Rare three piece set of Chinese porcelain Doucai for wine serving, beautifully and delicately painted floral roundels with reds, greens, blues outlined with black on white porcelain ground. A pair of small wine cups and their wine server, each with the Drunken Ink Studio mark on their recessed bottoms. Perfect condition.

Size: Cups 2 3/8"D 1 1/4"H, Saucer 1 1/2" Opening 1 3/4" Widest 2"H

Unusual colored Imari porcelain sake server with panels depicting a beauty and a courtier, flying cranes in background with scrolling vine and shippo design, gilt bronze rim at opening. Colors of medium blue, orange, red, brown and black. With fluted sides and 6 character mark on recessed bottom. Good condition.

Edo period, circa early 1800s

Size: 9.5"H x 6"D

Antique Indian Grey Schist Stone Stele Carving of Lord Vishnu and Consort Laksmi. Beautifully rendered in bas relief. Dieties in various poses.

Hoffman estate

Size: 15.25"L x 13.25"H x 4"D Stand overall 17"L x 4"H x 7"D

Date: 10-11th century

Charming Chinese ink rubbing of a stone stele depicting a fat cat surrounded by rockery with holes and chrysanthemum flowers after a painting by Jiang Tingxi (1669-1732) that was based upon an earlier work by Ming artist Lu Ji (1477-1505). Jiang’s seal bears the artist’s pseudonym “Nansha.” Likely dates late Qing to Republic period (late 19th to early 20th century). Paper: 24 3/4" x 13 3/4 (image: 21 3/8" x 11 1/4"). Very good overall condition...

Reliquary in the shape of a pagoda, used to house the Hokyoin Sutra. This type of reliquary originates from China and developed in Japan in the Kamakura era. The Hokyoin Darani sutra contains invocations that make it easier for the soul of the deceased to find its way out of Hell directly into Paradise. These pagodas are usually made of stone, so they can be buried with the deceased. The sutra is recited daily in esoteric Buddhist sects, and is venerated as a relic of the Buddha Shakyamuni...

Large shrine, zushi, made on special order for a temple. Inside, right in front of the back wall is a silk covered panel. Towards the bottom of the panel, on a gold background, are painted Fugen Bosatsu on his companion the elepahant, and Monju Bosatsu, sitting on the back of his companion the tiger. Above them, set in the center of a red painted circle is a circular crystal reliquary, sitting on a gilt bronze lotus dais, surrounded by gilt bronze flames, forming the wish granting jewel hojugata...

Late 19th Century Chinese Green Glaze Belt Hook With Dragon

It is 4 inches (10.1 cm) tall by 0.9 inch (2.4 cm) wide. It is 0.1 Lb.

It has surface wears and scratches, firing cracks, black spots, and skip glazes (as seen in the photos).

Some of the photos were taken under the sun.

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A striking Japanese black cloisonne box with a hinged lid. The lid features flowers and a tree at the water's edge. The bottom is decorated with scrolling wires against a black ground. The scrolling wire pattern continues on the sides and is accented with small white flowers. In excellent condition, it measures 3.5" by 4" by 1.5" high. Size would have worked for use as a cigarette box. Dates early 20th C.

A rare example of Yuan dynasty 13th-14th century Meiping blue and white vase, decorated with freely drawn of main decoration Dragon chasing flaming pearl, flanked by Chrysanthemum and classic scroll, the lower part with lotus panels. Foot rim unglazed and very dried. I believed it is after excavated from the deep sea of East Java Tuban port. Condition with one tiny chip and a large chip to the mouth rim, the cobalt blue slight grayish and pale, further in good condition. Height: 22 cm.

Late 19th century wooden netsuke of a monkey wearing a short jacket and holding a peach as it protectively leans covering a woven basket containing more fruit. Wonderful quality carving with extraordinary face, limbs and hairwork, perfectly captured spirit of the scene. Eyes are double inlaid, beautiful differentiated staining and patina. Signed SOKO for Morita Soko on the bottom - for a lengthy discussion of this extraordinary artist from the So School see p...

Late 19th century netsuke of resting Hotei leaning on his bag of gifts and holding a fan in his hands. Hotei was a historical Chinese monk allegedly living in Wuyue kingdom in the 10th century and known for his jolly nature and love of children, he is considered to be an incarnation of Buddha Maitreya - the Buddha of the Future. Excellent strong carving, great face, beautiful depiction of the folds of his robe, wonderful wear and patina...

