This baby carrier is from the Miao ethnic minority of Qui Yang. Characteristic of the antique Miao baby carriers from this area, the surface decoration is composed of very tiny cross stitches which form geometric embroidery pattern which, to Western eyes, resemble snowflakes...
This matching Japanese 5 piece set consists of 2 deeply footed shallow serving bowls and 3 small shallow bowls. The deep rich red/orange lacquer background serves to highlight the gold, black and gray landscape scene which graces the inside of each piece. Flying high overhead a gold crane surveys the pine tree and series of sacred mountains. The largest piece is 7 inches diameter, next piece is 6 inches diameter and the 3 pieces each have a 3.5 inch diameter.
This antique Korean serving tray would have been used for serving tea or individual meals. The signature characters on the bottom are followed by the symbol for "student", presumably the tray was carved by an apprentice. The bottom also has rough darken areas for a more secure gripping surface and shallow attached feet which also have rough bottoms.
The tray has a delicately upturned lip, a deep rich red brown color. It is approx 13" x 9.5 inches...
These antique Chinese hat stands are carved from an unknown wood. Their interlocking parts can be separated easily, so they may have been designed for traveling. They can be sold separately or in groups and used to "show off" your hat collection or as interesting artifacts of Qing dynasty culture.
The hat stand on the left side comes apart into 2 pieces and stands 11" high.
The stand on the right also comes apart into 3 sections with 2 pieces in each section. This stand is 12" tall.
This Chinese golden colored Sha-green is large by shagreen standards...it spans almost 7 inches at the longest point front to back, and stands just over 3 inches high. The top clearly has some scuffs and loss to the hide, which for me enhance the beauty of the box.
The box is hinged at the back and the inside is lined with leather.
This wide cuff Chinese bracelet has deeply repousse design composed of detailed symbols related to Miao Ethic Minority myths and legends. Such bracelets would have been worn in matched pairs, one on each wrist, by the women of the "short skirt" Miao of Dan Zhai, and the bracelets would have been handed down from mother to daughter for generations.
The cuff is almost 3 inches at the widest point in the front because of its large size and rolled edge it easily slips onto most wrists.
Toward the late Qing and early Republic periods, footbinding in urban centers became less common. But women were still concerned with fashionable footwear. This pair of beaded strips are actually shoes parts which would have been sewn with other matching beaded fabric parts to form a pair of beaded shoes
Old Chinese hand carved wooden mask depicting legendary king of old China. Face was gessoed and polychrome painted. 15 inches x 14 inches wide and 6 inches deep. some areas of chipped and worn paint consistent with age
Several of the Southeast Asian hilltribes from the "Golden Triangle" region would practice tattooing as body art and religious ritual. This Burmese tattoo tool with the figure head was used to scratch the skin surface and apply the dye.
This charming round Japanese antique serving tray is 11 inches in diameter. A delicate gold leaf design is painted around the outside tray rim and extends down onto the 3 shapely legs. The top edge of the rim is gold and separates the outside black lacquer from the traditional red/orange lacquer interior of the the tray. The red, black and gold lacquer paints are somewhat dulled with age and exposure. An old type written label on the bottom of the tray dates the tray to 1830...
This fine antique large betel nut container from Burma is painted with a traditional ornate "yun" incised lacquer design called “yok-thei”. There are tiny dancers swirling through an intricate background of vine vegetation. High sided cylindrical betel boxes called "kun-it" were used to store betel leaves and other ingredients. The deep lid fits snugly to keep the contents fresh.
Unfortunately, this container is missing the original tray insert...
According to the estate, this spoon was brought back from the Philippine Islands. It was reserved for use by a person of tribal importance, referred to as a "prestige spoon". Approx 7.75 inches tall, nice shape, feels good in the hand..bowl has crack which cannot be seen in the photo...nice ethnographic artifact
Very Nice patina on this old Tibetan Dorje. It is 7 inches long. The Tibetan Dorje is the equivalent of the India Buddhist symbol of Vajra or Thunderbolt which represents the masculine force....
This antique Chinese offering cup would have been filled with water for Buddha and left at the temple alter. It dates from WanLi Reign during the Ming Dynasty.
The cup is black lacquer, peach shaped for long life, has a footed bottom, and ornate finger stops on each side. It has several nicks and chips as is appropriate for its age. The cup is 1.25 inches high and 3 inches across at the widest point.
Rare Japanese antique box. Body of box has treebark finish. The top has 2 very fine lacquerware pieces depicting cranes and irises. The keyhole escheon is floral shaped and is incised. Sorry, no key, condition is very good. 10.5 x 3.5 x 2.5
This antique Mongolian belt evokes the image of Mongolian horseman galloping across the plains...
The chain is heavily patinated from age and use. The deeply doomed central medallion retains the original stained dark finish and highlighted gold (unknown source) on the border and central decoration.
This piece is heavy...
the central medallion is 6+ inches across,3.5 inches wide, and 3+ inches deep.
Inside of ring has embedded pipe scale from the glass working process and exterior layer of glass has stress crack with small chip missing...stress crack would also be from glass making process...
but ring has been stable for couple of centuries...ring was bought in South China late 90s along with several other rings (all stone and sold) but this one was so unusual that I kept it ...really is lovely
Simply beautiful...describes this Japanese lacquer tray table which would have been used for serving sake. From the Meiji period, the deep rich black roiro-nuri lacquer background sets the scene for the emaki-e gold paint depicting a landscape of trees, flowing water and hills.
pristine condition....8 inches high 9.5 inches wide and 9.5 inches deep