A large Japanese Imari dish of saucer form with slightly everted rim decorated in underglaze blue, iron red and gilding with a central motif of a vase on a verandah containing an arrangement of Peony and Chrysanthemum flowers. The cavetto of the dish decorated with an underglaze blue brocade ground inset with three lobed reserves containing Hydrangea, Ajisai, Chrysanthemums, Kiku, and Peonies, Botan. The reverse decorated with three Peony sprigs to the reverse...

A fine quality early Eighteenth century export saucer dish decorated with a central kikkumon and sprays of Chrysanthemums and Prunus branches in a five colour palette sans aubergine enamel. The reverse decorated with three prunus sprays. The dish has elements of slightly raised moulded decoration in the form of three plum flowers and three chrysanthemum blooms...

An 8.5" blue underglazed Imari bowl painted in gilt, orange and blue. The center medallion features a ship, fierce dragons prowl the inner and outer sides of this bowl.

Condition: Gold paint on the upper rim is worn. No chips, hairlines or repairs.

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

A large shallow bowl decorated in Kenjo Imari style with a central motif of a leaping Shishi with a peony branch framed by n under-glaze blue wave border with an elaborate diaper brocade ground inset with “S” and “C” scroll shaped reserves containing floral motifs, including Camelias, and peach form stylised Shou medallions in iron red and gilt framed by a further diaper border in under-glaze blue...

Hard porcelain dish decorated in underglaze cobalt blue. The scene represents a pavilion in a garden raised on the edge of a lake, several characters animate it. Probably scholars. The designs are artistically stylized in a very Japanese spirit. In the sky the clouds are drawn in a style typical of this period. The edge is glazed in brown. On the reverse appears the mark "Fuku". The quality is excellent, the blue is bright, the designs precise and the firing perfect...

Porcelain with underglaze cobalt blue Soba Choko, featuring a lovely land/seascape scene of mountains, willow tree, a hut, and the sea with boat sails and birds flying overhead. Average height 6cm, average diameter 7cm. Although soba choko are generally attributed to Arita kilns, by the late Edo-Early Meiji Period, they were also being made in Seto, as well as at kilns further north in Tohoku. These 5 cups all feature the same pattern and are all in good condition.

Japanese Imari Porcelain Double Gourd shape Vase, Ca. Meiji period, 1868-1912, 12" high, 1 3/8" diameter-top rim, 7" wide-widest section, 4" diameter-bottom rim, flying Phoenix bird and dragon inside four(4) separate round circles, and Mon design inside the top round circles, all decorate with typical overglaze red and underglaze blue, highlight in gold. Top rim has rough area with old tiny frit.

Large Japanese porcelain baluster vase, decorated all over with beautiful scenes of mountains and waterfalls, pavilions peek through trees and boat sail on water. The shoulders of the vase are painted with mountain peeks in green and blue and swirling purple mist. Mark on bottom states that this is Arita ware from the Egami Studio. Taisho Period c1920. Size: 18" high x 11 1/2" wide

A very unusual octagonal dish in new style enamels dating to around the year 1800, featuring three figures, the main of which is a figure wearing a buttoned jacket and perhaps a klapmut style hat with distinctive slops, which identifies him as a seaman, rather than the more usual merchant; see last image no 6 a late 18th century print of a Sailor in “slops”. The tight curls of his hair betray his foreign origin, although he retains an overall oriental appearance...

Gold dragons prance about the vermillion surface of this exquisite vessel by important Meiji potter Eiraku Zengoro XIV (Tokuzen) enclosed in the original signed wooden box which is in turn enclosed in an outer box also annotated by a later generation Eiraku. Remembered specifically for his mastery of Aka-e Kinsai ware, this is a museum worthy example of this important potters work. It is 43 cm (17 inches) tall and in excellent condition...

An Arita foliate form dish decorated in underglaze blue with a band of auspicious shippo, cash, connoting a wish for wealth combined with mounds of evergreen Japanese Forrest grass, a symbol of longevity. Similar designs are to be found on Kakiemon porcelain of the Empo period where the same stylised motifs are used. The reverse painted with a sketchy small leaf arabesque combined with a spiral fuku in a double square...

