A late 18th century Ko Seto stoneware dish, 5" in diameter, decorated tastefully in a traditional horse eye and cobweb design.

Condition:There are two small rim chips as illustrated in the sixth photograph. The first and more serious is to the far left, the second is to the far right. The dish is otherwise excellent.

A Rare Song dynasty White Glaze Jar, decorated two dragon and four lugs at the neck,cloud carved at the body.found from central java shippwreck.Size:31,2 cm height,21cm body diameter. Conditions has damage at the neck and glaze degradations.(see at picture 6 before restorations)

This three piece Satsuma pottery vessel is enameled entirely in shades of blue with gold accents over a very fine crackle ground. The top is decorated with a fierce dragon on a field of white, enclosed in a blue border. The small inner lid bears a scattering of blossoms. Between the banded shoulder and base of the piece, the artist has painted in fine detail a fishing hamlet...

There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits...

2 Pairs of very well preserved and extremely rare Khmer Bronze Earrings, ca. 12th Century, Angkor Wat Period. Size: H. 7.3cm x W. 2.2cm. Individual stands for display provided.

This antique carved wooden temple Buddha retains much of his original gilded paint. He sits on a tall base covered with the old Mon Khmer script which had been formed by scratching through the golden paint. The Buddha's head is topped with a stupa-shaped "flame" called usnisa, which symbolizes the realization of Nirvana. Perhaps that explains the soft smile and meditative expression on his face...

This antique Japanese Edo Period c.1840 red bronze utsubata flower vase is actually a Japanese proverb, "Hyotan Kara Koma". Literally, 'a horse from a gourd' meaning "the unexpected can be wonderful". The base of the vase is a wisteria wrapped gourd with an old man climbing on it. It was made so his head can move. On the underside of the top vase is a horse in raised thick bronze. Gourds are regarded as a lucky charm in Japan. Beautiful patina. c.1840. (10" x 11") (26cm x 28cm)...

By the latter part of the 19th century the ruling Qings were obsessed with every last detail of dress. This antique top grain leather fan case could only have been owned by very wealthy Chinese woman.

A fine late 17th century oval porcelain bowl molded in the form of a chrysanthemum. 6.375" x 5.5" x2", it is decorated sparingly in the Kakiemon palette. Ex-Christie's.

Condition: Excellent

Five dynasty yue yao bowl with foliated rim, bowl decorated with vertical ribbing at the wall and foliated rim. Bowl is in good condition, with minor degradation on the surface and very small chip at the rim.no hair line and free from restorations.20 cm diameter.

Pichhwai, temple painting, of Radha and Krishna in the Garden, Kishangarh Style, this Hindu scene of the God Krishna and his beautiful consort, the Goddess Radha takes place in a lush garden. The sacred mountain rises up behind them and as the two figures embrace at the opening to a cave.

At the top of the mountain sits a white palace and the sky is filled with 6 bird-shaped celestial chariots toward the it...

A Blue Glaze Snuff Bottle with Moulded Flower decoration,Qing Period.Good conditions. Size: H:7,5cm W:4,7cm

Celadon Glaze Snuff Bottle Decorated wit Chinese Simbol,Qing Period.Good condition, it just has minor chip at the base. Size: H:7,3cm W:5cm

A Blue Color Porcelain Snuff Bottle with moulded Dragon and Fish Decorations.Qing Period.good condition it just has minor friting at the rim. Size : H:7,4cm W:5,5cm

A Blue and White Porcelain Double Gourd shaped Snuff Bottle with flower decorations.Erly Qing period.found from hatcher cargo shipwreck. Good conditions.it just has verry minor friting at the rim.Size :5,7cm height

A Blue color Porcelain Double Gourd shaped Snuff Bottle with flower carved decorations.Erly Qing period. Good conditions.it just has verry minor friting at the rim.Size :6cm height

A bride of the Yi Chinese Ethnic Minority in Yunnan Province, would have worn the "cock" hat for her wedding day. The hat is made using layers of cotton fabric with a stiffiner between the layers to maintain the shape. Using colorful cotton thread, hat was extravagantly hand embroidered. A few traditional silver ornaments including the bubble, flower and butterfly were added.

