Catalog: Popular Collectibles: Memorabilia (187)

Measuring approximately 10.5 inches tall, these sweet, hand-made, circa 1930's, Great Depression era, Mammy and Pappy dolls feature dried apples as heads! Common household items such as chicken or turkey breast bones, dried corn cobs, old rubber baby bottle nipples, wooden clothespins and dried fruit were frequently employed to make play-dolls when money was tight and store-bought toys were beyond reach!

These two folk art pieces came straight from the 93 year old great grandma who played with them as a child!

While the heads were constructed from dried apples painted black, the bodies were cut from various pieces of sponge which were then hand-sewn together. Hands were cut from pink--- and not brown or black felt--very interesting---while the teeth were formed from tiny white beads, and the white fuzzy hair fashioned from nothing more than small, cotton batting pieces. Eyes are glued-on googly eyes.

The homemade clothing is nicely constructed via a combination of hand and machine sewing. Mammy's green, teal and rust flowered dress is embellished with a bit of lace at the sleeves, and she also wears a fancy, white eyelet petticoat and a soft pink crocheted shawl. She is barefoot. Pappy's light blue shirt features 3 button detailing, and he wears denim pants and black felt shoes and hat with a red felt vest.

Condition is quite fine with no observable issues! No odors, rips, stains or missing parts. A very sweet pair!

This wonderfully rare, 1920s piece of Black Memorabilia ephemera is in utterly fabulous condition!

Measuring 7.50 inches long x 3.25 inches wide, this Belgian cigarette or cigar, heavy paper/cardboard box features a fabulous litho of a very dapper Black Gentleman smoking one of the "JOHN" cigarettes. Its small size offers many options for display including framing for shelf or wall enjoyment.

A truly scarce find in phenomenal condition!

Having conceived of the revolutionary idea of a lithographed, molded-mask doll face in 1901, New Yorker, Albert Bruckner applied for and was awarded the patent for his idea that same year. All Bruckner dolls were then stamped, "PAT'D JULY 8th 1901" on the lower right neck edge.

From 1901-1924, Bruckner produced this original, 12" Topsy Turvy doll for Horsman's Babyland Rag Doll line that features Caucasian, "Betty", on one end and African American, "Topsy", on the other. The inspiration for this doll is based on the character of Topsy in Harriet Beecher Stowe's classic 1852 novel, "Uncle Tom's Cabin".

The Bruckner Topsy Turvy doll was advertised in a 1907 Babyland Rag Doll catalog as follows:

"TOPSY-TURVY---What is this?
Looks like just a pretty miss.
But turn her over and you'll find,
She is quite another kind.
First she's White and then she's Black,
Turn her over and turn her back.
Topsy that side--Betty this--
Yet complete, each little Miss."

The detail on this hard to find classic doll is lovely. Both heads indeed have the pressed, molded mask faces with lithographed features. Topsy's face is in mint condition! Betty's face is very fine with superficial rubs to the flesh-toned coating of her mask; her lithographed facial features, however, remain beautiful. (Such rubs are not unexpected as these particular doll masks are, unfortunately, prone to rubbing.)

Grinning Topsy has red bows tied to her black mohair braided pigtails which are tucked into her red headscarf. Her red blouse, which matches her head scarf, is trimmed with cream banding around the sleeve and neck edges. The cream scarf she wears around her shoulders tucks into her very full, red/cream checked, gingham skirt. Flip her over, and....

Betty's more subtle Anglo face and her hair are lithographed. She wears the same red/cream checked gingham fabric of which both her dress and ruffled bonnet are constructed. Over her very full gingham dress, Betty also wears a sheer, ruffled pinafore.

Both dolls have the typical "mitten" hands of the stuffed rag dolls of this era. There are no other difficulties to report other than the rubs to Betty's face and some tiny, stray (original) glue spots here and there. No rips, tears, soiling, or odors, and she has been stored in a smoke-free home. The photos show it all- these two girls are a charming pair! A very difficult to find doll in near excellent condition!

The resplendent colors of this vintage, 1940's, all-hand-stitched, wool felt tote bag with rolled hand straps are pure eye candy!

This never-used tote bears the original paper tag which states, "Handmade by African Cripple; Ematupeni / Zimele Cripple Care Centers; Durban, England".

