Antique Chinese tall wardrobe cabinet, made all of jumu (elm) wood with very beautiful grain, middle bar has been attached to door so that the cabinet opens with clear access to interior, inside has one shelf with two small drawers of jumu wood finished on the front to match the exterior of cabinet, bottom has one large drop in panel that locks with key, 19th century. Size: 78 1/2" high x 42 3/4" wide x 21" deep.

Antique Chinese small cabinet with six open shelves originally intended for displaying small precious artworks. There are two small drawers between the upper and lower shelves. The bottom portion of the chest has two cabinet compartments opened by hinged doors. The entire surface of the wooden cabinet is lacquered and detailed with vine and floral motifs.

Age: Ming Dynasty

Dimensions: 24" high x 21 3/4" wide x 7 1/4" deep

Antique hand-carved wooden half mask of some sort of god or deity, with recognizable features of a deity such as the elongated earlobes, and winglike hair and eyebrows. Has small traces of red lacquer, and above its lips are remains of where many bunches of hair would once have been, missing due to antiquity. Visible chisel marks are apparent inside. 18th/19th century Size: 11" height, 7" width

Big "Bianlian" Nuo mask of Tudi Gong, the "God of soil" and grains, essential in an agrarian country. He is the main actor in Wunuo cult, usually represented with a smiling face, and long eyebrows and beard often missing or replaced later; when missing, we can see holes where the hair was fastened.
Bianlian means face changing: this mask has an articulated jaw which could be animated by the wearer...

Chinese wooden hand carved mask of a smiling man, its jaw left open so that the wearer had an easier time speaking. Features of the mask include red lacquer lips, black lacquer eyebrows, nice carved details such as the teeth, nostrils, wrinkled forehead and hair. 18th/19th century Size: 6.75" height, 4.75" width

A beautiful early 18th C. antique Chinese carved bamboo three monks riding on water buffalo with beautiful patina in excellent condition. H:21cm $1200

Nuo masks of Tudi Gong and 2 Xiaopo. 2 Xiaopo: small masks for children. Very humorous set of 3, beautiful craftsmanship and nice backside patina.
Tudigong: the "God of soil" and grains, essential in an agrarian country. He is the main actor in Wunuo cult, usually represented with a smiling face, and long eyebrows and beard often missing or replaced later; when missing, we can see holes where the hair was fastened. Chinese character for "happiness" on the cap...

Big and rare golden protection mask of Da Jiangjun, the" Great General", for hanging usually near the door, for protection against evils or bad spirits.
Rare representation with a very elaborate headdress (upper part missing); remnants of old pigments; ancient indigenous restoration on both sides (see photos). 31x20 cms. Jiangxi, 18th or 17th C, Ming? RM 181,184,189; MC 184 (see bibliography)

Nuo mask of Kaishan, He who "Opens the mountain", clears it; God of mountains with a terrifying face (horns, fangs) who leads the procession during the ceremony organised for the clearing of a new field or building of a new rice field; his fierce face is intended to repulse the bad spirits (and the dangerous wild animals?).
Very old and heavy hardwood mask; 2 fangs and 2 growing horns, tongue, big bulging eyes and big nose; traces of old pigments, very good condition (1 crack on the back...

Superb 3 paneled weaving from the Zhuang ethnic group in Guangxi Zhuang, Southern China. The body is woven from very fine handmade cotton thread while the weft supplementary embroidery is done with silk floss threads (the small blue indigo medallions are done with cotton). Quite a heavy piece because of all the embroidery. L: 161cm/63in and W: 100cm/39in.circa first half of the 20th century.

DESCRIPTION: A fine, large Chinese boxwood toggle in the shape of a Chinese coin with four script characters on each side surrounding the square hole. Around the edge, various plant and animal forms are carved in high relief, including a flower, bird, squirrel and bat. The suspension cord, connecting it to an object such as a tobacco pouch, would have been strung through the openings under the bat's wings. Wonderful patina, excellent condition, and dating from the 1800's or earlier...

An old Tibetan ladies purse made of Yak leather and inlaid with silver and gilt carvings with a center piece of Turquoise. The front has carvings of two fish (representing the beginning of life)and flower design. The back has a center tree design. There is a silver woven chain attached to the top for carrying. Age: Late 19 Century to early 20th. Size:See last photo. Condition. Normal ageing. No repairs

Chinese carved Ivory old scholar Toggle, with gentle happy smile in his face, Ca. 1800's, 3 1/8" high, 1 3/8" x 1 1/4" wide, nicely naturally aged with hairline and old patina. The condition is good.

