Hanging scroll of mandala with Guanyin sitting on a rock, surrounded by two worshiping deities in front of him and by a guardian figure in the upper left corner. Beneath him the gods of thunder and wind and rain in the clouds. Below these, Chinese figures in a mountainous landscape, occupied by different activities. On top of the painting a printed text. Unfortunately we were not able to identify the mandala and thus the meaning. Ink and color on Chinese paper...
Ebisu sits on a rock, a bamboo stalk in the hand, as if holding a fishing rod, a giant red carp stuck under his arm. Daikoku stands on rice bales and holds his hammer in the hand. Around them a split daikon and the coat and hat of invisibility. On the lower right two seals: Kachutei Ninsei (or Jinsei). Ink and colors on paper (black outlines are hand painted, NOT printed). Painted area 11 ¾ x 18 1/8 inches...
Half portrait of Daruma in bold strokes of gray and black. Lower right signature Isshin hitsu and two seals. Black and gray ink on paper. Painted area 36 ½ x 8 ½ inches. Toned, some horizontal creases, repaired missing area at lower middle. Celluloid scroll ends.
Feel free to ask for more pictures.
Very small scroll painting for in the back of a house shrine. Sumie. Daruma standing on a reed stalk crossing the river Yangtse. In the upper part a commentary or a poem. Black ink on silk. Red seal to the left...
Original hanging scroll of a tiger and a dragon, two of the regal powers. Black ink on silk. On the lower right signature with two seals. The upper reading Gan…. Painter from the Kishi family.
Mat and frame
Painted area: 37 1/8 x 13 1/8.
Frame: 19 ¼ x 48 ¾ inches.
Some creases, one tiny hole, generally in good condition.
Framed painting of Shoki standing with a sword in his hand. On his head a large straw hat. Inscription on the upper left side with three red seals. Signature and seal on the lower right side: Kano …Fujiwara Masuyoshi hitsu. Ink on silk. Kano style. Rollers cut of and framed with original mounting.
Painted area: 34 1/8 x 11 ¼. Frame: 54 ¾ x 17 ¼ inches.
Silk darkened with age, stained, undulating, one minor crack, otherwise good condition.
Small framed painting of hawk perching on a rock underneath a flowering plum tree branch. The hawk beholds the beholder with one eye, holding its head and body at an angle. Unsigned. Kano style. Black ink on paper in brocade mounting. 18th century. Scroll ends cut off and framed.
Frame: 40 ¼ x 15 ¾ in. (105.8 x 40.2 cm). Painted area: 30 5/8 x 11 ½ in. (78.5 x 29.4 cm).
Toned, some cracks (former folds due to rolling), slightly rubbed at places, few missing areas. It is what it is...
Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. Rays of light surround Amida’s head...
Ink and pigments on paper with gilding, ca. early 1600s
Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen...
Ink and pigments on paper with gilding, ca. early 1600s
Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen...
Early 18th Century Japanese Two Panel Screen Painting featuring a spectacular Phoenix. Exquisitely painted with silver leaf on paper. Original brocade borders. Screens this early are very rare, and screens of
these proportions are rarely seen. 28 inches (71 cm)w x 24 inches 61 cm)h. Good Condition. From a prominent and widely exhibited collection.
Japanese Two Panel Screen of Snow Cranes on a Willow Tree. This great masterpiece is one of the most amazing screen paintings we have seen. Each Snow Crane is painted with its own personality and attitude, using the finest
pigments and Gofun (Oyster Shell Lacquer). All of the elements of this painting
are just magical. Brocade borders in a black lacquered frame make this two
panel screen complete this work of art. 66 inches (167.5 cm)w x 62 inches (157.5 cm)h. Excellent Condition. From a prom...
19th Century Japanese Late Edo Period Two Panels Rimpa Flower Screens. Rimpa School represents the highest standard of decorative painting of all schools of Japanese painting. The flowers and other elements are raised by the use of Gofun (Oyster Shell Lacquer). This masterpiece features wonderful color with gilding and silver leaf. A great work of art. 67.5 inches (171.5 cm)h x 48 inches (122 cm)w. Very Good Condition. From a prominent and widely exhibited collection.
Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.
Lovely antique Japanese 4-panel gold leaf screen painting with scene of 3 geese in grasses by water's edge. Beautifully hand painted with fine detail in mineral colors on ground gold leaf paneling. Overall very good condition.
