A nearly Imperial quality piece. Ming Chengua period ( 1465 - 1487 ) decorated with " Ruyi " scroll. Extremely well potted body, a wonderful very white silky glaze and exclusively painted in the for Chenghua tylical watery blue. The rim covered with solid gold with a solid golden lid. Diameter : 9 cm. H : 7,5 cm. without lid. ( With lid : 9,2 cm. ) Condition : All visible parts of the porcelain body are in a absolutely perfect condition.

A Thai polychrome enamel decorated stoneware offering dish. Similar porcelains were made in China for the Thai market. Primitively painted decoration in yellow, green white, red and blue enamels. It is not clear to us whether this is imported production or domestic production. Two Chinese characters appear within rectangular, impressed seal mark on the base. Diameter, about 9 1/8 inches. Height, about 3 5/8 inches.

A Japanese woodblock print of a kneeling male figure drying a shō, a traditional musical instrument of the reed family, a form of mouth organ, over a brazier. The print is attributed to Kitao Masanobu, 1761~1816 and probably dates to the late 18th century.

A good impression with some gauffrage on the kimono collar. The mount is inscribed in pencil “Mafsanobu”.

Approximately 20.3 x 14.4 cm. The print is laid by the edges to thin card. It is foxed at the edges...

Kobako in dark brown lacquer. In imitation of bamboo, the inner part is made of bamboo and the outer part of the box is made of kaki wood. It represents the cross section of a bamboo cane node with its light brown diaphragm slightly bulging in the center of the lid and stand. External layer of the bamboo cane representing the cellulosic fibers.
Bamboo, strong, flexible and fast growing, symbolizes strength, flexibility and prosperity...

Probably 1800s, possibly earlier

This finely cast figure, seated in vajrasana or lotus position on a double lotus base, holds in the left hand a stem of lotus with the right middle finger touching the thumb. The flowing robe is open at the chest and drapes over the right shoulder. The borders and lower portions of the robe are incised with scrolling floral motifs. The facial features with slight downcast eyes are crisply rendered and the hair is well-defined...

Late 19th century wooden netsuke of an awabi - an abalone shell with edible mollusk in it forming the bottom. Skillfully carved out of chosen matsu (Korean pine wood) inmodified ittobori (one cut) style characteristic of Hida school of netsuke carvers with clever use of wood grain as element of design. Wonderful piece in Japanese taste (both aesthetic and culinary), superb quality carving of hard shell and soft animal tissue, beautiful patina. Length 1.44 inches.

This is Edo kasuri child kimono echigo-jyofu Rare. It is wonderful, beautiful kasuri. The motif looks like amaryu (raining dragon). There are a little stain and a small hole. However, the state is very good. I recommends it for your collection. Textile seems to be hand spun and woven, and has soft touch. Echigo-jyofu was born in middle (749-756) on the age of Jomon. In it, latter term (1670-1780) was a season from the middle of Edo period...

Height: 4.5 cm (1.8 in)
Width: 3.1 cm (1.2 in)
Depth: 1.8 cm (0.7 in)

Chinese agate snuff bottle with black banding; rose quartz knop; good condition

Japanese Black Lacquered on woven Bamboo and hinged top Trunk with wooden frame for strength and Black Iron hardware, Ca. Meiji, 1880's, 22" high, 31" wide, 16" deep, Red lacquered leaf shape mon decoration with Kanji Characters, original woven rope handle in the back, and original Rice Paper lining inside. Some black lacquer finish pieces are off from the woven Bamboo surface.

A Cambodian cast bronze statuette representing the Hindu god Vishnu standing with his 4 arms. The bronze has an excellent old patina which confirms the dating. Khmer art 12th century or before. A wooden plinth was made around 1900 to stabilize the statue. Height without wood base: 117mm (4.6 inches)

18th century small Indian bronze votive sculpture of Ganesha seated on elaborate 8-pointed base with the usual attributes in his hands, his vehicle - a rat - crouching in front of him and a naga (cobra) with its body rising along the back of the piece and the hood protectively spread above his head. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking...

Up for sale is a Qing dynasty imperial Prince's brown dragon robe panel, late 18th or 19th century, executed in the Chinese Kesi weaving technique, 2 profile dragons surrounded by colored clouds, bats, and other auspicious Buddhist symbols above the sea waves, rocks, and standing water / Lishui. Panel is backed with light brown silk damask with peaches, Buddha's hands,and pomegranates. Very rare. Excellent condition. Measurements: 43" x 37"

Chinese carved jade figure of a seated elephant, soulful expression, curled trunk, wonderful detail over all including folds of ears and bumps of spine, beautiful very pale green mottled jade, Republic Period. Size: 4 1/4" high x 6 1/2" long

A rare black glazed monochrome bowl with elegant form and well balance potted. Surrounded by white glazed to rim. Condition is very good, no any chip, no any crack and free from any restoration excepted minor firing imperfection. Northern Song Dynasty Cizhou ware or possibly earlier, presumably excavated from deep of the sea. Diameter: 14,5 cm and Height: 6 cm.

4 elements of a dragon in embossed copper or bronze and hot-gilded with mercury. 2 or 3 elements must be missing. The dragon's legs have 4 claws which would seem to exclude imperial affiliation, however the monumental size of more than 5 to 6 meters long would indicate an order for a temple or for the palace of an important person. You have to imagine the golden dragon writhing on an immense panel of dark wood carved with flames and clouds...

A pair of Japanese lacquered iron abumi (stirrups) decorated with gold lacquer on a roiro ground with dragonflies (some with aogai inlay) within scrolling leaf background, the interior in red lacquer, different necks, some chips, cracks (on red) and retouching. Edo period (17th/18th century). 11 1/2" high, 4 3/4" wide, 12 3/4" long.

Hanging scroll of mandala with Guanyin sitting on a rock, surrounded by two worshiping deities in front of him and by a guardian figure in the upper left corner. Beneath him the gods of thunder and wind and rain in the clouds. Below these, Chinese figures in a mountainous landscape, occupied by different activities. On top of the painting a printed text. Unfortunately we were not able to identify the mandala and thus the meaning. Ink and color on Chinese paper...

A Chinese celadon arrow vase ,the narrow mouth flanked by twin lug handles. The long neck spreading to the oval body. The footrim and its' base unglazed.