Catalog: Antiques: Regional Art: Asian: Japanese: Tea Articles (261)

Love at first sight! From deep inside the cultural heart of the Japanese Edo Period we are proud to present you another stunning Chawan from our collection...

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze...

Here we present a real old Ko-Karatsu Tenmoku Chawan with a wonderful yobitsugi repair. It dates from the early stages of the Japanese Azushi-Momoyama Period (1573-1603).

A yobitsugi repair is not just a simple repair, it is a recreation by using laquer and some fragments of broken pottery of the same or a similar kiln. The result is a breathtaking consistency of 'landscape' (keshiki)...

There are only few opportunities to find antique Chosen Karatsu chawans - collectors know of what I'm talking about. Here is the second one of our collection:

Chosen Karatsu chawan from the Edo Period. The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion...

Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan...

Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).

He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions...

One of a kind! Wonderful Shiro-Hira Raku Natsu (Summer) Chawan made and sealed by greatest Kichizaemon Konyu XII.

The wooden box has an attestation written by Sokuchusai, the 13th Omotesenke master. The chawan is named shira-kumo, white clouds.

No chips or cracks except natural inborn and intended kiln cracks for a great wabi-sabi aura.

Born 1857 as the eldest son of Keinyû, he succeeded as the 12th generation in 1871 at the age of 15...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze has been poured under which a decoration of a willow tree (yanagi) and a fence have been applied in iron oxide (oni ita). Just the foot ring and its immediate surrounding was left unglazed...

Little distorted half cylinder shaped tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical shino glaze inside and outside with a fine dark greyish triangle design. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1620-ies at the Motoyashiki and Kamagane kilns.

Wonderful Kintsugi (gintsugi) Gold Restoration, which makes this chawan unique and more precious...

Cylinder shaped (hanzutsu) tea bowl made of light, fine unrefined Mino clay. Style (trimmed mouth, very controlled glaze) make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical white, feldspatic Shino glaze which has been poured and under which a decoration of brush strokes has been applied in iron oxide (oni ita) representing grass and fences.

Just the foot ring and its immediate surrounding was left unglazed...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay from the late Momoyama or early Edo period...

Slightly distorted cylinder shaped (hanzutsu) tea bowl made of fine, light, unrefined Mino clay, containining a little iron oxide. Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immediate surrounding was left unglazed. The decoration was scratched into the ...

Perfectly shaped Shino Chawan with beautifully crackled Shino glaze and with the image of 3 Noh mai dancers.

It is extremely rare to find an antique tea bowl with a Noh mai dance motif.

This Chawan was made at the end of the 19th century. The signature of the artist is inscribed close to the foot ring.

Noh mai means „traditional movement“ and came from China to western Japan It was heavily influenced by the elegance and sophistication of the manners often a...

A striking late 19th century Shigaraki Chawan with one of the most beautiful Kintsugi repairs we have ever seen. A mixture of lacquer and gold powder showing a traditional Karakusa pattern - a real unicum.

This aesthetically pleasing highest quality Kintsugi gold repair was made and in 1974 by Arakawa Kentaro, former master craftsman of the Tokyo National Museum.

The 'kara' of Karakusa means 'China', while 'kusa' means 'plant'. The Karakusa pattern came to Japan from China...

This is an absolutely rare black Seto chawan ( setoguro chawan ) from the Edo Period.

Blackish-brown glaze amalgamates with a wild and roughly thrown body and a still vivid and strong Seto Glaze. It is very heavy for a tea bowl, 503g. Please note that there is also an interesting kiln mark.

Setoguro yaki is high-fired ware that originated in the late 16th century. Black glaze is achieved by removing the iron-glazed pots from the kiln when they are red-hot (a technique ca...

Heavily distorted shoe shaped (kutsu) Chawan from the early 17th century with a strongly flaring mouth made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife in its lower part and covered with a very deep black iron oxide glaze inside and outside.

Two 'windows' on two sides have been left unglazed. One has a very rare decoration with hanging persimmons (hoshikaki) scratched into the engobe and the other has a often seen fence painted u...

Meiji Era (around 1910) Samurai Tea Bowl with fantastic painting, marked on the bottom 'Heian'.

White porcelain from Kyo ware is coated with vivid silver glaze and a handpainting of ocean, clouds and a kabuto (a Japanese amor samurai helmet).

Kabuto is a type of helmet first used by ancient Japanese warriors, and in later periods, they became an important part of the traditional Japanese armour worn by the samurai class and their retainers in feudal Japan.

Great...