From our Early Chinese Collection, a very rare, large, and striking Song Dynasty (960-1279 AD) stoneware jar with lid, executed in a straw colored glaze over buff colored stoneware (or proto-porcelain as it is sometimes referred to, which is clay fired at higher temperatures than pottery but lower temperatures than true porcelain, which had yet to be invented at that time)...

From our Early Chinese Collection, a fine and rare pair of Song Dynasty (960 – 1279 AD) qingbai vases on integral bases, with a molded six panel floral sprig design and flared petal-form aperture. The glaze is a very good and very attractive translucent blue/blue green color, deeper where pooled in the recesses. The underside is burnt orange-brown from the firing...

This is rare bean shaped black glazed cizhou pillow from the Song - Jin Dynasty. It is rare because only a handful of black glazed cizhou pillow are known to be in existence. The outline on the pillow shows clearly how the pillow is being constructed. The bean shaped pillow has a flat base rising straight up to another layer of uneven flatten top piece...

This is an elegant Jun yao tripod censer with the purple splashes, in the classical bronze censer form, in perfect condition and the bluish glaze of clear sky colour is simply eye catching and wonderful. Please enquire for more infos and photos. Thank You.

This is an elegant bluish white Jun yao jar that come with its original cover, in very nice form and built, it is with the purple splashes on one side of the jar and some on its cover to add to its' beauty as one of the best chinese classical ware since Sung Dynasty, the bluish white of he moon colour give us amusement and feelings that make us wonder how the potter make it in those by-gone era with such wonder glaze and technology of that time. Please enquire for more infos and photos...

This is an elegant Jun yao vase, in very nice/perfect condition and with the whitish splashed on one side to add to its' beauty as one of the best chinese classical ware since Sung Dynasty, the bluish glaze of clear sky feeling make u wonder how the potter make it in those by-gone era. Please enquire for more infos and photos. Thank You.

This is a Junyao ware used as brush licker, in very nice colour and with purple splash, some glaze corrosion and chips on the rim. Please enquire for more photos, thank you very much

This is a large green glazed Ming dynasty funerary figure modelled as a palaquin bearer or attendant. It stand on a step and waisted hexagonal plinth with six feet. The right hand and left hand of the palaquin bearer or attendant is seem to be holding onto a pole towards his chest with the long sleeve covering the arm, exposing only the hand...

This is a large green glazed Ming dynasty funerary figure modelled as a palaquin bearer or attendant. It stand on a step and waisted hexagonal plinth with six feet. The right hand of the palaquin bearer or attendant is resting on his chest with the long sleeve covering the arm, exposing only the hand. The other arm is within the long sleeve...

Another niece piece of Ming dynasty funerary sancai glazed foreign groom and horse. The groom is foreign looking with a white slash on the waist and downward. The cap looks like from the western part of the county, probably from the one of the tribes. The groom wears a brown coloured clothe with a long sleevless outer coat in green with white collar and button. The horse is cream white in colour with green glazed harness and green saddle cloth on the horse back...

Fine and rare roof ridge tile figure group consisting of a horse and groom made during the Ming Dynasty (AD 1368 - 1644). Condition - unusually very good - age related wear to glazes and minor chipping (please see enlargement 8 for most noticable chip) but no significant losses and no restoration...

A nice piece of Ming dynasty funerary sancai glazed groom and horse. The horse is in light brown glazed while the groom wears a black cap, with a moustache and wearing a light green overcoat with white collar. The horse has a green glazed harness,tussles and saddle cloth. The saddle is brown in colour.

There is only a chip to the horse ear as shown in picture no.4 by the circle. The chip on the horse ear can be easily repaired by an expert restorer...

This is a Ming dynasty funerary sancai glazed horse.

There are no repair, restoration or chip. As a funerary horse object, a certain degree of abrasion, wear, soil calcificatio and degradation can be expected.The decolouralisation, abrasion, degradation and calcification can be seen in the photographs.

The height of the funerary horse is 20.6cm, the length is 20.75cm and the width is 10cm.

This is a large Song dynasty cizhou glazed rectangular shaped pillow. The top of the pillow is incised with a single stalk of lotus flower in a pond within a carttouche inside a double line rectangular frame.

Some minor chips as shown in the picrures, especially number 4, along the edges. There are also some soil calcification especially can be seen on the top left hand of the pillow, abrasion and wear...

A beautiful Tang dynasty changsa stoneware bowl with an abstract plant/weed motive, with long thin leaves all painted in green and iron brown colour. A very artistic, creative and free hand drawing in an abstarct form. The changsa bowl stand on a short footrim with a recess base...

A beautiful Tang dynasty changsa stoneware bowl with and abstract flower motive. The flowers look like crocus with it long thin leaves embedded beside a rock, all painted in green and iron brown colour. A very artistic, creative and free hand drawing in an abstarct form. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light buff clay. A must have piece for the discerning collector. This is an opportunity not to be missed.

A beautiful Tang dynasty changsa stoneware bowl with ruyi motive along the cavetto of the bowl and in the center with a dot with radiating lines towards the ruyi, all painted in green and iron brown colour. The 5 ruyi motives is design in such a way that no matter which angle you focus on, it is designed in a star formation. The changsa bowl stand on a short footrim with a recess base. The glaze stop about three quarter way down, exposing the light pinkish clay. A must have piece for the discer...

The bowl is of greenish-gray glazed standing on a short recessed foot rim. The height is 6.3cm and the diameter is 17.3cm. A minor chip shown on picture 4. Otherwise it is generealy in good condition.