Chinese carved Ivory Toggle, Lotus Seeds carved out of the solid Ivory tip, Ca. 1800's, 1 1/2" high, 1 1/4" x 1 1/8" wide, with some naturally aged small hairline, beautifully aged old patina over well carved and polished surface, the details is very fine. The condition is good.

DESCRIPTION: A fine Chinese boxwood water-well basket toggle, intricately carved in an acorn shape with a realistic and detailed basket weave pattern with carved wood rim. The arched overhead handle has a free-carved wood ring attached; the interior is hollowed out. Excellent condition, a beautiful toggle, 19th C. For a similar example see: Schuyler Cammann, Substance and Symbol in Chinese Toggles, #188, p.228. DIMENSIONS: 1-3/4” high.

Antique Nuo Mask of Tudi Gong, the "God of soil" and grains; fundamental in an agricultural country; usually represented with a smiling face, and long eyebrows and beard; the hair figuring those is often missing, or has been renewed; when missing, we can see the holes where the hair was fastened...

Very old Nuo mask of Bao Gong, Judge Bao, wearing his characteristic and beautiful hat with a kind of knot. Judge Bao is an historical character who lived during the Song dynasty and became the model of justice and integrity...

Attractive antique Chinese hand made Wedding Basket with stacked compartments. Good condition. Black, red and gold finish. Size: H. 42 cm. x 30 cm. diameter

DESCRIPTION: An appealing Chinese toggle (guajian), carved from Huanghuali wood (a hardwood similar to Rosewood) in the form of a Buddhist lion seated on a plinth with one paw placed on top of a ball. With raised tail, textured fur on his back, and brass studs decorating the eyes and each limb, this foo dog would have been used as a counterweight for a tobacco pouch or other object suspended from a belt...

Fine and rare two paneled silk embroidered “wedding blanket” from the small Maonan minority people of northern Guangxi Zhuang Province. This piece is 60 to 90 years old with a hand spun cotton foundation and hand spun silk. The frontal surface of the blanket is decorated with embroidered floral and phoenix symbols and key fret pattern highlighted by “floating weft” threads...

DESCRIPTION: An antique Chinese toggle (guajian), carved from boxwood in the form of a Buddha's hand fruit (or fingered citron), a symbol of happiness, longevity and good fortune in China. The fingered citron is unusually shaped with bright yellow fruit segmented into finger-like sections, resembling a human hand. Highly fragrant, it is used predominantly in China for perfuming rooms and personal items such as clothing...

Chinese heavy carved Stone Slab with Rabbit carving on one side and Floral branch on the other side, Ca. 19th C. 12 1/2" high, 14 1/2" wide, 5 1/2" deep on bottom plat form section. Nicely aged old look, the condition is good, no major damages.

DESCRIPTION: This wonderful Chinese bamboo basket is one of the nicest we've ever offered. Pleasing in form and expertly handcrafted, the entire basket is tightly woven from bamboo strips in various sizes, forming a pleasing design. Chinese characters are found inside the removable, cone-shaped lid. Three long bent bamboo strips form the handle. Very attractive and in excellent condition. DIMENSIONS: 24" high including handle (61 cm) x 18" diameter (45.7 cm).

Nuo mask of the Fish Eater; extremely rare character; good condition; remnants of pigments, backside scratched (for ritual purpose ?). 26x14 cms. 19th C (see bibliography)

Hardwood Nuo mask, big and heavy, representing an unidentified character with a very serene expression. Coat of red lacquering on plaster, long gone around mouth and nose (the red color is generally used to indicate courage, loyalty and devotion).
Very good condition (a few little chips on the back along the edge), very nice inside patina; 26x17 cms. Beginning of 19th C, Hunan. (see bibliography)

Big "Tunkou" of Kaishan, he who "Opens the mountain", clears it; God of mountains with a terrifying face (horns, fangs) who leads the procession during the ceremony organised for the clearing of a new field or building of a new rice field; his fierce face is intended to repulse the bad spirits (and the dangerous wild animals?).
Tunkou or "Mouth who swallows" the demons, the bad spirits; terrifying mask for hanging on the Nuo temple's door or above the main altar...

DESCRIPTION: An antique Chinese boxwood toggle (Guajian) carved as a pair of men’s shoes resting side by side, a symbol of marital harmony and the wish for many sons. The shoes are elaborately carved with hollowed interior, relief banding, and incised designs on all sides including the soles. A hole running through the inner sides of each shoe forms the track used for threading cords from which this toggle would have been suspended as a counterweight to some other object...