19th century black coral netsuke of an old pine log with inlaid bronze spider spinning its web on one end and a dragonfly caught in another web on the other side of the log. The material is polished branch of umimatsu - in Japanese it literally means SEA PINE, and describes species of black coral with dense texture, concentric growth rings, and amber colored inclusions in the black material...

Late Meiji - early Taisho (1910s-1920s) netsuke of Kanon - the Boddhisattva of Compassion - standing on a base, her hands in front of her in praying attitude. Well carved, nicely etched design of a flowering bush with a butterfly on the back of her robe. Signed GEKKOKU on the bottom - the artist is listed on p. 400 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 2 3/8 inches.

Chinese Lacquer Bronze Kwan Yin Buddha Riding Beast,16th Century

It is 10.1 inches (25.6 cm) tall by 6.25 inches (16 cm) wide. It is 1820 gram.

It has pitting, chips and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Set of two bronze ewers for pouring sake at a banquet or wedding ceremony. One sake ewer with a long handle and two spouts (called naga-e choshi), used to serve sake to guest. At smaller gatherings, only one spout is used; when larger numbers of people need to be served, both spouts may be used...

War fan, gunbai uchiwa, made of bronze clad wood, in the shape of a butterfly. In low relief on front and back the text Hachiman Daibosatsu, surrounded by generic family crests in the shape of quinces. Hachiman is a war deity. These fans were traditionally handled by samurai commanders to direct his troops in battle. It is also a symbol of power. Japan, Meiji era, late 19th century.

H 21.5 x W 15.75 inches

Some corrosion, good condition

Old (1900's) Chinese Rose Quartz Carved Magpie on Wood Stand

It is 4.3 inches (11 cm) tall measured with stand, 2.95 inches (7.5 cm) tall measured without stand by 2.2 inches (5.5 cm) in length and 4.3 inches (11 cm) wide. Total weight is 1.3 lb measured with stand.

It has inclusions, small and flea bite chips, and surface wears and scratches...

19th Century Chinese Guilloche Canton Enamel Platter with Figure

It is 0.82 inch (2.1 cm) tall by 12.8 inches (32.5 cm) wide. It is 0.8 Lb.

It has rubbing of gold and paint, chips, enamel cracks, missing enamels, stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

1920's Chinese Blue & White Underglaze Copper Red Porcelain Snuff Bottle with Figure

It is 3.1 inches (8 cm) tall by 1.5 inches (3.8 cm) wide. It is 44.3 gram.

It has dark spots and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell...

An antique Japanese Ko Tansu (personal storage chest) made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hand made iron fittings including the Warabite handles and finish. The front has a natural Kirinoki wood finish while the case was finished in a wiped Urushi lacquer technique. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Meiji Period (1868-1880)

Dimensions: 23 3/4" Wide x 20" High x 13" Deep

A rare bronze (copper tin alloy) incense tool holder, very finely cast in archaised Song Dynasty style. The square form neck is decorated alternately with Lingzhi fungus and stylized Acanthus leaves. Both are traditionally associated with resilience, good health and long life.

This item was made for the Chinese Scholar's Table in the 17th Century in the "Transitional Period" during the late Ming or early Qing Dynasties.

Condition: minor bumps and excellent old patination. No repairs and...

Ancient egyptian shabti of Osiris Hor-Iberna brother of Chons 8,5cm

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

Ancient egyptian fayence ushabti of Osiris "Tanethut"

j Sbt(.jw) n Wsjr tA-(n.t)-Hw.t (2) mAa.t-xrw jr njs(.tw=k) r jr jrr.t (3) m jm n kA.t=k n.t jmnt.t

Oh, you ushabtis of Osiris, Tanethut the justified one. If you are called to do, what must be done there as your work of the West (which means realm of the death)

This text is a version of the ushabti saying (Book of the Dead – Saying number 6). The name Tahut or Tanethut “the one belonging to the temple...

Song dynasty Jizhou ware splashed tea bowl, bowl covered with matte brown glaze and decorated with splashed with cream colored tear drop at interior and exterior. Good condition, please see picture for detail, size: 11.5 cm diameter.

Antique Japanese pair of screen paintings, one of early Summer (or Spring): rabbits, blossoming wisteria and peonies. And the other of Winter: birds including sparrows and kingfishers with snow-covered bamboo and red clusters of berries on a large nandia bush. Painted using mineral colors and gold leaf on paper. Signed Eigaku Kano (1790-1867).

Eigaku Kano was the ninth head of the "Kyo Kano", the Kyoto branch of the Kano School. He is credited for reviving the Kano School and ...

Japanese scroll painting by the Nanga School painter, Rai Sanyo. Calligraphy and a large ink painting of a gourd covered with individual signature seals on paper. Mounted with silk boarder and wooden rollers.

