Antique Japanese calligraphy scroll painting by the Confucian scholar, poet, koto musician, calligrapher and artist, Ryū Kōbi (also called Ryû Sôro) (1714-1792). Sumi ink on paper. With three seals, one being his trademark Dragon seal.

This work is Waka poetry done in traditional 5-7-5-7-7 syllables or a 5-line wake poem. Which traditionally calls up an image of nature that then alludes to an emotion...

Antique Japanese pair of scroll paintings, one with tiger in pine tree the other with dragon in clouds, painted in sumi ink on silk, late Edo Period Period, signed San'an Yamanobe Eisho with two seals. Size of each scroll: 74 1/2" high x 22 1/2" wide Size of each artwork: 38 1/2" high x 16 1/2" wide.

Antique Japanese screen painting in 6 panels. Painted to resemble a samurai encampment space divider. The simple graphics of the curtain-like camp divider are painted in black and white and displays the kamon (crest) of the Takiyama Family. Narrow slits between the white and black sections of cloth were for the wind to pass through, preventing the curtain from becoming a sail. Thick striped rope securely ties the curtain to tall stakes in the ground...

Antique Japanese 2-panel screen painting of a flowers. Painted in the Rinpa School technique in mineral colors and gofun on gold leafed paper. An exuberant display of sunflower, peony, sweet pea, and morning glory blossoms.

Age: Taisho Period (1912-9126)

Dimensions: 48" high x 49 1/2" wide

Antique Japanese 2-panel screen painting with a tranquil scene of birds near a stream. A pair of mallard ducks swim under a tree branch where black birds and finches rest and frolic. Painted in ink and light colors on paper.

Age: Meiji Period (1868-1912)

Dimensions: 51 3/4" high x 70 1/2" wide

Beautiful Japanese antique fan painting of irises, painted in ink and mineral colors on paper that was once silver leaf but has worn and oxidized a beautiful sepia color, wet on wet painting technique, Rimpa School, !9 century- Late Edo/Meiji Period. Size: 21" long x 7" wide.

Flowers. Painted with ink and pigments on paper. Signed Baiitsu and sealed. It is attributed to Yamamoto Baiitsu(1783-1856). Circa 19th c.

Yamamoto Baiitsu(1783-1856) was a Japanese Nanga/literati style painter of the late Edo period (1603-1868). Studied painting with famous painter Cho Gessho（1772-1832）. Baiitsu was excellent at painting flowers and birds...

Japanese ink and color on silk genre painting with gilt highlights depicting the emperor and empress seated on a raised mat with tied curtains above revealing blossoming trees in the background. Five musicians from the imperial orchestra are performing below them on a taiko drum, a smaller kakko drum, pipes (sho), a flute (oteki), and the fife (fue). 19th century...

This is a wonderfully preserved Japanese Edo Period (Late 18th / Early 19th centuries) Tosa School Monogatari-e (painted subjects depicting scenes from the life at the Imperial Court in Kyoto) Six-panel. Gold-leaf Folding Silk Screen Painting. It shows twelve scenes from chapters of the novel 'The Tale of Genji', set in two sections per screen. It measures 110 inches wide and 48 inches tall. The inside panels are 18 inches and the two outer panels are 19 inches wide...

Japanese hand painted scroll of a woman in beautiful Heian period robes in soft pink and blue with a scrolling vine of chrysanthemums beside her. Red artist chop signed Kasumi Morikage (c.1580 - 1620). Edo Period Size: 55.5" L, 16" W (entire scroll) 17.5" L, 8.5" W (painting only)

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...

Very small scroll painting for in the back of a house shrine. Sumie. Daruma standing on a reed stalk crossing the river Yangtse. In the upper part a commentary or a poem. Black ink on silk. Red seal to the left...

Important Edo Period C.1850 scroll painting of Kannon holding `Yatagarasu` the divine crow and messenger to the gods. Symbolizes the sun and like the sacred phoenix resides in the celestial realm. A mark of rebirth and rejuvenation. Yatagarasu as a crow-god is a symbol specifically of guidance...

New Arrival

Antique Japanese shikishi panel with beautiful calligraphy by famous poet Otagaki Rengetsu (1791-1875). The poem translates into this:
歸鴈
かりの世を 思いつらねて 詠むれば 天のはらはら ちる涙かな

RETURNING GEESE
Watching returning geese as I write, my thoughts,
in this changi...

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.

Scroll painting depicting a humorous Daikoku, God of Wealth and kitchen, brings prosperity to the household. He is holding a mallet and a sack and standing on a huge daikon / radish. Painted in Zen style, ink on paper. Inscribed and dated: Taisho 1924, sealed and signed. Picture size: H 87 x W 30 cm. Scroll full size: H 175 x 39 cm. Condition: fair, a few stains. Recent mounting.

A Japanese palace scene painted by an unknown painter of the Tosa School, circa 17th century.

The Tosa School was founded in the Muromachi Period of the 15th century, and its painting was devoted to the aristocracy and its lifestyle.

Painted in pigments including silver leaf and black lacquer on paper. The fan is mounted on a paper backing sheet.

Approximately 49 cm. maximum length. 18.2 cm. width. Generally in good condition, wrinkled corners. A few extraneous m...

A beautiful image of a massive swimming carp - a noble fish. Finely painted on silk with ink. The signature reads shikibuno sato yusen hironobu. Kano Hironobu(1778-1814) was active in the late Edo period. He inherited the hamacho kano family and became a court painter. In 1808, he granted an important title Hogen, which was given to extraordinary artist.

There are some light marks and crease present, otherwise the piece is in good condition. It is accompanied by a paulownia wood storage...