An Arita abalone (Mother of Pearl) shaped dish painted in somenishikide style with a stylised landscape of Mountainous Islands, a shoreline with rocky outcrops with various trees including Pine, flowers and grasses with a rather peculiar and precarious structure in the foreground seemingly lacking several posts in its construction. The reverse decorated with landscape vignettes to the reverse and a six character mark for the Chinese Emperor Qianlong...

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a gobenka motif in the centre...

The size of Plate: 7 1/4" Dia x 1 1/4" High. Fine quality Japanese Ko Imari Porcelain Plate. The plate has three section window divided by Gold and red Karakusa design. There is Crane design in circle. Well control Yoroke design in gold green lavender colors. Window has Japanese flower in enamel work and butterfly...

Unusual 19th Century Japanese Imari fluted edged dish with an asymmetrical design featuring a basket of fruit and 3 butterflies. In excellent condition, it measures about 10 inches in diameter. Dates late 1800, Meiji Era.

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow. In hollow all it takes is one pass of the tool to trace the characters while in relief you have to lower all the material around t...

A Japanese blue & white porcelain dish, moulded in ‘kraak’ style with the cavetto featuring butterflies and peaches in relief. The rinka, or petalled edge, with flowers. The centre of of the dish has a depiction of a gated pavilion set in a fabulous garden. Arita 1750 ~ 1770. A bowl with a very similar border design and alternate moulded butterflies and peaches is shown in the Catalogue of the Shibata Collection, item 3321.

Approximately 18.5 cm diameter. Fine condition. ...

A handle surmounts the peak of this beautifully rendered vase by Myagawa (Makuzu) Kozan enclosed in the original signed wooden box titled Seiji-yu Sometsuke Te-oke-gata Kabin (Celadon Handled Bucket Shaped Vase with Blue and White Design). It is 16 cm (6 inches) diameter, 32.5 cm (13 inches) tall and in excellent condition.
The name Kozan was granted by Prince Yasui-no-Miya in 1851 in honor of the tea ware produced during the later Edo for the imperial Court by the tenth-generation head ...

A rare, attractively enamelled, figure of the Bodhisattva and Japanese "Goddess of Mercy", Kannon.. Unusually, she is seated on a large boulder inhabited by a writhing white glazed dragon. This item was made in Japan in the Meiji period, during the 19th or early 20th Century Condition: two very minor losses - a chip to one of the dragon's horns and a small chip to the bottom of the dragon's tail. 24 cm / 9.5 inches high. For additional pictures, please view our Liverpool shop ...

This peach-shaped kogo (incense box) is made of fine kinuta celadon from one of the great masters of the Meiji era—Suwa Sozan. A classic design, the peach is said to represent long-life for mortals and immortality for the gods in asian folklore. According to legend, the moon goddess—a powerful alchemist—can make an elixir from peaches that grow in the garden of the western paradise with miraculous revitalizing properties.

Suwa Sozan the first (1852—1922) was born in an area...

1909's Japanese Nippon Porcelain Coralene Fully Beaded Bowl with Louts Flowers Marked

It is 4.72 inches (12 cm) tall by 7.28 inches (18.5 cm) wide. It weighs 1.7 lb.

It has a hairline crack at the lip and a small chip close to it. There are several small spots of missing coralene beads. It also has surface wears, rubbing of gold, and yellowing at the bowl's interior (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to s...

Antique small Hirado ware figure of a tiger. Made of porcelain and glazed white with great detail especially in the fur. Hirado ware was first developed in the village of Mikawachi located in the area of Kyushu which was, along with neighboring islands, controlled by the Hirado daimyo. Initially Hirado ware was made exclusively for the daimyo's use. Later, Hirado ware found it's way west through Japan's trade with the Dutch East Indian Company.

Age: Meiji Period (1868-1912)

A pair of blue and white Hirado oil jars or bottles of squat shape, Meiji period, c 1900. Molded decoration of Paulownia leaves in reserves and an under-glaze blue diaper (grid) pattern. One with a cork stopper crowned by a small silver bird. Height: "2 ¼ /6 cm, diameter: "3 ¾ / 9 cm. Condition: small glaze crack near the mouth to one jar, otherwise fine.

