Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Antique set of two (2) Chinese wooden cabinets with a lovely black lacquer finish, beautiful inlay in a filigree style all along each cabinet's frame, multiple shelves with inlaid background of swimming koi, tree branches with blooming cherry blossoms, chrysanthemums observed by a butterfly, and two small quails huddled under a low branch...

A large shallow bowl decorated in Kenjo Imari style with a central motif of a leaping Shishi with a peony branch framed by n under-glaze blue wave border with an elaborate diaper brocade ground inset with “S” and “C” scroll shaped reserves containing floral motifs, including Camelias, and peach form stylised Shou medallions in iron red and gilt framed by a further diaper border in under-glaze blue...

A Very Fine/Rare/Large Underglaze Iron-Brown Decorated Jar-17/18th century. Korea, Joseon period, 17th - 18th Century, A quite large abacus shaped jar rising from the ring foot to the extended sides and ending above the slanted shoulder in a short, decorated with abstract floral spray in underglaze iron-brown on opposite sides of the vessel, the body covered with a greyish white glaze overall, burnt slightly brown and orange in the firing. It is in very fine condition without any repair ...

Perfectly potted body in the shape of a Bronze age Hu vase, excellent Celadon glaze with a top bluegreen colour. A excellent piece of the Qing Dynasty Qianlong period ( 1736 - 1795 ). H : 15,3 cm. Condition : The glazed areas in an absolute perfect condition. 2 small from the outside invisible chips to the inside of the unglazed footrim .

Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use...

Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar...

An abalone shaped dish decorated in underglaze blue with trailing Clematis vine, Tessen. The dish is in “Ko Sometsuke” style based on porcelain specifically produced in China for the Japanese market in the first half of the seventeenth century and made to Japanese specifications. The abalone form was considered especially auspicious, as noshi, dried awabi strips, were formally presented with gifts...

A Set of Six Nanking Cargo 'Batavian Bamboo & Peony' tea bowl and saucer. 18th century.All in good condition.Size : Cup 8 cm diameter.saucer 13cm diameter.

Circa 1750. A very beautiful and petite vegetable tureen. This is just gorgeous, with bright colors and well painted florals, all of which is beautifully intact. The only damage is the one handle has been re-stuck. The other details to mention is very minor frits along the outer edge of the lid, which is a common production fault with Chinese porcelain in the first couple decades of the 18th century, other than that this tureen is in excellent shape...

From our Shipwreck Porcelain Collection, a fine blue and white dish, ex-Christie's, executed in the "Peony and Pomegranate Pattern" from the so-called "Nanking Cargo," which is the term applied to the porcelain recovered from the wreck of the Geldermalsen that sank on January 3rd, 1752. The Geldermalsen was a cargo ship belonging to the Dutch East India Company that struck a reef on its way back from Canton China, and sank off the coast of Indonesia in the Linnga archipelago...

An antique Chinese Beijing or Peking Glass belt hook. The belt hook contains motifs of Chinese lions and a mystical beast standing on top of the hook. The unique aspect of this piece is where the glass color is emulating white jade. Age: 18th century. Size: height 1.25" width 1.1" length 5.5"

The subject is taken directly from a famous Neo-Confucian text on filial piety known as the "Twenty four Exemplars" (Japanese nijûshikô ) by Guo Jujing. This is the first exemplar in the series entitled Xiào Găn Dòng Tiān His Filial Piety Moves Heaven and Earth ...

Thangka of the Bodhisattva of Wisdom, Manjushri, the central figure holding her flaming sword. Depicting the five peaceful manifestations of Manjushri, including the wrathful Mahakala as protector deity of the thangka. There are five monasteries depicted in the painting, each with title describing their identity. WuTai-shan, the five-peak mountain, is shown which contains the five monasteries. At the top of the thangka is Tsongkhapa, the Wisdom manifestation...

An early 18th Century oval shaped meat plate decorated in underglaze blue depicting a lady and a boy in a garden landscape with a duck in a lotus pond. The base is unglazed. This item was made in Jingdezhen, Jiangxi province, southern China for export to Europe (circa 1730 - 1750) during the reign of either the Yongzheng or the Qianlong emperor. Condition - Excellent. 32.5cm (12.8 inches) across; 3.8cm (1.5 inches) deep...

A Chinese parcel gilt bronze incense-burner and cover modelled as an immortal on a mule, late Ming dynasty. 23 cms.

With gold painted lines simulating veins. The lines outside in low relief. The celadon glaze has a nice colour. There are 5 spur marks to the base. In the collection of the British Museum there is a cup of similar form ( it´s base as well with 5 spur marks ) that is dated to the Kangxi period, Jingdezhen ware. ( Museum Number : PDF, A. 516 ) Diameter : 7,8 cm. H : 4,5 cm. Condition : Perfect.

Superbly Decorated Chinese Famille Rose Teapot of small size. Very finely painted with a scene of a reclining couple and a female attendant, the reverse with hanging flowers within a floral gilt scroll on a grey diaper ground. Yongzheng C1722/36. Height 10.5cm, Length 14.5cm. Condition: knop restored, section 3.0cm by 0.8cm restored to flange of lid. No other cracks, chips or restoration.