Catalog: Antiques: Regional Art: Asian (74)

Very rare large hexagonal plate. Turtles and cranes as the symbol of longevity in Japan are depicted with color and gold, it's very gorgeous. Size: 42.2cm(D) 4.0cm(H)

This deep plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted peachs and flowers, and the last painted with gold. Very sophisticated piece. Size: 28.8cm(D) 5.0cm(H)

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. The chamfered vase is very rare on late Joseon. This piece is seemed to be made at a folk kiln in Bun-in. Certification : written by Noriki Shimazu the famous Asian antiques researcher in Japan. Size/ D:16.4cm H:14.5cm

This polychrome piece was made in Imari with Kakiemon-style in last 18th century. It has been transmitted from generation to generation in Japan with wooden box. The small handle on the rid has repaired at the base Size: 11.5cm(D) 14.0(H) Accessary: traditional wooden box YouTube movie:https://www.youtube.com/watch?v=sz23dGVUEss&list=PLcPjV3Xf0-WPWoVxtqux54Unn8C1bQ7YJ&index=43&t=4s

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. This piece with autumn flower has "wabi-sabi" feeling. In spite of damage of mouth, the repair part by lacquer and gold rather give more "wabi-sabi" feeling. Certification: written by Noriki Shimazu the famous Asian antique researcher in Japan. Size: D:9.8cm /H:13.9cm

Since Satsuma printed porcelain have got a great reputation at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or Kyoto and so on. This piece was printed at Chindo workshop in Yokohama. It has sophisticated patterns of mainly fishes. And there is a tiny chip repaired on the edge. SIZE: 21.4cm(D)/2.4cm(H)

Since Satsuma printed porcelain have got a great reputation at Expo 1867 in Paris, Satsuma brand has been very popular in Europe.The specialization on making body and printing has been going on in early Meiji period, the bodies was made in Satsuma area Kagoshima pref.and was printed in Yokohama or Kyoto and so on. This piece was printed at Chindo workshop in Yokohama and stayed in Japan not be exported. It has sophisticated patterns of mainly shrimps. No chips no repairs. SIZE: 21.4cm(D)/2.4cm(H)

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the last EDO period. Extremely minute strokes in this piece are very excellent. No repairs or damages. Size: 18.8cm (D) 3.0cm(H)

The technique of famille rose has born united western and eastern technology on the Kangxi period. And the oil painting expression had been possible on a chinese ceramic by that. This piece has the seal mark of Big Qing Qianlong(大清乾隆年製）on the back. Size: 19.7cm(D) 3.1cm(H) Accessary : box

The Kangxi(康熙）period is the day when the ceramic industry ruined at the last Ming dynasty had been rebuild, and many excellent pieces had been produced at both government kiln and folk kiln. This piece has picture of flushou (福禄寿）and the superlative seal mark of folk kiln on the back. Notable thing is the record in the box indicates it has had by Aixinjueluo Pujio(愛新覚羅溥傑),younger brother of the last emperor. Size: 19.5cm(D) 3.5cm(H) Accessary: box

The ceramics manufacturing industry in China was collapsed at the confusion period in last MIng dynasty, however after about 50 years It was rebuilt on the Kangxi(康煕) era and they had producing more excellent pieces, and so the products with Kangxi mark has been prized for long time after then over the world. This pieces has an auspicious grouping pattern, pine, bamboo and plum at the bottom, and Chinese characters on the outside. Accessary: box Size:11.0cm(D) 5.8cm(H) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

"Bun-in" is the last kiln for Joseon court. And there, high quality and sophisticated works were made. The plate with leg like this had been made for the dedication to god. Certification : written by Noriki Shimazu the famous Asian antiques researcher in Japan. Size / D:16.0cm/ H:6.5cm

This piece have very sophisticated picture of iron glaze by the professional painter, the motif are plum tree and crythansmom. Plum tree is the symbol of early spring and crythansmom is one of autumn, they are loved among the eastern Asia people from ancient. The picture are painted under transparent glaze with iron glaze. And it have long neck just like the nose of a gun, this feature is seen in many pieces at 18th century. Youtube: https://www.youtube.com/watch?v=A0PTlbOI4bg&feature=youtu.be Size: 16.5cm(D)/28.0cm(H) Accessary : wooden box

This plate was made in Arita porcelain area at middle Edo period. Arabesque with flowers at the center, 3 chinese phenixes, 6 dragons are pictured around with fine brush strokes and octopus arabesque with blue glaze. The seal mark"大明成化年製" is commonly seen at the middle Edo age. Size: 34.2cm (D) 5.0cm (H)

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the mid EDO period. The simple stroke in this piece is very favorable. No repairs or damages. Fine iron grains from the clay are appeared as black points. Size: 18.8cm (D) 3.0cm(H)

This large plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted 2 Chinese men of literary taste and children playing at the garden, and the last painted with gold. The seal mark ”大明成化年製”was used at the middle Edo period, Very gorgeous piece. One more piece with the same pattern we have. Size: 41.0cm(D) 4.8cm(H)

This large plate was fired with no glaze at the first, and the second fired pictured traditional pattern with blue glaze and the third colored picture depicted 2 Chinese men of literary taste and children playing at the garden, and the last painted with gold. The seal mark ”大明成化年製”was used at the middle Edo period, Very gorgeous piece. One more piece with the same pattern we have. Size: 41.0cm(D) 4.8cm(H)

Blue & white pieces in Jingdezhen Ming dynasty like these are called "古染付 kosome" and loved by Japanese tea masters.Especially natural chips on the mouth edge are loved and called "虫喰　mushikui" that means worm eating marks. They are suited to "wabi sabi" feeling. These pieces have five horses painted in free and easy style. accessary : old wooden box made in Japan YouTube https://www.youtube.com/watch?v=pABoSggRLKM&feature=youtu.be