Catalog (603)

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

A beautiful example of an antique Shigaraki Tsubo (storage jar) Vase displaying classic Shigaraki markings of emerald green, red ochre, pale and natural ash glaze.

The eye-catching natural green glaze flows from the mouth over the massive body of this jar from the mid Edo Period (1603-1868)

Standing in front of the large tsubo with its aesthetic form, jewel-like natural glazes, and sparkling tsuchi-aji (clay flavor), one cannot help but feel in awe of their makers, and...

One of such rare antique Hagi Chawan with wonderful milky white glaze from the 18th century, perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

Like many of the great Japanese ceramic traditions of western Japan, Hagi originated with Korean potters. Indeed, in the Momoyama era (1573-1603) and in the early years of the Edo period (1603 - 1867), ceramics like Karatsu, Agano, ...

What an amazing statue: early 18th century four-armed Avalokiteshvara purple bronze Buddha, the Bodhisattva of infinite compassion.

The statue is made of high class purple bronze, with rests of gilt and color, very impressing with 51 cm (20'') height and a weight of approx. 10kg.

Spontaneous as a poet’s imagination, or the flow of the waters of a rivulet descending down a mountain peak, there seems to flow in the fluidity of the lines and contours of the statue the com...

What a rare and impressive Chawan, made during the mid Edo Period (1603-1868) - Seto-Karatsu Kutsu Chawan with a wonderful shape and a vivid Seto glaze, which which partly looks like the glaze of Chinese Song-Dynasty Tenmoku tea bowls. Really one of a kind.

It has no chips, cracks or repairs and comes with an old Japanese wooden box. The inside of the lid bares the appraisal of the first Mashimizu Zoroku 初代 真清水蔵六 (1822-1877). Shimizu Tasaburo the First learned pottery...

Very sophisticated and fine mid Edo Period Hirado Mizusashi for the Japanese Tea Ceremony with its original lid.

Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families. During this time Hirado ware was popular for the water jars used to hold the cold wa...

An antique 18th century Chinese Bronze Buddha seated in the varda or granting of Boons mudra. 

This lovely Buddha is seated in the lotus or Padmasana position, with each foot placed on the opposite thigh. His robes cascade fluidly from his left shoulder.  His robe is draped to leave the right shoulder bare, and a portion of the garment that covers the left wrist falls behind the figure.

The lower hem of the robe comes all the way down so that the undercloth or skirt...

A beautifully crafted and remarkable example of Edo period Raku pottery. Iridescent reds rise like a deep space cloud from the meteoric surface of this 300 year old Kuro Raku Chawan.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of various shades of red through a classic black glaze when held up to the light.

Characterized by a complex glaze texture achieved through kiln firing in contrast to the simplicity of the form.

A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies. Chanoyu is a ritualized, secular practice in which tea is consumed ...

Beautiful Chinese antique vase, 18th century (Kangxi Period, 1662-1722). It is sculpted in double gourd shape and painted with various scholar scenes and glazed in white and blue. Continuous scenes depicting figures in a landscape are a common motif in Transitional porcelain, they often referenced popular plays, histories or poems.

Very fine Kangxi mark on the bottom.

PROVENANCE

A Private German Collection, acquired in the 1930's in Japan.

Dimension...

Jizhou Tortoise Tenmoku tea bowl of Southern Song (around 13th century) with paper-cut Phoenix design. It was once part of the Taiwan National Palace Museum.

This fine Jizhou tea bowl comes with the original storage box of the Museum. The official seal of the Supervisory Committee of the National Palace Museum of Taiwan is on the box.

The Jizhou region located in central Jiangsi province produced its best known wares during Southern Song (1127-1279). This was a technical...

A rare Japanese Buddhist Bell from the middle of the 18th century in perfect antique condition with no flaws. It is made of alloyed copper.

Bells play a crucial role in a variety of Buddhist services and rituals; their sound is considered auspicious, and is believed to bring peace and comfort to all sentient beings, even those who are suffering in hell.

Size: 15,5 cm high, 7,7 cm width

One of such rare antique Hagi Chawan with wonderful glaze and aesthetically pleasing patina from the early 18th century (Edo Period), perfectly thrown and highlighted with an old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl even more valuable and outstanding.