Rai Sanyo (1780-1832) was born to a samurai family of the Hiroshima Domain. He entered into a training school for government bureaucrats in Edo but decide to devote himself to writing instead. Disinherited by his father for doing so, he found himself locked in his room and ...

The Ten Pleasures of Tea, ink on paper in a paper boarder with bamboo rollers befitting the rustic scene. Likely an image of the great poet and tea master, Bassho. Titled Charakujutoku (The Ten Pleasures of Tea). The image signed Kanzan, the calligraphy Kunsen.

Yamada Kanzan (Nagoya, 1856-1918) studied under Kosone Kendo and was a renowned literati and Seal Carver. He studied painting directly under Wu Changshuo in China and excelled at not only his trade of seal carving but also...

A pair of original Japanese full six panel byobu screens. Beautifully handpainted with sumi pigments on stunning silver leaf background. Depicting a naturalistic scene, including rolling hills, trees, and bay water expanse.
Byōbu (屏風, "wind wall") are Japanese folding screens made from several joined panels. May be used to separate interiors and enclose private spaces, creating a among other uses. May easily be mounted on the wall for a modern home today.

Sign...

Japanese Meiji period woodblock print triptych titled “Famous Places in Tokyo: Ueno Park” by Hiroshige III (1843-1894) dated 1876. This historically significant "enlightenment" print illustrates the influence of the west both on the architecture and on the western style attire of the visitors to the park. Cherry blossoms are in bloom and Mt. Fuji is in the background. Overall size: 13 3/4" x 28.” Very good overall condition and color. The print is not backed and the baren marks are cl...

A rare antique Japanese optometrist roll top tansu complete with lenses and glasses. Original navy corduroy covered pull-out shelf with two side by side storage drawers. The display case of lenses double as a removable tray for portable transport from room to room or place to place. Made of Tochinoki (Horse Chestnut) and Kirinoki (Paulownia) woods. All original bronze hardware and finish.

This would make a wonderful addition to anyone who collects optometry related items.

Age: ...

A low Japanese Negoro incense table with many layers of black, red, and translucent lacquer pigment. Naturally worn finish consistent with age an use. European style hand carved leg and foot. Original hardware of hand forged iron. Traditionally used as a low stand to raise up an incensor.

Edo Period 18th Century

13 1/2" long X 11" wide X 6 3/4" high

Rather unusual late Meiji (1890s to 1912) netsuke of kagamibuta (“mirror lid”) type with turned wooden bowl and Japanese compass in the center. Clever functional design, the compass actually works, pleasant patina on the bowl. Wonderful example for a specialty netsuke collection. Diameter 2 1/16 inches.

Late Meiji - early Taisho (1910s-1920s) Japanese Kutani ceramic lozenge shaped dish for holding sweets during tea ceremony. Central area is painted with a butterfly on flight over chrysanthemums growing over rocks by a bamboo fence. Nicely potted stoneware body with rounded corners. Wonderful free painting in typical Ko-Kutani (ancient Kutani) style and color palette of blue, green, aubergine, black, tomato red and gold enamels. Signed in red enamel on the bottom KAGA KUTANI, Kaga being a city l...

This unique Mayan translucent jadeite tube pipe is simply astounding and extremely detailed. The earliest mesoamerican pipes were tube pipes and date back to 1500BC. The material being smoked was inserted into the mouth of the serpent and inhaled from the other side. It could have had a perishable stem such as bone or wood. It was probably worn as a pendant until smoked. This is a particularly unique interpretation and rendition of a coiled snake. The serpent coils at the back and ends with the ...

Japanese Edo period woodblock print triptych titled "Prospering Pines at South Port" depicting Mitsuuji holding a fan and dressed in a summer kimono covered in Genji incense signs seated on a balcony overlooking pines at Edo harbor. He is accompanied by several beauties. This triptych, published by Fujiokaya Keijiro in 1864, was a collaborative effort of Kunisada (Toyokuni III) and Hiroshige II (Shigenobu). The signature cartouches at the lower right read “Ichiryusai Hiroshige” and "79-ye...

Ancient egyptian faience ushabti for Padusir - 19,6cm

This ushabti figurine is depicted as a worker holding two hoes for work in the fields of Osiris in the afterlife. He is wearing a tripartite wig which falls down between the shoulders. He has an Osiris-type beard which ends in a tight forward curl. Only the hands, crossed over the chest and holding the already-mentioned agricultural implements, emerge from the mummiform shroud covering the entire body.

On his body can ...