The artistry of the wool felt, hand-appliqued cut-outs featuring a mother and her three children is further enhanced by colorful bead work which was carefully placed for symmetry in design and form! A gorgeous piece of vintage African Artwork!

Measuring 14 long x 14 wide x 2 deep, the bag retains a "brand-new" appearance with no fading, rips, stains, or other blemishes.

Please see the companion "tea cozy" offered for sale and priced separately.

This delightful grouping of 3 black Aunt Jemima composition dolls from the 1930s enjoyed an interesting, more recent life as advertising display pieces in an old Vermont Country store!

The 3 dolls were grouped together in a creative display that supported the sale of Aunt Jemima Pancake products! Their costumes are all identical and were hand-stitched and made especially for the planned Aunt Jemima display.

Each of the dolls remain intact inside an encasement of glue and paper wrapping and are attached to home-made, plaster-of-Paris-based, rectangular platforms. The platforms were created in 1958 as is written on the bottom of each base, and the dolls remained in place until the store closed in the early 1980s.

The large doll is 11 inches tall and evidences age-crackling to her composition face and hands; her right hand is actually missing a small piece of composition (see photo). Black hair peeks out from inside her checkered head scarf framing her sweet face!

The doll on the left side is the shortest, measuring 5 3/4 inches high. She is in fine condition and her eyes are placed in an interesting sideward glance.

The doll on the right measures 6 1/4 inches tall. Her composition is in fine condition with the exception to some small loss at the very top of her head (see photo).

Certainly a very visually appealing trio, sold all together as a group of three!

Offered is a series of 18, circa 1920s, colorfully lithographed trade cards published by the Liebig Extract of Meat Company of London. Each "picture card" as they were called then, features very colorful and highly detailed images on the front side with extensive educational information on the back side, written in French, on the various African tribes living in the Belgian Congo during this time period. The cards, of course, were a strategic marketing concept designed to provide the customer with a tangible reminder of all of the delicious soup extracts and bouillons it produced.

The cards measure approximately 2.75 inches x 4.25 inches and are in very good condition with no observable flaws or damage- quite remarkable given their 100+ years of age. Liebig cards were lavishly produced in Germany from 1875 to 1930 using chromolithographic printing techniques incorporating 12 different colors- an extravagance! The cards were enclosed as "give-aways" with purchase of Liebig products, and the Liebig Company was the first to give away serialized images with its products.

The Liebig Extract of Meat Company was established in London in 1865 by Belgian entrepreneur, George Christian Giebert, when he became interested in commercializing the Belgian chemist, Baron Justus von Leibig's, formula for beef extract. The venture was a resounding success, producing various meat extracts, soups and bouillons into the early 1970s.

In the mid-1800's, an unknown artist painted the face of a young Black boy in warm, soft colors, and unbeknown to the artist, forever immortalized the young boy's image! Since that time a variety of items were been produced in the image of the "Young Black boy with the Torn Hat" or "Johnny Griffin".

This very scarce piece is very much reminiscent of Johnny Griffin items with the exception of the intact, broad-rimmed hat on this piece versus the torn rim typically seen on all "named" Johnny Griffin pieces.

This circa 1920-30's novelty piece is constructed in solid brass, is hefty in weight, and was likely used as an ash tray given its tobacco leaf design/theme. The "Johnny Griffin-like" head of the young African-American boy that serves as the centerpiece of this wonderful piece, was molded separately and screwed into place. The screw is concealed under an original brass cap, done purely for esthetics.

The piece is in all original condition with the delightful, warm, rich, golden patina of old brass- not a reproduction- no replaced parts- and measures 7 inches long x 4 1/2 inches wide. It does not retain any markings, and country of origin is unknown, although likely of European origin.

A very seldom found piece of Black Memorabilia, that indeed pairs well with Johnny Griffin items or one's Tobacciana collection!

To view all of the Johnny Griffin items currently available for sale, simply type “Johnny Griffin” into the search box on our web home page.

This extremely rare, circa 1900, COMPLETE set of 4 Magic Lantern glass slides with Black Americana theme is in mint condition! True to the era in which they were produced, these 4 slides typify the black derogatory stereotypes prolific during this period.

Measuring 4 inches wide x 3 3/4 inches high, the black color-toned set was manufactured by A.D. Handy, Stereopticon & Supplies, Boston.

