Decorated with a plantain leaves in the center and lotus petal on the outside. W=9.5 cm. Early Ming 1368-1398. Condition : perfect, no chips, cracks, hairline or restoration.

This is a dark slightly irridescent toffee-coloured glazed porcelain tripod censer of shallow compressed gobular vessel supported on three flatten bud feet. On the slightly everted mouth rim of the censer, it has a slightly tilted handle to the left and right. The tripod is designed after the popular Ming dynasty Xuande period style. Cir. late 18th to 19th century.

Generally in good condition - No damage. No repair, hairline, crack or chip...

Chinese Blue and white Dragon and Clouds Kendi, Ching dynasty, 18th century, 12.5" High, with crackle to glaze.

Famille rose deep plate decorated in European flower sprays. Condition: Very good condition. Small wearings. No cracks or chips. Measurement: Diameter 21.9 cm = 8.6 in Hight: 4 cm = 1.6 in

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A Song Qingbai cup, rounded side with flat base covered with bluish white glaze. Cup in very good condition no damage, chips, hairlines, craks, or restoration. Size: 6.5 cm diamater.

Blue and white cup decorated with floral scroll on the exterior. W = 6,5 cm H = 5 cm Yuan to Ming Dynasty Excellent condition, no chips, cracks or retoration.

Fine Kangxi Blue and White decorated with fishes and water weeds on the exterior and fish on the center. W=5.5 cm H = 3.5 cm Perfect condition, no chips, hairline, cracks or restoration.

Spectacular pair of Chinese celadon floor vases, with breathtaking hand fashioned tendrils and chrysanthemums in bouquets throughout. The contrast between the white biscuit and celadon glaze has a visual impact rarely seen on Chinese porcelain; the Buddhist foo dog and pup handles are a special feature that adds charm. These floors vases are in a most remarkable state of preservation, no chips, or other damage noted...

From our Chinese Blue and White Collection, an interesting so-called "Scholar's Examination Dish,” Kangxi Period (1662-1722), decorated in a slightly greyish underglaze blue, depicting a leaping carp juxtaposed against a fierce dragon clutching at the flaming pearl of wisdom, with wave shaped aquatic motifs on the border, and a square fu character on the reverse...

From our Chinese Polychrome Collection, a very fine and large pair of Rose Medallion vases, mid-late 19th century, most likely late Daoguang to Tongzhi Period circa 1845-1874, certainly no later than Guangxu Period (1875-1908), executed in the typical palette of pinks, blues, greens, yellows, whites, and gilt, depicting four well-painted panels of figures alternating top to bottom with four other well-painted panels of birds, butterflies, and foliage, separated by a band of foliage with four car...

From our Chinese Blue and White Collection, a good ginger jar with "double shu" design bestowing "double happiness," late 19th century, either Tongzhi (1862-1874) or Guangxu Period (1875-1908).

Jars such as this current example were often given as gifts containing foodstuffs with the lids glued shut. As a result, many lids were broken upon opening and subsequently lost to history, which is why so many are seen without their original lids...

Famille Rose Tureen in European style, around 1760. Decorated in Rococo style. Flower sprays in an hanging edging around the tureen. The knob created as a decorating fruit. A repaired but still a wonderful artifact. Condition: Poor. Both handle damaged. A crack repaired at the bowl. Measurement: Length 28.5 cm = 11.2 in Width 22.3 cm = 8.8 in Hight 24 cm = 9.4 in

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From our Chinese Blue and White Collection, a rare Kangxi Period (1662-1722) porcelain dish depicting a stylized version of an earlier Ming Dynasty kraakware design, featuring an eight-sided buddhist wheel or star in the center medallion, surrounded by ogival panels of buddhist emblems, auspicious symbols, and swatiska motifs in the outer border...

From our Chinese Blue and White Collection, an extremely well-painted pair of Qianlong Period (1736-1795), "soft paste" porcelain dishes, depicting what is probably a tea merchant's house on the bank of the Pearl River in Canton, including the typical "river scene" elements of bridges, water, land masses, and distant mountains, all executed in an especially vibrant blue, with an ornate border richly decorated in a combination of butterflies, ruyi head, and cash diaper motifs...

From our Chinese Blue and White Collection, a fine Qianlong Period (1736-1795) sauce tureen base of rectangular form with chamfered corners, depicting a gentleman with ladies on a fenced terrace pavilion along with a flowering tree, surrounded by an intricate border design of cash diaper motifs, key frets, and flower sprigs, all executed in deep blue upon a body of dense 18th century export porcelain.

This particular example is quite unusual due to its subject matter...

From our Chinese Blue and White Collection, a good Ming Dynasty kraakware dish, late Wanli Period circa 1600-1620, of well-known and documented form, executed in Border VIII style with a central bird some scholars opine is either a magpie or a duck, sitting upon a lotus pond outcropping and encircled by a ten-point buddhist star, further encircled by ten ogival panels of buddhist symbols in the outer border, all executed in a slightly greyish blue on a barbed-form dish with slightly upturned lip...

From our Chinese Polychrome Collection, a very good Qianlong Period (1736-1795) Famille Rose porcelain dish, depicting a domestic scene of a husband, wife, and child sitting upon a bench, while their servant plays fetch with the family dog, all well-painted and better than average for typical export ware. The skill of the painter is evidenced here by amongst other things, the skillful use of shading in the blue, green, and pink enamels of the folds of the clothing to create depth and texture...

From our Chinese Blue and White Collection, an elegant 19th century porcelain baluster jar with cover, decorated with figures in a fenced garden setting with scholar’s rocks, butterflies, and floral sprays.

Some collectors tend to be a bit haughty when it comes to 19th century blue and white wares, as it is generally recognized that these blue and white pieces tend to fall off in quality as we get late into this period. As afficionados of Transitional Period through Qianlong Period war...