Catalog: Antiques (488)

This is one of 4 small individual antique Chinese carvings which I am listing separately. I had always assumed them to be 4 of the eight immortals but upon close inspection, I am now not sure which gods, ancestors or legends they represent. Each character stands with its own faithful foo type dog and carries an implement of some kind. Each has a peg on the bottom which fits into the own homemade stand.

This character stands 5.75 inches x 3 inches wide and 1 inch thick...

This old Sutra book is out of Tibet... original cover, strap, and pages, more pages than I want to count. size 6 inches x 2 inches 1.5 inches

Animal horns carved and shaped this way were used by herders and farmers to give a sick animal liquid medicine. This yak horn was bought in China but was probably made used the Tibetans. Judging from its size, this horn is from a mature (older) Yak...The tip is carved into a delicate animal head ...there are a few surface growth stress cracks on the under side which would be common for a large older animal. horn from tip to end is 11 inches and has good translucence

This is a heavy Chines necklace which was worn by the Dong ethnic minority women. It can be worn and also makes a very impressive display artifact.

The bib front and back are domed to a thickness of about 1 inch at the center and the piece spans over 10 inches side to side. The weight of the piece (approx 2 lbs)indicates that the piece is definately not hollow

This is one of a pair of wooden (not papermache) chinoiserie footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels of individual woman in various poises. Each side has handle shaped and painted as an ivy leaf.

On the black lacquered back is the rement of a very old label. Plate is 10.75 inches at the widest point...

Carved out of Bamboo this Buddha is 13.5 inches high,5 inches wide and 4 inches deep. He is a wonderfully carved example of folk art tradition with very gentle countenance.

Tradition Lotus shaped Chinese silk pillow Fret pattern Embroidered background with dragons and other creatures using both satin stitch and couching with gold metallic covered thread.... Some fading and some wear around the edge... roughly 8 x 14 inches A note on displaying textiles… When framing Chinese textiles….do not allow your framer to glue the textile to any kind of backing board… Instead have the textile basted (sewn) to a piece of complimentary background fabric…and the...

The top of this black lacquer Japanese box is heavily carved with leaves and foliage. The carved oval cinnabar panel in the center depicts a long and stable marriage scene. The standing wife has just served her sitting husband tea in the garden, outside the house surrounded by mountains. The four sides of the box are carved with continuous textile design.

The box is 5.5 inches x 4.75 inches and 2+ inches high.

This antique document case would be used to house and transport important documents. The high quality silver decoration of vines and flowers uses both pierced and repousse techniques. The curious emblem displays a spade, heart, club and diamond. Originally owned by a wealthy family, it is from what was considered northern India, (possibly now Pakistan), during the Raj period, before partition...

In China, collars where made separately from the robe or garment. As such, the so-called cloud collars were used much like a necklace, allowing a single collar to be worn over various robes. This is a traditional Han Chinese style collar dates to the Qing dynasty period. The background fabric is white silk, bordered with black rolled trim. The collar is very finely embroidered with silk thread using predominately the satin embroidery stitch...

This traditional antique Chinese childs top was made using a fine, deep royal blue damask silk with black silk trim. From a wealthy family, this top was padded for winter use, has all the original frog and monkey fist knot closures, and a hand embroidered rondel with lots of couching and seed stitches (aka forbidden stitch)

This long handled basket is out of Shanxi Province. There are the remnants of the original woven rattan "ring" on the handle which allowed the basket to be hung from a hook on the ceiling rafters...safe from rodents... Inside the rim of The outer basket, there is a smaller basket which allows for a separate food storage area... 25 inches tall and 10 inches wide at the bottom

This Tibetan Priest's rattle is carved from horn and has a bone cap on the end. It was used by the Monk during ceremonial rituals and would have been shaken to ward off evil spirits. This horn was hand carved with many Tibetan Buddist symbols. All the edges are worn smooth with use and repeated handling.

This is one of a pair of wooden (not papier mache) footed plates made for export. The central medallion Japanese scene is classic and the rim has ornate panels with animals and plants. Each side has handle shaped and painted as an ivy leaf.

On the black lacquered back is the rement of a very old label with indistinguishable Asian characters...

Diameter approximately 2.75 inches, this antique chinese mirror may have originally had silvered surface on reflective side...brought to the US 1920-1930 by missionary Rebecca Cloud-Stewart..deterioration of metal surfaces as expected.

This old set of pygmy quiver and arrows have seen a lot of use. When hunting, the leather quiver would have been worn high on the back. The cap comes off easily and the upper portion of the quiver is bent to allow easy access to the arrows. The metal tips of the 5 arrows are worn and broken with only 1 showing its original shape and barbs. Each arrow has a plant binding around the end with a notch for the bow string...

This antique copper reposse gau houses a picture instead of a clay tsa tsa which was common for a family gau. when the family could afford to do so, the picture would be replaced by a clay tsatsa. Curiously, this gau also houses 2 amulets, which were typically provided by a monk. The paper is very old and I am told it is bad Karma to unfold the amulet...

This Mongolian oil lamp was made in 3 sections, which were then "welded" together. From the 3 seam marks, it appears that the base was made from 3 parts which were joined and hammered into shape. The stem was a long square length of rod which was twisted during heating. Typically, these lamp stands would have a shallow bowl with a short dull spike for a candle, or a tripod oil bowl could also be placed on the top bowl according to the owners resources and preferences...