Late Taisho - Early Showa age C. 20th Century
Size: 43" high x 88" long
Hanging scroll with image in ink, red, gofun and gold on paper of the bodhisattva Fugen in twenty-armed form sitting on a lotus throne guarded by the four guardian kings each standing on the head of an elephant, the whole being carried by a crowd of elephants. The black outlines printed, the image subsequently colored by hand. To the lower left the name of the donor: Reiun Jogan. Japan, Muromachi period.
Painted area: 21.4 x 12.75 inches (54.3 x 32.2 cm). Total length: 56.25 inches (142.9 c...
A pair of hanging scrolls. One depicting a beautiful young woman in a black kimono decorated with open fans; the other depicting a blue demon sitting in a gauze priest’s garment in front of a bronze bell on a stand, holding a hammer in one hand, a rosary in the other. Black ink, colors, gold on silk. Seals in the lower left and right corners: Kason. Seal of Suzuki Kason (1860-1919). Japan, Meiji period. Ivory scroll ends.
Comes with the original wooden box.
Painted areas: ca. 52.9 x ...
Antique Japanese pair of scroll paintings, one with tiger in pine tree the other with dragon in clouds, painted in sumi ink on silk, late Edo Period Period, signed San'an Yamanobe Eisho with two seals.
Size of each scroll: 74 1/2" high x 22 1/2" wide
Size of each artwork: 38 1/2" high x 16 1/2" wide.
Antique Chinese pair of scroll paintings with calligraphy in black ink on silk, with signed box, Qing Dynasty. With Japanese mounting.
This is an antique version of an ancient Chinese preface to a compilation of poems, the Lantingji Xu ('Preface to the Poems Collected from the Orchid Pavilion’). The entire text of the preface is here, ending at the break 7 characters above the 2 red seals. The signature seals are those of the calligrapher. The calligrapher is Chinese:
錢...
Japanese scroll painting with a figure of Manjusri in the center of a circular chart below which sits a fu-dog; the very bottom of the scroll has numerous signatures and seal marks. The waves along the border of the circle indicate that this is a Sea-Crossing Manjusri (Tokai Monju). The text within the circle indicates that the painting comes from the Matsumoto castle in the Shinano province (the Nagano prefecture in central Japan). The document that comes with the scroll is signed Bankyu (can...
Two paintings of a abbots or patriarch sitting on a small pedestal. One of them holds a vajra in the right hand and a tip of his garment in the left hand. His sandals are underneath the pedestal as well as a ewer. The other priest holds a flat device in his right hand and a tip of his garment in his left hand. Underneath the pedestal are his sandals. Very detailed painting. Black ink, mineral colors, gofun and gold on loosely woven silk (ca. 30 over 14 threads). Japan, ca 14/15th century.
T...
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 6.5 x 4.75 inches, 16.5 x 12 cm, Mounting: 10.75 x 9 inches, 27.5 x 23 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9 x 8 inches, 22.5 x 20 cm, Mounting: 13 x 12.25 inches, 33 x 31 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 4.25 inches, 25 x 11 cm, Mounting: 14 x 8.5 inches, 35.5 x 21.5 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.5 x 4.25 inches, 26.5 x 11 cm, Mounting: 14.75 x 8.5 inches, 37.5 x 21.5 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.75 x 6.25 inches, 27 x 16 cm, Mounting: 15 x 10.5 inches, 38 x 27 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.
Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.
An incredibly painted antique Japanese 6 panel screen painting depicting a scene of 3 red-crowned cranes flying low getting ready to land over the cresting waves crashing up against mountainside. Gold leaf layer down with hand painted mineral pigments on paper. A touch of young pine come through on the hill side. Beautifully painted and in excellent original condition.
Late Edo Period (circa early to mid 1800's)
Size: 68" high x 146" long
Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant
image is finely painted with floating gold leaf clouds, pine and willow trees, and
brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.
A most unique pair of Chinese Pig Skin Trunks, obviously painted by a Japanese screen artist who made these wonderful decorative, rare creations, featuring a marvelous crane and flowers painted in the Japanese style. Late 19th to early 20th Century. 22w x 9.5h x 13.5d inches, 56 x 24 x 34 cm.
A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition
of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a
fine oxidized silverized patina. It appears to have the original brocade
frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.
