An antique Chinese Qing Dynasty 19th century silk brocade tapestry woven with dragons & cloud patterns; the silk ground is coral red color, backed with light brown linen; probably made for the imperial household; Excellent condition, minimal sign of use. Measurements- Overall 86" x 55" ( There is a seam in the middle, 2 pieces of 27.5" wide joined together )

This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature...

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

Antique Chinese Song Jian Zhan chawan (tea cup) with beautiful cafe au lait coloring and subtle hare's fur effect. Made specifically for the appreciation of whisked tea.

19th century or earlier

Dimensions: 3" high x 5" wide

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement...

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

An antique Japanese Okidoko (display stand for a Tokonoma, a reception room) made of Kakinoki (Persimmon) and Keyaki (Zelkova) woods. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays. It will work in a contemporary setting to elevate and display any myriad of items.

Age: Early Taisho (circa 1912-1920)

Dimensions: 47 1/2" Wide by 5" High by 16 1/2" Deep

Kato Harutake (1886-?) Shino Ware Chawan (Tea Bowl) for Tea Ceremony

Kato Harutake is of the same lineage as Seto ware founder Kato Kagemasa (1168-1249), and was born into a family that passed down the name Kato Buemon from generation to generation...

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

An antique Japanese Chonin Kobako (merchant storage box) made entirely of Kirinoki (Paulownia) wood. Original hand forged iron hardware with construction using straight dovetail Japanese joinery and hardened wooden nails. The drawer handles are of the Kakute style comprising six drawers to organize and secure its contents...

Antique Chinese large bitong or brush pot carved of one piece of huanghuali wood and inlaid with a scene of birds on a blossoming branch and a poem. Inlaid materials include bone, stone, lacquer and shell. The poem translates as: "Birds flying in a line, the tree is blooming, the blooming flower is falling to the ground, the spring mountain, one group of birds fly over the valley, sound makes a lonely sound"...

Antique Tibetan damaru, double skull drum traditionally for tantric ceremonies and meditation. Made in the joining of a male and a female cranium inside of which is usually inscribed with the corresponding male or female mantra. In this case, the two sides are attached with ornate silver repouse bands of scrolling vines and Buddhist symbols. In the center, a handle is attached to a band of silver that is inlaid with turquoise and coral and fitted with two drum beaters on the end of chords...

A nice Chinese Yuan dynasty Shufu white glaze bowl. Dia. 16cm. Condition: no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Antique Japanese Red Raku Tea Bowl (Chawan) made by Waraku during Meiji period (1868-1912).

Made in Utsushi (ship design) style, its shape resembles the famous Seppo bowl, an important cultural asset, made by Honami Koetsu which is located in the Hatakeyama Memorial Museum of Fine Art in Tokyo.

Waraku started producing Raku wares around 1830 in Kyoto and now Motoo Kawasaki is the 8th generation of Waraku.

Raku pottery is traditionally used in Japanese tea cerem...