An Oribe Ware plate with the impressed mark Rihei. 10" in diameter, the foot and base is carved. Decorated with a grove of pine trees, a village to the rear, a rock outcrop to the left, all painted in iron brown, accented with a splash of deep green glaze.

Condition: excellent. No chips, cracks or repairs.

This is a fine early Japanese Satsuma vase. It was made before 1900 and is one of the better examples I have seen from this artist.. The enamel work and relief dragon are done very well. The vase is interesting and has a lot of character. It is very heavy and in very good condition. The only real flaw is a broken horn on the dragon which is a common occurrence with these pieces. This can be fixed fairly easily and I could arrange for this small repair for the buyer. Stands 9 1/2 inches tall.

The size of Plate: 6 1/16" x 1" High. 153 mm Dia x 2.5 mm High. Kodai, Foot rim size: 3 9/16" Dia.
This is finely made Japanese Earthen Plate like Japanese Awata Yaki or Kyo yaki crackle glaze finish. The thickness of plate is 2mm only at the edge of plate. It has Sometsuke design of peony and plum design. Condition of plate as seen with Amate, fine crackle glazing. The plate is perfectly round and sit well. No wobble...

19th Century Japanese Satsuma Earthenware Vase

It is 8.3 inches (21.1 cm) tall by 5 inches (12.6 cm) wide. It is 1.4 Lb.

It has rubbing gold and paint, repairs at the feet, a small chip at the bottom rim, stains and surface wears and scratches (as seen in the photos).

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Exceptionally large Kyoto ceramic incense burner. It is turned in a typical clay, a kind of sandstone earthenware covered with finely cracked glaze . A charming decor, animated by chinese children playing, develops over the entire surface, enamelled with colors predominantly green and blue. Gold details. On the sides, bouquets of flowers and leaves bloom elegantly. It is rare to find such harmonious sculptures on Japanese ceramics, usually they are ostentatiously excessive and vulgar...

Antique Japanese Raku ware chawan (tea bowl) with crackle glaze and finely applied kintsugi. Red glaze with dark greenish-black spots. Seal impression on the bottom. Kyoto. Evaluation done in the 1930's by TZ Shiota when the family was inheriting the collection from their great grandfather, Federic Torrey...

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece...

We offer a beautiful deformed and heavy Japanese Bizen stoneware tsubo. It has expressive signs and spoils of the pottery making.

The brown colour with a little descent of yellow and orange are giving a smooth warm radiance to the viewer.

It is a unique Tsubo in excellent condition. No repairs, no damage.

It is from the late Edo period, 18-19th century.

Size: approx. 21cm in diameter, 16.5cm in height (8.26in, 6.49in)

Shipping included

Antique Japanese Bizen-yaki Beckoning Cat known as a Maneki Neko, with left paw raised for inviting happiness and welcoming friends and family. Incised signature on back dating to the Second Year of Genbun, 1737, also shop name of Yamaichi. Good condition.

Age: Edo Period, circa early 18th century
Size: 10.5"H 4.75"W 5"D

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C

A late 18th century Ko Seto stoneware dish, 5" in diameter, decorated tastefully in a traditional horse eye and cobweb design.

Condition:There are two small rim chips as illustrated in the sixth photograph. The first and more serious is to the far left, the second is to the far right. The dish is otherwise excellent.

Antique Japanese very large ceramic jar with a highly textured form, wide mouth, large dripping area of natural ash glazes in blues and browns with bare tapered foot. Tokoname kilm dates from the Momoyama period 17th century. Size: 24" H x 18" W

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

Beautiful and striking large Japanese ceramic Tokoname jar, wonderful shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations and free flowing drip lines, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.) Size: 19.25" high x 12" wide x 12" deep.

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing...

REMAINS OF HANIWA

Large remains of the ornament part of ancient Japanese hollow unglazed terracotta figure from the Kofun period (3rd-7th century) so-called ‘Haniwa'. 20 x 14 x 4.5 cm (7.87 x 5.51 x 1.77in). Still left original paint as a rare piece. Bonded repair as seen...

INCOMPLETE REMAINS OF YAYOI EARTHENWARE

Unearthed at Tokai region in Japan, Yayoi period (c.300BCE-300CE). Bold and overpoweringly beautiful form as is. approx...

Ancient Japanese Neolithic Jōmon Culture large ceramic vessel. The dramatically flared rim and other raised decorations indicate that this vessel was likely created for ritual use rather than as a food or cooking container. Clay was mixed with materials such as fibers, micha and crushed shells to give it an adhering quality...