Japanese Meiji Period painted poloma wood door (sugido). Ink and pigment on a natural wood ground, depicting a peacock
perched on a flowering cherry tree, signed/sealed Sho[ryo], the reverse with
scattered cherry petals floating near a flowering dandelion plant. Possibly
featured in a retreat of the upper class. Height: 70.75 inches, 180 cm; Width: 34.25 inches, 87 cm.
Beautiful antique Japanese temple scroll from the Edo period (1615 -1867). The Buddha has left his physical being and attained enlightenment. After one of his close followers prepares a bed under the sal trees for him, the buddha dies. All the beings of the earth, good, evil, divine, and animal mourn his departure. The buddha is painted in gold leaf. Sumie ink and mineral colors. Provenance: from a Montclair, California estate. It measures 46" wide by 94" long.
Japanese hand scroll painting, late Edo – Meiji period, 19th - early 20th century. This 11 meter long fantastic painting comically depicts a group of well-endowed men measuring the strength each other and humorously showing off their thingies. This painting is called "toba-e", which is comical scroll pictures considered as the oldest form of manga (cartoon) in Japanese history. Tobae was originally made by Toba Sôjô Kakuyû (1053-1140), usually depicting animals (frogs, rabbits and monkeys)...
A Japanese Noh Theater Mask Painting of Okina Hono (old man mask which is the oldest type of Noh Mask), signed and with Red Seal. Meiji Period. Size: L. 11" (28 cm.) x H. 8" (20 cm.).
Japanese original coloured ink drawing on paper. Late 19th cent. Blind boys or monks fighting. 260 x 230.
Excellent condition. Framed.
This scene may have been depicted from a national treasure “Hikone Byobu six panel folding screen”. The screen has been collected by the Hikone castle museum located in Shiga prefecture in Japan. The screen has been very well known for not only the quality but also as a representative masterpiece depicting the custom of the early Edo period showing early-modern Japanese history. In this painting depicts a young robust courtesan with her western puppy. Her kimono is decorated with a special t...
An ukiyo-e folding screen depicts a group of ladies preparing for Japanese Star festival called Tanabata festival, which takes place on the 7th day of the 7th month of the year. Painted on silk with ink and pigments. On the right panel depicts a beautiful woman sitting at the coffee table preparing to write her wishes on the colorful piece of paper. As part of the custom, the wishes are to be hanged on a bamboo tree in the hope that they become true. The other ladies are depicted on the other pa...
A group of samurai won a victory in a battle. Hanging scroll Circa Edo period, 17th century. Painted on paper with ink and pigments. The samurai on the far right is holding a stand with the head of their enemy’s general. In Japanese history the enemy's head was to prove the samurai's feat in a war. If the opponent defeated was in a higher position, the better rewarded. There is an inscription on the scroll reads Tosa Mitsuoki hitsu, means painted by Tosa Mitsuoki. Tosa Mitsuoki (1617-1691) was...
Japanese narrow hanging scroll done in literati style with a mountainous retreat in autumn season, 3 red seals and signed by the artist, Senda Hanko. Meiji Period. Size: Length 55" Width: 10.1" with ends, 17.3". Good condition. Recent artist show at Aichi Prefectural Museum in a special exhibition.
Impressive zenga painting of a Zen master's staff with a poem in the surrounding background, signed Tokuhon. Age: 19th century. Size: Length: 73" Width: 15.15" with good hardwood ends: 17.3".
Zen triptych scroll by Sesson Shukei (1504?-1589) The set of three are paintings of a radish and nappa cabbage with Lao Tzu riding a bull as its centerpiece. Scroll set comes with a box with paper labels naming the object and figure in the painting. One label reads that one of the Kano Eisen (the first or second) had provided an opinion, but the orignal document does not exist anymore. Age: Late Muromachi 16th century. Size (for all three approx.) Height: 74.25" Width: 18.3" (with ends): 20.5"
A pair of hanging scrolls by Kano Dohaku Chikanobu (1772-1821), a famous Edo period painter, 5th head of the Surugadai branch of the Kano School. In 1813 he received the honorary title of "Okurakyo-Hogen" (law of the eye).The pair contains an image of three geese set near a marshland with reeds. Scroll comes with box that woud be of the period. Age: Mid-Edo Period( 1800-1820). Size per scroll: Height: 70.25" Width: 14.25" (with ends) 16.25".