The four slides tell the story, through drawings and southern black dialogue, of a black boy attempting to steal a watermelon (slide 1). Four other black boys hiding behind a fence and watching, spook him, making the boy think there is a ghost behind him (slide 2)! Dropping the watermelon in fright, he dashes off for safety (slide 3). The shattered watermelon is then left on the ground, already broken into bite-sized pieces for the 4 other boys to enjoy!

This offering is truly an exceptionally scarce Black Americana collectible!!

Measuring 21 inches in length, this very handsomely attired, gentleman golliwog doll hails from the early 1950's and remains in near pristine condition. Displayed under glass all of these years, his clothing retains good color and is free of soiling with the exception of his white cotton vest which has one small spot on either side that are both nicely concealed when his jacket is set properly in place. (Clothing is removable if the new owner wishes to launder.)

The golly's clothing is machine stitched; his red mouth and white eyeballs are constructed of felt. His body is tightly stuffed with cotton batting allowing him to be displayed either in a sitting position or standing with the support of a doll stand.

A brief history of the Golliwog doll: The Golliwog is based on a Black minstrel doll that the Victorian era illustrator, Florence Kate Upton, born in 1873 of English parents, had played with as a small child in New York. Upton's Golliwog character was first introduced to the world in her 1895 book entitled The Adventures of Two Dutch Dolls. Like the rag doll that inspired it, the Golliwog in her book was an ugly creature with very dark, jet black skin, large white-rimmed eyes, red clown lips, and wild, frizzy hair. Golliwogs are typically male and are generally dressed in a jacket, trousers, bow tie, and stand-up collar in a combination of red, white, blue, black, and occasionally yellow colors.

A very sweet piece!

In a frame measuring 7 3/4 inches wide x 9 1/2 inches long, this brightly colored, all original, circa 1920s, Little Black Sambo Puzzle is in near perfect condition! This very rarely-found puzzle (I've NEVER seen another one like this) attracts additional interest due to the whimsical cutting of some of the individual puzzle pieces- in the shape of a heart, a fish, a bird and a dog!

This puzzle features a rendition of Little Black Sambo depicting Sambo trying on his new red jacket---one presumably crafted by his Mama given the sewing pins she clutches between her lips. His Pappy is at the threshold holding in hands, a new blue umbrella as well as new purple slippers to complete Sambo's new outfit! A joyous moment before Sambo then ventures into the jungle dressed in his newly acquired ensemble-- soon to attract the attention of those nasty tigers!

The puzzle is in very fine condition, clearly having seen little play from children. A previous owner chose to enclose it in a frame that complements the teal border of the puzzle which is labeled at the base: "little Black Sambo". Coloring is true and quite lovely.

A note to collectors: vintage Black Memorabilia puzzles from the pre-WWII era are a VERY rare find. Many were given out as "premiums" for utilizing a given product, and did not stand the test of time. Happy collecting!

To see all of the Little Black Sambo items currently available for sale, simply type “Sambo” into the search box on our website homepage.

Measuring 2 2/8 inches in diameter x 5/16 of an inch high, this rarely-found, circa 1910’s, dexterity game depicts a wide-eyed, black man wearing a hat, a wide white collar and a big red bow! The puzzle is quite colorful and is very visually appealing! The puzzle contains 5 tiny white balls of unknown material, that, with the proper manual dexterity, are to be placed two in the gent's eyes and the remaining three between the lips as teeth!

Constructed of tin with a cardboard lithographed image and a glass cover, this game has a mirrored back. The puzzle is in all-original condition with the graphic remaining in bright color and free of scratches and abrasions. Although the glass front is somewhat cloudy, as one can see in photos, the image is readily visualized. The mirrored back shows significant loss of silvering due to its 110+ years of age. (Please disregard any light or shiny spots in photos which are due to flash reflection off of the glass.)

A delightful piece of early, pocket-toy, Black Memorabilia!

An exceptional example of 19th century Folk Art-- a very rare needlework cross stitch sampler with Black Americana theme! This highly unusual example dates to circa 1880's and depicts two young girls on a primitive, “make-do” seesaw--- a wooden board placed over a log-- complete with a grapevine trellis in the background! This wonderful piece is accented with a multi-toned, Greek Key border design with fringe edging.