Chinese heavy Limestone carved Slab, with Lady's face on one side and Rabbit looking forward on the other side, 19th Century, 13" wide-bottom, 10" high, 8" deep-bottom, weathered nicely old condition, no major damage.

DESCRIPTION: A nice old Chinese toggle carved from a striated wood in the form of two peaches. The peach is a symbol of longevity, and this thick toggle has a wonderful aged patina that only comes from age and handling. Strung with a cord through the holes under the stems, it would have hung from a sash and been used as a counterweight to a tobacco pouch or other utilitarian object. A wonderful example of Chinese folk art, this toggle dates from the 1700’s...

Lacquer and wickerwork, the inside of the lid serves as a presentation bowl for sweets. Decorated with Buddhist symbols. H. 16 cm, diameter 15 cm. Cyclical date 1857. Good condition with normal age wear.

Xian province, rare dated baket in lacquer a d wickerwork. Finely decorated with Buddhist symbols. H. 13 cm, diameter 12 cm. Bares the cyclical date 1828. Minor chips and age wear.

Antique Miao comb made of wood and silver. Flowers, birds and dragons designs. The ring on top was used to secure the comb in the hair, with a chain by instance.
Magnificent patina with expected wear, one tooth partially broken (see pix). 19th C. or before. H: 10 cms, w: 8 cms.

Fine old, three paneled, supplementary weft embroidered wedding blanket from the Zhuang ethnic group Guizhou Province China. Handspun and handwoven cotton thread foundation and silk for the embroidery. The central area is dominated by the “well” “#” pattern, while the border is a combination of the “well” pattern inside a “wanzi” swastika meander. There are few small faded areas but no holes or tears. W: 104cm/40in and L: 140cm/56in.

A natural amber pendant with two bats, one on each side. The bats represent longevity and happiness. The bat and happiness sound is in the Chinese language is similar - both pronounced Fu. Size: L. 3cm. W. 2cm. Condition: No repairs, cracks or chips.

A cloisonné belt ornament from Southern China with flora and bird design. The cloisonné is identical on both sides with very high quality workmanship. Age: Late Qing, 19th century. Size: L.30cm. W. 7cm. Condition: No repairs.

This old Mongolian artifact was made from leather hides sewn together with leather cord and then formed into a servicable shape approximating an irregular bottle. Handling and pouring was aided by the wooden handles.

A folk art object approx 150 years old and used for many years as a sake container saki. It is approx 19 inches high and 16 inches at the widest point about 10 inches deep.

DESCRIPTION: A Chinese peach toggle (guajian) crafted from a flat piece of burl wood with large spreading leaves, representing longevity in Chinese iconography...

Nuo mask of Tudi Gong, the "God of soil" and grains, essential in an agrarian country. He is the main actor in Wunuo cult, usually represented with a smiling face, and long eyebrows and beard often missing or replaced later; when missing, we can see holes where the hair was fastened.
Very nice carving and polychromy, beautiful inside patina, very good condition.
These masks among others often used, were recoloured regularly; 22 x 12 cms; end of 19th C. Hunan. NM 53; RM 144,146,...

Chinese antique bamboo sewing basket, interior design with character "Xi" and exterior with " Fu", Qing Dynasty . Size: Diameter of the basket is 13.25 inches and it stands 4 inches high, in very good condition.

Chinese heavy Limestone carved Slab with leafy floral design on one side and smooth plain on the other side, 19th century or earliker, 15"wide, 15" high, 11" deep-base. One big piece is off on the bottom.

This old wooden dragon was hand carved with an expressive face and large black eyes. He balances nicely with his tail on a short pedestal. Gripping his prized pineapple in his paws, he licks it with his tongue, clearly relishing the sweet taste. The pineapple has a short hollow plug on top to provide for an incense stick.

The name Zhang Feng Chao is carved on the underside of the pedestal. This old dragon is a wonderful example of an old Chinese folk art artifact. He has dropped 3 "scales...

This is from Qing Dynasty or Republic era beadwork headgear of chinese noble lady , like those portrayed in those old classic chinese painting in the courtyard where you can see them wearing it....and carrying a walking stick.....

Every dish with a different decoration. Diameter 13 cm. All in good condition with normal age wear. From Shanxi province. All dishes with cyclical date 1843.

Very large Chinese folk art bamboo basket with a removable inner shelf. The "double happiness" symbols on the side indicate it might have been intended as a wedding basket. Dates circa 1900. 28"H x 19" diameter (23" across the handle). Very good overall condition with some loosening of the bamboo at the bottom.