Beautiful Japanese antique 6 panel byobu screen painting, scene of early spring with flowers beginning to bloom, rocks and green ground near stream still have a dusting of snow against a back drop of gold mist, skillfully painted in mineral colors with gold leaf on paper, 19th century (Edo/Meiji Period).
Size: 48" high x 113 1/2" long
Japanese Framed Painting of a Tiger. This dynamic image is a classic example of fine Japanese painting. A wonderful work of art to behold. 47 x 17.5 inches, 119.5 x 44.5 cm.
Late Edo Period Japanese Painting of Two Men Pulling a Horse. This classic Kano school painting is a perfect composition of line and form and color. Frame: 35 x 20.5 inches, 89 x 52 cm; Painting: 28.25 x 13.5 inches, 71.75 x 34.25 cm. Colors on silk. Signed and sealed by Kosui.
Pair of Spectacular Masterpiece Japanese Paintings of an Imperial Couple. 59h x 24w inches, 150 x 61 cm. Signed: Nakayama Sanji.
Original frames. Male figure wears robes with the Tokugawa crest. The female wears a gold phoenix crown with a gorgeous royal kimono. This one-of-a-kind pair of portraits was possibly inspired by the American painter, John Singer Sargent (1856–1925), considered the leading portrait painter of his generation. His portraits have a elongated format, similar to this p...
Very rare Daruma scroll from Futo Sanjin better known as Kanokogi Takeshiro, (1874-1941). He was mainly a western style - painter, studied in France before returning to Kyoto to establish his own school. In his later years was a juror for the esteemed Bunten and Teiten Art expositions. This painting is all the more remarkable because this was a rare stab at the classic zenga ink paintings. This Daruma is a classic in itself. C.1920. Ask for shipping quote.
Unique Zen ink wash painting depicts scroll and bamboo broom representing Kanzan and Jittoku. Kanzan and Jittoku were Zen eccentric monks thought to have lived at a monastery on Mt. Tendai in China during the Tang period (618-907). They had a thorough knowledge of Buddhist philosophy. Kanzan often depicted holding a scroll, presumably of his poetry, while Jittoku holding a broom, indicating his position as a scullion at a monastery. Their unconventional appearances have often been painted by Zen...
The painting depicted a samurai met an old man at night. In Japan there are many legendary tales of ogre extermination where samurai fights with ogre to protect people and their town. Some folklore says that the ogre turns into human and attacks people go around. Here, the samurai was prepared for the fight by the torii, which is a traditional Japanese gate commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the profane to the sacred. Whil...
A samurai and his retainer helping his load to dress in armor. Painted with ink and pigments on silk. During Warring States period (sengoku period), samurai had a specialist retainer who can put armors on them before going to a war. The specialist stylists were familiar with armor and well aware of the order of dressing up so that samurai did not waste their time to join the war. Signed Hogan Eishin and sealed.
Kano Yasunobu (Eishin) (1613-1685) was a brother of Kano Tan'yu (1602-1674) and K...
A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...
A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...
The painting depicted court musicians playing divine music called Bugaku. Bugaku is a Japanese court music accompanied by dancing. Here one of the players plays shen (a bamboo instrument first produced in China in 7th century) and the other one sounds a massive drum with mitsudomoe crest (three comma-shaped figures in a circle). Bugaku carries a ritualistic implication and is usually played at the start before dance performance begins. Bugaku purifies the stage. Painted with ink and pigments. Si...
Two panel Japanese folding screen with image of two deers set on a grassy meadow-like surrounding with a waxing gibbous moon set on the left panel screen. The simple watercolor appearance, minimalist lines, and motif like appearance of the images are the signature elements seen in most Rinpa School. Age: Edo Period (18th-19th century).
Size: Height: 67.5" Width: 68"
A six panel screen with mineral colors, and gold leaf clouds meandering though out scenes depicting a view from the Tale of Genji. The chapter that would be closely associated to the screen is Chapter 19, Usugumo, translated as Wisp of Clouds. The scene is showing Prince Genji wearing a white informal court robe, lined with red and is selecting robes for the visit of Lady Akashi.
Age: Late 18th to Early 19th century, Edo Period
Size: Length 109" Height 47.5"