It comes together with its wooden box and the authentication and appraisal of Soshu Mori, a former chief priest of the Daitoku-Ji Temple 大徳寺 Kyoto.

Like many of the great Jap...

A rare Kuro Raku Chawan by the 7th-generation successor of Raku ware, Kichizaemon Chonyu (1714-1770).

It comes in fine antique condition with a very old red Urushi lacquer Kintsugi and its antique wooden box with an attestation and appraisal of the Urasenke Tea House "Shikien" Kyoto, signed and sealed in 1950.

Born as the eldest son of the 6th generation Sanyu, he took over as the head of the family and didn’t retire until age 49, later passing away at age 57. Since ta...

Have you ever seen a shuro made of Shino-yaki from the Momoyama-Period? Try to hunt for it on the antique market, it is very rare. Also on trocadero you will not find one except ours. This is for the deep lovers of ancient Japanese Culture and art.

In the days of traditional Japanese wooden buildings keeping warm must have been a constant preoccupation. Hand warmers like the present example were small hibachi which would have a layer of sand on which charcoal would be burned to enab...

Wan shape with a small foot and no Kagami (mirror - tea pool) inside.

The light iron bearing clay is decorated in the style of a Korean Miji-Hakaeme bowls: inside and the upper three quarters on the outside covered with a whitish Engobe over which a transparent ash glaze was applied, just sparing the inner part of the foot.

The Uchigaso kiln was the second of the Takatori kilns established by Korean potters, it was active between 1614 and 1624.

The bowl was ex...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.

Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )

Setoguro yaki is high-fired ware that originated in the late 16th century. Black glaze is ...

Our Kutsu / gutsu gata ( shoe shaped ) tea bowl is made of iron bearing Karatsu clay.

Its fastly but expertly thrown body is glazed inside and outside, with the exception of the bottom including the roughly cut foot ring with an ash glaze which has some Feldspat mixed in glaze. The decoration under the glaze is painted in dark brown iron bearing clay directly on the body - flying birds.

To prevent the glaze from flaking off at the rim, iron oxide was painted under the gl...

We offer a really rare kiseto ( yellow seto ware ) chawan from the Momoyama Period with tanpan marks ( copper green marks ).

It is a high fired ware from the end of the 16th. century in the Aburage-Hada style.

The early Kiseto glazes ( yellow Seto ) from the Muromachi period are considered to be attempts to emulate Chinese celadons from the Song dynasty. The composition of the wood ash feldspar glazes largely resembled that of the celadons; however, in oxidation instead of...

Outstanding excavated Ayutthaya Bronze Statue from the 16th. century.

This crowned Ayutthaya Buddha is seated on lotus in Dhyana Mudra ( deep meditation ) and has a very gentle and serene expression.

Fine antique condition with traces of the excavation and the age. Weight 2300 g.

Size: 35 cm x 19 cm x 8 cm.

Shipping included

We like to offer you a distorted cylinder shaped ( hanzutsu ) tea bowl made of light, fine but unrefined Mino clay. It dates from the early 17th. century and is in stunning condition.

The expertly thrown body is covered with the typical feldspatic Shino glaze inside and outside, with the exception of the bottom and the roughly cut foot ring. Under the glaze is a decoration of bold vertical lines crossed by horizontal lines ( may be a fence in iron oxide on one side and 'grass' on t...

Here we are proud to present another perfect early 17th. century chawan in museum quality.

Low cylinder shaped (hanzutsu) tea bowl made of light, fine but unrefined Mino clay with sone iron oxide content. The expertly thrown body is covered -with the exception of the bottom and the roughly cut foot ring - with the typical feldspatic Shino over an iron oxide based engobe. Akashino is just a variation of Nezumishino, due to the higher temperature (?) the glaze has turned red instead ...

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone). At the rim is a repair in silver lacquer ( refer to pic number ...

A magnificent and rare Amida Nyorai bronze Buddha, made in the early Edo Period, which means in the early 17th. century. This statue was made in a way called lost-wax metal casting, also known as Rougata Chuuzou, which was popular only in the 6th. century and in the Edo time.

The statue is in good antique condition with no repairs or cracks.

Size: 7,8'' height

Up for sale is our oldest Japanese Tokkuri (Sake bottle). It dates from the Momoyama Period with an age of 400 years and has a very tasteful glaze with vivid colours. Close to the bottom there is a kiln mark (refer to picture no. 6)

The Tokkuri can be used with a little flower as a wabi arrangement. It is in good condition with a crack on the top of the tokkuri, which enforces the wabi look.

