19th century small Indian bronze votive sculpture of monkey god Hanuman cast in South India. His hands are held in praying gesture in front of him, and his tail forms a halo behind his head. Hanuman personifies ingenuity and faithfulness - his strength and courage helped Rama to defeat demon Ravana. Wonderful casting and detailing, pleasant patina. Height 1 15/16 inches.
19th century small votive Indian bronze statue of crawling baby Krishna holding in his hand a butter ball, which he stole from a storage in his house. Very nice casting, highly detailed - see his face, jewelry, apron and anatomically correct lower regions. Beautiful patina, very nice feel of age. Length 1 3/4 inches.
19th century very small Indian bronze votive sculpture of Ganesha perched on high base, cast in the state of Maharashtra. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. Nice casting, overall in great condition for a votive piece. Wonderful feel of age produced by obvious signs of wear. Height 1.66 inches.
Late 18th to early 19th century silver tribal Indian amulet with low relief depiction of what looks like 2 meditating yogini seated in lotus pose. Pendants of that type are known as patris, they were made and worn by the tribal gypsy people of Rajasthan and Gujarat for good luck and protection. As religious amulets they were blessed before being first worn. Low grade silver, very nice work, great patina. Height with hanging loop 1.32 inches, weight 3.3 grams
Late 18th to early 19th century silver tribal Indian amulet with low relief depiction of a male god and his consort. Pendants of that type are known as patris, they were made and worn by the tribal gypsy people of Rajasthan and Gujarat for good luck and protection. As religious amulets they were blessed before being first worn. Low grade silver, very nice work, great patina. Height with hanging loop 2.05. inches, weight 13 grams
Indian drawing. 18th /19th cent. 195 x 90 mm. Pricked for transfer.
Late 18th to early 19th century silver tribal Indian amulet with low relief depiction of a warrior on his horse and a seated Goddess. Most probably it represents Baba Ramdi - a local folklore hero who singled-handedly saved his village from an army of bandits. The seated image appears to be that of the warrior Goddess Durga. Pendants of that type are known as patris, they were made and worn by the tribal gypsy people of Rajasthan and Gujarat for good luck and protection...
18th century Indian bronze chhappa (a tantric ritual stamp), its base leaving an imprint of a peacock feather. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood. The marks on the body provide a visual display of the adherent’s devotion and transfer the beneficence of the deity to the wearer...
18th century Indian bronze chhappa (a tantric ritual stamp), its base leaving an imprint of a peacock feather. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood. The marks on the body provide a visual display of the adherent’s devotion and transfer the beneficence of the deity to the wearer...
Antique silver protective amulet in the shape of a temple representing the horseman “Bhumiya Ray”, worn par Rajput, India ,Rajasthan. H : 4,5c. CE 228 (see Bibliography)
Indian wedding palanquin for a bride. Made of a hardwood, possibly padauk, carved with florets and accented with iron details. The domed roof is constructed with a latticework. Doors and window openings are carved to mimic the architecture of a garden courtyard adding to the overall feminine quality of the palanquin.
Palanquins were the most popular means of transportation in British India prior to the introduction of horse-drawn vehicles and the railroad...
Ceremonial Konyak necklace ; glass beads, bronze, shell. H closed : 38c. India, Nagaland, Konyak
Antique Indian jeweled tassel. Suspend from a Chinese hardwood display stand, this Indian tassel is woven with gold, threaded with pearls and ends with a umbrella form over a tiny bell - all set with pearls, emeralds, rubies and diamonds in 18k gold.
Age: Mughal Empire (1526-1857) circa 18th/19th century
Dimensions: Tassel size: 4 1/4" high x 1 1/4" wide. Size including display stand: 7 3/4" high x 4 3/8" wide x 3" deep
Indian Wood Stele of Indra and Consort seated in 'royal ease' on lotus throne under the crest of the flaming Kirtimukha lion-torso figure with arms outstretched. Wondrously carved, standing attendants at each side. Worn with devotional usage. Traces of old pigment.
Pair of recumbent elephants and deity at base.
Handley Collection, purchased Sotheby's March 1988
circa 1700s
Size: 23"H x 13" W x 5" D
Antique Indian « ayigalu », lingam casket, used by the Lingayat in Karnatakka ; complete with its chain. 6 x 5cms. CE 236 (see Bibliography)
Indian stone bust of Brahma with three heads, Central India. Crowned headdress with raiment of a royal being. Light grey stone, benevolent countenance.
Brahma known as the creator god in Hinduism. He is also a consort of Saraswati and he is the father of Four Kumaras, Narada, Daksha, Marich, along with many more.
Several Puranas describe him as emerging from a lotus, connected to the navel of Lord Vishnu...
Beautifully embroidered "Goa" priest vestment from india. Goa was a Portuguese colony off the coast of India. It is embroidered with shades of blue, red, pink, yellow, orange, and green. There is a floral scrolling pattern on front and back with smaller flowers.
18th Century
Size: 48" long by 26" wide.
18th Century Antique Indian pair of sandstone architectural fragment statues of mythical beasts called Yali, who have mixed body parts of an elephant, a lion, a horse, and other such animals. They would often stand guard and protect Hindu temple entrances. One of these statues stand atop a bird, while the other stands atop a human figure. Very heavy pair in original condition, some remnants of red pigment around the mouths, interesting detail throughout...