Nuo mask of Tang Shi Tai Po, venerable Tang lady, the Guardian of the peach tree (the peach of immortality); identifiable because she has the" fat face" of the Tang court ladies; backside scratched (for ritual purpose ?); 22x14 cms, end of 19th C. Hunan. (see bibliography)

In old China, a carpenter's tools were also considered as an symbol of the quality of his craftsmanship. This antique carpenter's tool has a hand carved dragon with some of the original paint remaining in the crevasses. The plumb bob is made from a section of animal antler. The old Chinese carpenter would fill the bowl with charcoal and it would be used to snap a straight line.

modern day items of this are still used by carpenters worldwide but they are made of metal or plastic and filled w...

This small strand of Buddhist prayer beads would have been kept in a pocket or looped on a belt. Bought in China from a Tibetan, the strand of tiny dark beads is broken up with coral beads to assist in counting. The 3 fabric triangles, from departed monks robes, are amulets containing various protective prayers. When used for ritual prayers, the fabric talisman would be held in the closed fist while the fingers count the beads. An Ancestors tooth, not bone, hangs from one of the talismans to...

The front of this Tibetan Flint Pouch is decorated with silver and bronze ornamentation and an inset coral bead. The back is decorated with bronze buttons to protect the leather from excessive wear. The pouch still has its original leather strap which would have been used to secure the pouch to the wearers belt.

Flint was an essential and valuable item for nomadic and indigenous cultures and as such was frequently carries in pouch specifically designed for its use.

Carved from a single block of hardwood, this Chinese drum has great patina aged surfaces. An old folk art instrument, it shows the wear of use during many musical performances at chinese operas and street festivals. When "beaten" with its accompanying drum stick, it has a deep attractive sound.

This plain pot metal vessel was used to contain hair oil during the reign of Chinese Emperor Daoquang about 1850. Standing about 6 inches high and 3.5 inches diameter at the widest point, a woman would dip her comb into the oil before combing her hair. I do have an identical matched pair of these but am selling them separately.

This traditional tribal comb would be worn for festival by Yao ethnic minority woman of Southern China. The comb was carved from sections of bone which are held together with a twining technique. The bone sections are tatooed with traditional Yao design pattern. The comb alone is 5.5 inches long and 3 inches wide. The combined length with the pompom and tassels is almost 12 inches long.

This Antique woven basket was typical of the baskets used in the kitchens of Hunan Province China. This particular style would have been used for rice storage...The red and black lacquer design is painted on all 4 sides. the interior is painted black lacquer. Condition is good considering age and usage of basket as a utilitarian item ..a few nicks and chips in the paint. 12 inches in diameter across the top. 9 inches high plus another 2 inches for the handles...

Though sourced from northern China, this antique powder flask is most likely Chinese ethnic minority from the southern regions. There are 3 flasks for carrying gun powder. Used rifle cartridges are used both as stoppers and bullets are held in the shaped spacers between the powder flasks. It was made by shaping and then sewing 2 pieces of heavy leather (probably elephant hide)together.

During the Qing dynasty, carved wood blocks were used to produce the ancestor portraits which decorated the homes of many Chinese families. The Chinese translation of the term "ancestor Portraits" can be misleading to Westerners. These were not portraits of the particular family's ancestors. They were portraits of various Chinese officials, emperor, empress, etc. for whom the family wished to show respect and or allegiance.

This stencil is approximately 9" by 9" and has some calligraphy ...

22 inches long and a century of hard use but the tip is clean and sharp. I suspect a skilled carpenter could still use this old Chinese drill to build a cabinet or post and beam house. Personally, I am so thankful for electrical tools.

This old Chinese container would have been used by a poor farmer or fisherman to carry his lunch, and tea while he was off working for the day. The main container has 2 sections and there is an additional rimmed tray which fits just inside below the tightly fitted lid. All 3 pieces are made from very tightly woven from 2 different types of plant materials.

Roughly 9 inches x 9 inches x 4 inches, with a richly patinated surface, this container is a wonderful ethnographic artifact from anot...

Chinese Red Lacquer Bamboo Bridal Food Basket, early 1900's, 15" high with handle, 10" wide & square, contains inner wood tray inside the lower compartment, high lighted with raise carved gold lacquered design on high handle, one metal butterfly is missing on one side.

Traditional Chinese rural style pillow of bamboo. This pillow would be stored with legs folded under during the day. Good condition 16"x4" by 5" high with legs extended.

This antique Chinese lock has a nicely patinated surface and is is working order. Measures 3.8 inches across.

This pair of traditional short boots were made and worn by the Miao women of Anshun. They are in very good condition but the upper boot areas have some soiling and the soles show signs of wear.