A Tokkuri with this age is absolutely rare.

Size: 18 cm

Shipping...

Ido Ware, Korean Joseon Dynasty (16th-17th century). The light cream bowl is decorated overall with a crackled cream glaze.

Rustic and sophisticated at the same time, this vessel is another great example of the beauty of Korean Ido chawans.

"Ido" chawan (tea bowl) is the first of three types of famous Japanese Tea Ceremony bowls. A very famous saying in the Tea Ceremony is "First Ido, second Raku, third Karatsu". It means Ido chawan is the highest grade tea bowl. Even th...

Late Momoyama period cylinder shaped (Hantsutsu - slightly destorted but not a Kutsugata yet) tea bowl made of light, rough Mino clay. The fastly but expertly thrown body in the style of a Narumi-oribe bowl, which is a variation of green Oribe style. The whole body with the exception of the foot and it surrounding area are covered with a thin ash glaze, a low iron content of the body has coloured the the glazed part light brown; the brim is accented with copper oxide glaze. The underglaze dec...

Only one of a kind! Distorted half cylinder shaped (near kutsugata) tea bowl made of light, coarse unrefined Mino clay. It dates from the Momoyama Period.

The expertly thrown body is covered with the typical feldspatic shino glaze inside and outside, with the exception of the bottom' the roughly cut foot ring. A very minor iron oxide content of the clay has changed the white shino glaze to light pink (beni). This is absolutely rare. (Beni-shino is a variation of E-Shino and should not...

Best of the best! Distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay. The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom' the roughly cut foot ring and window, which is decorated with plover birds (chidori) over waves in black under a shin on type glaze. Next to the roughly cut foot ring is a kiln mark (kama jirushi). There is a repair to the rim, executed in real Japanese gold...

China, 1600's late Ming Henan Black Ware Tribal Ocarina Wind Instrument Whistle. Of fig shape with rounded body and 8 holes on the front and back with an escape on the neck and glazed mouth piece, in the Song to Yuan style of earlier Henan black wares or changsha ware, though likely later in dating. The deep amber glaze darkening to brown in areas. Incised mark to front. It measures approx. 2 3/4" x 4" x 2 1/2".

The ocarina belongs to a very old family of instruments, believed to da...

This is a very nice and very old Buddha statue from Lopburi depicted with royal attire such as crown, ear rings, belt , necklace and more. The Buddha is sitting in a position of calling the earth to witness.

This statue was originally found in a property of Lopburi civilian which was buried under earth about 24 inches deep. The overall condition of the statue is very good, just only a few spots of oxidation reaction. No repairs. This is very nice proof of Siam and Khmer art in 1...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.

Circumventing lines and dots are scratched into the black glaze be...

Very old Karatsu Chawan (early Edo), slightly deformed rare wan type.

It is thrown on a wheel from coarse unrefined iron baring clay and has tasteful colours.

Smooth feeling in the hands and great antique condition with expected fine hairline cracks and inborn kiln cracks.j

Size: 11cm diameter, 7cm in height.

We are proud to present you a very rare Korean Irabo Chawan made in the early Edo Period on Japanese order.

This is a Wan shaped tea bowl made of coarse, unrefined clay with a high content of iron oxide. The clay shows impurities and stones - some of them have exploded ('ishihaze'). Over the dark clay a thin, transparent ash glaze has been applied, inside is an aesthetic brush stroke (hake me) in white engobe.

The bowl has a beautiful shape and is well balanced. It has b...

Are you tired of so many unspectacular items on the antique market? Here we present a real spectacular one - only one of a kind, an EARLY Momoyama Bizen hisago vase.

The very heavy body appears to be built from clay coils and then was thrown on a hand wheel, this and the combed decoration point to the Muromachi Period.

The beautiful yellow goma effect of the flying ash is now on the reverse side of the vase - indicating that the slight distortion was incidental and not part o...

This gorgeous grey Shino-Oribe Chawan was made around 1620, the late Momoyama and early Edo Period.

The cylinder shaped (hanzutsu) chawan is made of light, fine, unrefined Mino clay. Shape and style (flaring mouth) make it contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immedia...