Now, it is the very lucky Yi girl who can use her great grandmother's bridal hat for her own wedding...

Beautiful art work of Tosa Mitsutoki* embroidered with a theme from the Noh play "Takasago" on an antique fukusa, a Japanese gift cover. The signature, seal and other characters are embroidered. To find a signature on a fukusa from this period (late Edo) is very rare; in fact, I have never seen one. The characters (at the bottom left side) read "e-dokoro azukari" which is the title for the head of the Imperial Painting Bureau...

These early Qing dynasty cups were carved from coconut shell, and lined with metal which was originally coated with silver. The Chinese believed that silver would tarnish when in contact with poison. Many wealthy Chinese liked to use silver lined cups and chopsticks tipped with silver fittings was an assurance against poisoning...

A beautiful and very functional pair of black lacquer wooden cabinets with detailed court scenes. The cabinets can be stacked as pictured or positioned separately and perhaps placed under windows. As separately standing pieces, they can be used for extra seating with the simple addition of a few throw pillows or cushions...

This antique pair of wooden spoons were hand carved and delicately shaped. The handles are deeply arched and the ends are painted with a gilded paint. They were heavily covered with a clear lacquer finish.

Very rare Chinese pottery crouching court man with amber glaze.

Age: China, Tang Dynasty, A.D. 618 - 907
Measurement: Height 12 C.M. / Width 6.3 C.M.
Condition: Well-preserved old burial condition overall with some amount of soil adherings (some abrasions and wearings on the piece due to the long burial time underground). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the s...

This very well carved brush holder is an early 20th century product. On one side, it depicts six children playing with fire crackers during New Year; on the other side there is a big red character “Fu,” good luck. There are mountain and river scenes on the bottom inside and outside. It is almost 5” high, 4” wide and 3 ½” thick. It is in great condition aside from some old cracks.

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.

During the Qing Dynasty, hair combs like this were commonly used. The structure is bone and the tines are of wood. A few tines have gone missing with age and use. The comb is about 5 inches x 2 inches.

This early 19th century Japanese Imari vase is 10 ½ inches high and 4 ½ inches on the widest part. The top of the vase had been cut and polished. Two peony blossoms were painted over the lower part. Three small circles on the upper were painted pine, plum blossom and bamboo. It has a green “Fuku – Happiness” mark on the bottom. Aside from some faded color due to its age, it is in great condition.

This mid. 19th century Japanese Imari (Aka-e) vase is almost 10 ½” high and 4 ¾” on widest part. There are two sections; one depicts a painted phoenix, butterfly and maple tree, the other depicts a geisha holding an umbrella standing in front of iris and hanging flowers. The rest of the vase is decorated with floral and textile designs. It is in perfect condition.

This late19th Century Japanese Imari (Aka-e) vase is 7 ½” high and 3 ¾” at its widest part. It depicts cherry blossoms and orchids in two sections, fruit (peach or persimmon) and some unknown flowers are painted on the rest of body. There are three small butterflies painted on the rim. Aside from a few blisters and smudged color due to firing, it is in excellent condition.

This Burmese antique offering plate was the result of work by dedicated and skillful craftsman. Beautifully woven of bamboo strips, the finished shape would be first painted with repeated layers of black lacquer followed by layers of red lacquer... obvious wear to red paint from repeated handeling through the decades of worshipers allows the under black lacquer to show through in varous areas... measures roughly 5 inches high (12.5 cm) by 10 inches wide (24.9 cm)

Of circular form, with a pedestal foot, with side lion-mask handles, decorated with carved designs of animals in continuous panels along the rim of the exterior, the foot decorated with openwork and carved floral design.

Age: China, Qing Dynasty, circa 19th century
Diameter 45 C.M. / Height 33 C.M.
Condition: Very good condition, partially with patina. Please refer to the enlargement photos for more details.
Shipment: Worldw...

One of the most spectacular Japanese bronze hibachi's ever encountered and quite unusual in every way. Massive and weighing a solid 18 lbs. this hibachi features a well sculpted dragon that clutches the celestial pearl of wisdom that effort-sly glides about the wind that whips about its body, three monkeys in varying poses or positions support this cauldron-like monstrosity. The dragon wraps completely around the hibachi and is striking in its detail; tendrils and spine protrude and the head swi...