The needlework measures approximately 15 by 14 inches and is in good condition overall, given its 120+ years of age! The central design is superb with no problems, but the two upper corners show evidence of some unraveling, particularly the upper right, which has a small hole. This little hole could be repaired, or if the piece was framed, it could be visually eliminated; however, it truly does little to detract from the central focal point of the children on the seesaw, when viewed in its entirety. The piece does show subtle evidence of typical, age-related discoloration.

An utterly wonderful and scarce example of 19th century Black Americana themed Needlework!

Measuring 6 1/2 x 11 3/4, this lovely, early 1900's, Black subject die cut by Enoch Morgan & Sons, England, features three individual Sapolio Soap die cuts used to advertise the company product. Each die cut features the head of a young black boy centered inside a piece of fruit or vegetable- a cabbage, a watermelon and a (?) pear.

Sapolio was a brand of soap noted for its unique and clever advertising, led by Artemas Ward from 1883–1908. Bret Harte, an American short story writer and poet, wrote jingles for the brand, and the sales force also included King Camp Gillette, who went on to create the fabulously successful Gillette safety razor and the razor and blades business model. Time magazine described Sapolio as "probably the world's best-advertised product" of its time period!

This pleasant trio of Sapolio Soap die cuts is in excellent condition and comes protected in an attractive, walnut-toned, oak decorative frame!

This very rarely found advertising trio together create quite a visually appealing decorative piece!

Offered are two, VERY RARELY FOUND, 1880's, Black Americana die cuts printed in Germany and sold by the Bim Brothers, London.

This offering features two lovely die cuts- one, a well-to-do Victorian era husband and wife out for a stroll, and the second, a colorfully dressed musical trio playing banjo, concertina (small accordion) and tambourine. The musical trio remains connected- adding to its value- and uncut, number 7568.

The products for which these die cuts were meant to endorse is unknown. The litho features a very glossy finish, and the die cuts feature an embossed, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Either would look fabulous framed- individually or as a grouping! Think gift!

Approximate measurements are as follows:
The Older Couple: 6" tall x 4.25" wide
The Musical Trio: 5" tall x 4.50" wide.

Priced each at $45.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged die cuts. These pieces are approximately 140 years old, and while in very good condition given their age, tiny surface imperfections may be evident here and there.

The photo of the verso of the older couple reveal no restorations or repairs. The Trio of Musicians remain very loosely adhered to a piece of black construction paper so the verso cannot be viewed. (I leave removal to the buyer.) Inspection of the front side suggests no repair or restoration to this piece.

De-accessioned from the inventory of the ill-fated Middle Passage Museum (see museum history below), this very unusual and atypical, 19th century, estate document is offered for sale, the purpose of which was to itemize and execute a division of property from the estate of the deceased, southern plantation owner. This document was purchased in the 1960s by one of the founders of the Middle Passage Museum from a descendant of this Sumter County, Georgia, plantation owner.

This is single page, partial document written on both front and back sides. It is missing its first page which would have shown the name of the deceased slave owner and the listing of the interior household goods and furnishings, and the last page which would have noted the date and county in which the document was executed as well as witness and judicial signatures. However, the most historically significant page exists and is offered here- a plantation estate document in which the slaves are referenced by name and further described by their family position and marital status!

What makes this document EXTRAORDINARILY RARE, UNUSUAL, and ATYPICAL is that it proceeds to, first, categorize the 40 slaves using the word SLAVES instead of the common verbiage of the time -Negroes-, and secondly, it proceeds to list the male slaves BY NAME, ALONG WITH THE NAMES OF THEIR WIVES AND THEIR CHILDREN, with monetary value listed in the right column of the document!!!! In two instances, the number of years married is also listed! Children are labeled "Girl, "Boy", or "Infant". Total value of these 40 slaves was calculated at $24,200.00!

Given that slaves were viewed as property and not human beings in any way equal to the Caucasian race which enslaved them, it is extraordinarily unusual to find a document which recognizes and lists slaves as "Family Units", further designating family position- husband, wife or child! Typically,there was little, if any, thought given to the pain and anguish such slave families would suffer if their "owner" chose to sell off any one of them at any given time. Such estate documents as this listing ENTIRE SLAVE FAMILIES BY NAME is simply without precedent! It would indeed be a phenomenal discovery to be able to identify the plantation and/or deceased slave owner as such an estate listing speaks to an uncommon, albeit, rare and unique perspective of slave ownership. Such a personalized and humanized account of the slaves owned makes this particular document all the more heart-wrenching, and it certainly begs the very sad question of whether or not these slave families were allowed to remain united and intact once the final estate disposition was conducted.

