches. With the frame it is 22 ½ inches by 24 3/8 inches.

Excellent condition, recently cleaned and probably the original frame.

Nice ocean view.

A dark blue printed soup plate depicting in the center Saint Catherine’s hill in Surrey with fishermen and a boat on the River Wye. The back marked with an impressed Clews mark. Well printed and clear images. 8 ¾ inches diameter, 1 ¾ inches tall.

Condition: No chips, cracks, hairlines or repairs. A few minor scratches in the center of the bowl. Slight discoloration on the back.

A common form of pitcher made by the Tucker factory in Philadelphia around 1830. It is unmarked as is often true for Tucker, but the form is theirs, the decoration typical of their floral work and the gilding similar to other Tuccker pitchers. 9 3/8 inches (24 cm) tall.

Condition; Terrible, dropped, broken, not particularly well re-glued and having a few cracks associated with the breaks. Firing flaw across the handle with an associated crack. Gilding wear on the handle. The only paint loss ...

A very well decorated two handled urn or vase with everted rim with a black background showing figures in classical garb around the main portion of the body and with elaborate continuous ornamentation, mostly in orange on the outer edges and handles. No makers mark or mark for the country of origin, but likely to be English (possibly by Samuel Alcock & Company). It might be French. In either case based on the style it was made around 1850. 8 5/8 inches (22 cm) tall and the same diameter.

Con...

An interesting color printed engraving of George Washington published in London in 1798 by Robert Cribb, Holborn, engraved by William Nutter after a painting by Gilbert Stuart purported to belong to J.S. DeFranca of Devonshire Place. Devonshire Place is a part of London, but a quick search did not turn up a J.S. DeFranca and it is possible that this print is a copy of another print of Washington, based on the Lansdowne portrait by Gilbert Stuart. It is printed on laid paper and the fact that it ...

A hand colored engraving titled Sepulchral Chambers near Bethany (also in French) after a drawing by Luigi Mayer (1755-1805) published in London in 1803 by R. Bower as part of the set of prints, “Views of Egypt, Palestine and Other Parts of the Ottoman Empire.” The paper with a watermark, “J Whatman/1801” on the right hand edge with the lower part of the date missing. A dramatic view of men in local dress in a tomb lit with torches. The sheet is 12 7/8 (22.5 cm) by 18 ¼ inches (46.5 cm...

From the set of lithographs, Paris dans sa Splenour, published in 1861, this one is titled, “TOUR St. JAQUES – LA BOUCHERIE ET RUE DE RIVOLIE.” The printer and lithographer are shown in details of the lower left and right corners. The image without printing is 9 1/4 by 14 1/8 inches (23.5 x 36 cm), the page 12 ¾ by 18 ½ inches (32.5 x 47 cm).

Condition: some staining, roughness around the margins and some rubbing of the surface. Matted and backed with acid free matboard.

Great ...

A very nicely painted Pratt Ware cottage decorated with a blue tiled roof, children at the windows with an oversize female standing beside it. On one end of the cottage is a woman with a cornucopia (?) and on the other a flowering tree. At the back in the roof is a slot for large pennies. The colors are well applied. Similar cottages are illustrated in John and Griselda Lewis Pratt Ware, 2006 edition page 249. 5 inches (12.5 cm) tall, 4 inches (10 cm) wide and 2 7/8 inches (7 cm) deep.

Cond...

An oversize albumen photograph of a carriage on a narrow bridge with the rising spray from Niagara Falls visible in the distance. I am reasonably confident that this a bridge connecting Goat Island to the river bank on the American side or possibly a bridge connecting Goat Island to one of the Three Sisters. It was likely taken and printed by George Barker, though no title or name is on either the front of the image or on the back of the mount. The image is 16 inches (40.5 cm) tall by 19 inches ...

A pair of good opaque opaline vases lavishly decorated with bouquets and sprigs of hand painted flowers as well as gilt rings at the top and around the foot. The bases with slightly hollow ground pontils. The style is typical of the French from the middle of the 19th century. Height 11 ¾ inches (30 cm).

Condition: no damage to the glass, some wear to the gilding around the top, especially on one.

Very nice floral painting.