Most attractive, sought after and rare Post Pagan Shakyamuni Bronze Buddha, 14th Century, Burma. Very good condition, Size H. 26 cm x W. 17 cm at base x D. 11 cm at base.

This small antique Chinese wooden storage container was used for calligraphy implements. Inksticks would have been held in the rear center compartment. Calligraphy brushes would have been held upright on the right and left side compartments. Seals or chops would have been stored in the lidded section. Originally painted with black lacquer, this piece has great age and wear patina.

This exciting little piece is a grey pottery urn from the Han Dynasty of ancient China (206 BC - 220 AD). It has a plain but elegant shape with incised line decoration. The surface has light soil encrustations and traces of root fibers from extended burial. There are no signs of repair or restoration. It measures just under 13 cm in height and weighs 618 grams. Don't miss this opportunity to pick up a wonderful piece of our world's Priceless Past!

This specimen is a piece of grey-ware pottery from ancient China.It likely dates to the Han Dynasty (206 BC-220 AD). It appears to be intact and un-repaired. It has soil encrustations and traces of root fibers all along the surface. This is an outstanding relic of ancient Chinese culture. Large for its type, It measures just under 21 cm in height. Authentic ancient Chinese artifacts are becoming nearly impossible to find. Take advantage of this piece at a "pre-ban" price.

This before World War I ceramic Kutani style nude lady is 12 ¾” high, 3 ¾” wide and 4 ¾” thick. It depicts a long hair nude beauty holding a bright traditional rube and leaned on a dark rock. There is a faded red mark on the bottom. It is in excellent condition.

A fabulous early Meiji era silk fukusa with two cranes, pine trees and the brilliant sun, all symbols of longevity and good fortune. Techniques used to create this wonderful fukusa were yuzen resist dying, sumi-e hand painting, free-hand embroidery, and gold foil couching. The cranes’ crests were created with tiny hand embroidered knots. Also worthy of note: The crane’s darker tail feather veining was achieved by intertwining dark brown and dark silvery grey silk satin threads (see phot...

Japanese antique fukusa, a gift cover embroidered with "The Old Couple of Takasago" on wool (rasha, felt like), padded and lined with orange crepe silk, Meiji period (1868-1912).

The story of the old couple, Jo and Uba, came from the Noh play, Takasago, which was written during the Muromachi period (1336-1573) by Zeami. Jo and Uba were spirits who resided in an old pine tree which was two trees that grew together over the years. They were seen in the moonlight raking and sweeping old pine...

Decorated with stylized panels revealing Foo dogs playing ball design on cherry blossoms background, on one side with an open-work of coin design.

Age: China, late 19th - early 20th century
Measurement:
No. 1: 13.5 X 6 C.M. / Height 11.4 C.M.
No. 2: 13.4 X 5.8 C.M. / Height 11.9 C.M. ...

White Marble from China was referred to as Chinese Alabaster because of its grain and translucent quality. This small simple inkstone is both beautiful to see and to touch. There is a very worn rim surrounding the grinding surface and inkwell and 4 very worn feet on the bottom of the ink stone to raise it slightly off the surface.

This is a green glaze celadon bowl from Sung Dynasty or earlier , it is repaired on the edge of the rim , glaze still shining and very nice study piece for your private museum sampling...

This is a late sung or yuan white glaze vase with Lotus pattern, but it is broken from the neck upper portion, but still an great artifact for ceramic collection in your private Museum....

A Chinese Late Sung or Yuan Dynasty mini vase, but broken the upper portion/neck, still a nice archeology artifact collectibles for your private museum....

This is a nice shipwreck celadon Longquan plate with the twin fish pattern, glaze corroded but still smooth except a bit dry in condition, still nice muzeum piece.....