A very unusual pair of moulded dishes in the form of three bamboo leaves, take, cobalt blue glazed with gilt and iron red Sparrows , Suzume, set against a woven ground in gold. A variant on the popular Sparrow and Bamboo pattern, “Takesuzume”. The reverse painted in iron red with precious objects, scrolls. The dishes are graduated the largest measures in 21.5cm in length and iis 3.5cm in height and 13cm in width, and the smaller measures in 18cm in length and is 3cm in height and 11cm in ...

This is a Japanese antiques, a small Porcelain figurine For calligraphy tool suiteki around 1868-1900, a very nice wall clock design . suiteki is used to make ink for calligraphy. suiteki is a container for pouring water into the inkstone. There are two small holes (wind hole and water hole), and a small amount of drips are dropped. You can fine-tune the density of the ink with the water that flows out little by little. Over time, there are very few small stains and scratches, but overall...

A beautiful and entirely hand painted mille fleur (Thousand flower) Japanese satsuma bowl of exceptional quality and brightly painted flowers, no two bowls were exactly alike, each is an individual work of art. The bowl was produced by the Kushida company in the very early Tashio period, pre-1920. This bowl is of the highest possible quality with no noticeable wear, no chips, hairlines, or repairs, its a true flawless treasure of hand painted art with accents of gold gilt. The bowl measures 4...

A pair of Imari cups, scalloped rims and decoration of reserves with landscapes and calligraphy in underglaze blue and little berries or dots in overglaze red. Japanese, Edo around 1860, shop mark in underglaze blue. Height "2 ½/ 6.2 cm, diameter "3 ¼ / 8.3 cm. Condition: fine.

An authentic 17/18th century Japanese Edo Period sake bottle in blue and white , in good condition

Japanese Imari Porcelain Lunch box/Jubaco with three(3) compartment with lid, 7 3/4" high with lid, 5 1/2" diameter and 2 1/8" high, 5 1/2" diameter for each compartment, Ca. 1920, decorated with typical Imari colors with character of "Happiness". Two(2) flake shallow enamel chips in red character area which is normal wear and tear over the years, overall in good condition.

Fine Japanese enameled porcelain tobacco bowl, with the interior and exterior decorated with floral design, late 19th century period. Size; Height of bowl is 2 1/2 inches with diameter of 5 1/2 inches. Condition Report; This item is in good condition, with the exception of tiny chip to the enamel at the well of the bowl.

A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era. Fish shaped dishes were a popular accompaniment of the tea ceremony, Chinese ko sometsuke examples made specifically for the Japanese market date from the early 17th century, Tianqi era. The Koi was ...

1930's Japanese Kutani Porcelain Miniature Rabbit Okimono Marked "Japan"

It is 1.25 inches (3.17 cm) tall by 2.25 inches (5.71 cm) in length. It is 25.5 gram.

It has a flea bite chip at one ear, writing on the bottom, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount ...

Porcelain plate made in China for the 17th century Japanese market. Blue and white design of 2 boats in a misty bay with land outcroppings and a mountain pavilion. The underside of the plate is decorated with three thin blue rings and two flowers. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware.

"Ko-sometsuke ('old blue and white') porcelain was produced specifically for the Japanese market during the final decades of th...

Exceedingly rare hard porcelain dish from arita. Painted in yellow, green, blue and red enamels. The decor represents many children, seated in a building in front of a covered vase, perhaps a funerary urn. Dominating the assembly, the central character of a trio is the only one wearing a hat. Above the trio three Chinese characters are drawn in red on a panel. It seems to be a religious ceremony but the youth of the assembly is perplexing. Understanding the 3 characters should solve the enigma. ...

A set of five soba choko, straight sided cups, so called boars mouth cups, decorated with a pattern of a grape vine and a wasp (hachi, bee, wasp or hornet) an autumnal motif. Curiously the grapes have been inverted to resemble the more familiar pomegranate. These would have probably been used for serving sake rather than soba noodles. The cups measure in 8cm diameter and are 6.4cm in height. They are in excellent condition, no cracks, chips or restoration. The cups date to the late mid Edo peri...