The document measures approximately 8 1/2 inches wide x 14 1/8 inches long, is double-sided and is in good condition, with fold lines evident along with some age-related foxing at top and bottom fold lines. 1 3/4 tear along the fold line of the top fold at right edge. The ink color is sepia toned (likely as a result of some fading over time) on a pale blue, vertically-ruled, heavy paper. This phenomenal piece of cultural ephemera is ready for appropriate archival preservation/framing.

The listing of slaves is on the back side of the document with the front side listing farm animals, equipment and supplies along with values- "The following property set apart for the use and benefit of the farm".

Middle Passage Museum History: The Middle Passage Museum was the dream of Jim and Mary Anne Petty of Mississippi as well as that of an anonymous Georgian benefactor who had together compiled a collection of slave artifacts numbering over 15,000 pieces and who had hoped to find a permanent site in Mobile, Alabama, for their museum. While they formed a non-profit organization to raise funds for their hoped-for museum, their dream was never realized.

In a 2003 statement, Jim Petty remarked, "The importance of the exhibit of these artifacts is to understand the harshness of what slavery and segregation was all about. The items in the exhibit remind us of the terrible heinousness of slavery. Viewing the collection can be very emotional, but it is a tool through which we can understand, honor and respect a great culture. We want to realize that out of slavery, a great culture emerged, and carried on, and continued to strive for a better life regardless of the adverse conditions that were placed upon them."

Offered are two, VERY RARE, 1880's, romantically-themed advertisements printed in Germany and sold by the Bim Brothers, London. The two advertisements both feature well-dressed African American gentlemen attempting to woo and capture the exclusive attentions of pretty young African-American ladies, one via a banjo serenade and the other via an offer of lovely flowers.

The products which these advertisements were meant to endorse is unknown. The advertisements feature a high-shine, glossy finish which compliments the beautiful detailing and intense coloring of each piece. Both would look fabulous framed!

The advertisement featuring the banjo playing gent (with that snarling black dog in the lower right corner) measures approximately 7.25 inches wide x 10.25 inches long. The advertisement featuring the shy woman being presented with pretty flowers measures approximately 7.25 inches wide x 9 inches long.

Please note that any white specks that seem prominent in the closeup photos are the result of light bouncing off the surfaces of the aged advertisements. These pieces are approximately 140 years old, and while in very good condition given their age, both do have tiny surface imperfections, lines and light edge wear. The advertisements are priced at $35 each or two for $60.

Measuring 3” in diameter, the patent date indicates that this vintage, NEW ORLEANS MARDI GRAS pin back was manufactured in 1957, by Pictorial Productions, Inc.

It features a vintage, EARLY HOLOGRAM IMAGE, a “moving” Court Jester or Clown, who in a gallant sweeping motion, removes his broad-rimmed hat and takes a grand bow. (Tilt pin slightly to make Jester move.)

Colors: bright, buttery yellow background, jester in traditional Mardi Gras colors: dark fuchsia, green and white, with lettering and metal pin back frame in red.

Condition: quite nice for its 65+ years of age with light, expected wear to red paint at rim edges and back. NOTE: The piece of tape shown in pics is not part of the pin or attached to it, but was used to prop the piece up to display the two different moving images.

While everyone else wears their newly bought, common, plastic, Mardi Gras beads on Fat Tuesday, stand out and be unique sporting a vintage, 65 yr old, traditional, Mardi Gras, Clown Jester Hologram pin!

This delightful Black Mammy Rag Doll has a face with a story to tell! What an expression!

Measuring 18 inches tall, Mammy is constructed of black, machine-stitched, vintage 1930-1940's, polished cotton which has been stuffed with cotton batting. Facial features have been hand-embroidered, are quite expressive, and are exceedingly well done. Her hair has been styled in six pigtails adorned with bows.

Mammy's red, machine-stitched dress is also vintage 1930-40's fabric and features the classic Grecian Key design in white.

A delightful piece of Black Memorabilia Folk Art! This wonderful, 1940's-vintage-look, one-of-a-kind, Artisan Doll was constructed in the 1990's by a Maine Folk Art crafts-person who is now deceased.

Please take a moment to view her little brother by typing the words "Maine Doll" into the SEARCH box.