This is a very fine Southern Sung Dynasty celadon brushwasher, scholar table object de art and used as brush wasger, broken and repaired, still a beautiful collector piece with if display with four treasures of the scholor eg calligraphy on a writing traditional table

This is a yuan dynasty dish with small chip on rim, no crack and still a good study and decorative piece in any collection

A Northern Sung Dynasty or earlier saucer with inscribed flora cloud pattern, rare and nice shipwreck piece, condition intact and almost perfect except very small chip on rim and firing frawl...as shown

A museum quality piece, a extremely well and fine potted dish with a very nice molded decoration. Jingdezhen ware with a very nice white glaze. The superb overglaze enamel decoration executed in red and green enamel. The green enamel by the high age of the piece turned to a iridescent golden glaze color ( please look the enlargements ) On the base of this piece it is easy to see that the piece is from the early Ming period. Pieces from the early Ming Dynasty with an overglaze enamel decorat...

A Five dynasty yue yao celadon ewer,with grayish green glaze.excavated from east Java.Condition with restoration on the neck and the handle,(see pictur 6 on restorations).19,5 cm height, 12,5 cm body diameter.

Breathtaking antique Japanese cloissone vase from the Ando Factory. In the original signed box, the characters read 'shigyokuju yoran kabin' meaning purple jewel glaze orchid flower vase, and 'Ando ShippoTen Tsukuri' made by the Ando Cloissone Company. The purple is striking and the musen wireless orchids fantastic. What drew us to this piece is the wonderful shape of the vase itself. Has the Ando mark on the base. Excellent condition. c.1920. (9" x 9") (23cm x 23cm).

Small Chinese tea poy, Qianlong, mid 18th c. Decoration of flowers in the European taste in Famille Rose colours, fruit-shaped knob handle. Height with lid "4/ 10cm. Condition: old restoration to the lid, otherwise fine.

A small Satsuma cup and saucer, probably Taisho period, c 1920. Well composed and painted decoration of a flower shrub in colours and gilt, on a finely crackle-glazed ground in pearly off-white. Painted seal mark to cup and saucer. Diameter of saucer "4¼/ 11,5 cm, height of cup "2/ 5 cm. Note: there are two more saucers of the same kind available. Condition: fine, except for some stains on the saucer as seen in photos.

Two lotus decorated small plates for everyday use, so-called Minyao ware. Ming style but Jiaqing period (1796-1820), both with owner's mark in the well. Exportation lacquer seal to one plate, under-glaze blue seal mark to both. Diameter "5¾/ 14,5 cm. Condition: fine.

Pair of Chinese Export saucer plates, Yongzheng or early Qianlong period, first part of the 18th century. Scalloped rims and decoration in under-glaze blue of flowers and seascapes in panels. The back of both with a chocolate-brown, "Batavian" glaze. Diameter "4½/ 11,5 cm. Condition: firing crack and rim frits to one plate, the other with a minimal nick to foot rim.

A Japanese Ko Imari plate of moulded shape. Decoration in colours and gilt of bamboo on a red ground, and birds within underglaze blue Ruyi reserves, c 1850. Diameter "8¾/ 22 cm. Condition: some wear to the surface, a chip to under side of rim and to foot rim as seen on photo.

Urn-shaped earthenware vase with decoration of a lady and a boy dancing. Subtle crackle-glaze in shades of peach and pink, with gilt and white moriage (slip) articulations on an olive-green background. Unmarked, but with Japanese handwriting on sticker. Meiji period (1868-1912). There is a drilled hole to the base, for a lamp wire. Height "9½/ 25 cm. Condition: fine. Please note that the white patches near the foot rim on the photos are just reflexions.

Pair of Japanese Hirado blue and white octagonal saucer plates, thinly potted, and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Diameter"5 ¼/ 13,5 cm. Condition: two chips restuck to one plate at four o'clock as shown in the first photo.

An octagonal beaker and saucer plate, thinly potted and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Height of beaker "2¾/ 7 cm and diameter "3½/ 9 cm. Diameter of saucer "5¼/ 13,5 cm. Condition: fine.

Chinese Export soup plate with scalloped rim, Qianlong, c 1745 – 65. The centre with peony and other flowers issuing from a rock, the border with small orchids and other scattered flowers, all in Famille Rose colours and gilt. The rim with a brown "protection" glaze. Diameter "9/ 23 cm, height "1½/ 4 cm. Condition:fine

A small plate, late Kangxi, c 1700-1720. Decoration in Imari colours and gilt of diaper patterns, garden fences and flowers. Diameter "5½/ 13,5 cm. Condition: backside chip to rim.