Antique Japanese hanging scroll of a tagasago married couple playfully playing with a rake by the swirling seaside. Full of Charm piece with great movement and wonderful detail. Meiji 1868-1912. It measures overall 35" by 53" image: 31" by 27".

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period. He was the younger brother of Kanō Tan'yū, who was to continue the line and become one of the foremost painters of the school. Together with Tan'yu, Naonobu completed a number of prominent commissions for the Tokugawa shogunate...

A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a fine oxidized silverized patina. It appears to have the original brocade frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.

Antique Japanese zenga calligraphy scroll with swirling wish-granting ball of flames, signed with artist's chop. Nicely colored mounting with porcelain scroll ends. Taisho period (1912-1925) Size: 77.5" L, 15.5" W (entire scroll) 46" L, 11.5" W (artwork only)

Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches. Both drawing fully mounted onto a thicker sheet of paper.

...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her husband in 1823, ...

Japanese scroll painting depicting a scene from the Genji Monogatari (Tale of Genji). A nobleman and a young man sit on tatame mats and look out onto a garden setting. They are surrounded by painted byobu screens and clouds of gold mist. The painting is rendered in traditional Tosa School manner with flattened over head perspective and fine lined brushwork. Painted in mineral colors, sumi ink and gold leaf flecks on paper. Edo Period. Size of scroll: 47" high x 19 1/2" wide. Size of pain...

The size of Screen: 70" Long x 24" High x 9/16" Thick, when the screen spread. Each panel 35" Long. Beautiful Japanese Byobu screen.. It is all hand painted on Japanese paper. The background where clouds area done in gold leaf works. The painting subject from Genpei Gassen. I pasted the subject below. The painting of each Samurai figures are well excuted. The screen is done from late Edo to early Meiji period, 1850-1870's. The condition of screen is excellent, there are some wear especially on t...

A beautifully hand painted two panel byobu screen depicting a young samurai being prepared for battle. Signed and sealed by artist 仙挙 Senkyo. Painting is of a servant kneels before the samurai helping to assemble the many layers of protective clothing an armor. A wise elder sees to small details making sure each layer is properly fitted and correctly worn. Matsumoto Senkyo, an artist who lived from 1880 to 1932 Senkyo was born in Nakasuji-mura, a village in what is now part of Seiyo ci...

A fine 18th Century Kano school painting depicted peony flowers. Behind the scene is a stream. It is painted with pigments of green (rokusho), which has been richly used. The combination of red and white flower symbolizes good fortune. This subject was painted in life size and a very good example of Kano school peony painting.

It is in good condition with patina. A highly decorative piece.

Painting: 20 7/8” x 43” (53.0cm x 109.0cm)
Scroll: 26” x 76 1/2” (66.0cm x 194.0cm)...

Antique Japanese two-panel Byobu folding screen painting of a pair of Pheasants (male and female) and their chick. The male stands on a craggily rock with blooming Peonies nearby and Weeping trees in the background.

The Pheasant is a messenger of the Sun Goddess Amaterasu and represents power, abundance, promise, and duty to the family while the family itself represents marital bliss. The Peony symbolizes happiness, wealth and beauty while the old jagged rock and the old truck of the Pe...

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed.

Kano Seisen-in(1796-1846) was a Japanese artist, born as the eldest son of Kano Eishin (Kano Isenin), he studied painting techniques under his father, and since copying the “Honen Shonin Eden”(The illustrated biography of priest Hōnen) for the first time in 1809 at the age of 13, he has been involved in ancient paintings such as Chinese paintings, Kano school paintings, and Yamato-e...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile. Her love goes unrequited, and she sorrowfully steps back into ...

Pair of folding screens with painted decoration on paper. The screens are made up of six leaves representing figures in a landscape decorated with pine trees and enhanced with gold leaf. On each of them is a cherry tree in bloom, indicating that the scene takes place in early spring.
On the first screen, several groups of figures, each holding a bunch of flowers in their hands, play and talk. On the fourth sheet, two young women sit and appear to be receiving flowers from a kneeling man's...

A quintessential image of a tiny bean-shaped figure lost in thought, perhaps staring out to sea on a sunny hillock before cascading water in lush Spring-green washes by Shirakura Niho enclosed in the original signed wooden box titled Enpokihan (Distant Sails Returning). Ink & Light color on Silk in fresh green extended with beige featuring bone rollers. It is 64 x 143.5 cm (25 x 56-1/2 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1...

Ink and pigments on paper with gilding, ca. early 1600s

Originally mounted as a fan and later remounted on a fusuma sliding door or folding screen. Probably produced in a Kyoto fan workshop by one of a number of Nara ehon picture book painters that migrated to Kyoto from Nara.

Condition is good considering age and original use as a fan, some surface wear to pigments, slight smudging, losses to gilding, light creases and wrinkles, old backing from door or screen mounting remains

Antique Japanese 6-panel byobu (folding screen painting) depicting 6 hawks. Each hunting bird is tethered to pole with a silk cord. Every feather is painted in detail. Mineral colors on paper with gold leaf and silk borders. Each panel is signed by the artist: 常建筆 Painted by Tsunetatsu.

Age: Meiji Period (1868-1912)

Dimensions: 67" high x 145 1/2" long

A samurai and his retainer helping his load to dress in armor. Painted with ink and pigments on silk. During Warring States period (sengoku period), samurai had a specialist retainer who can put armors on them before going to a war. The specialist stylists were familiar with armor and well aware of the order of dressing up so that samurai did not waste their time to join the war. Signed Hogan Eishin and sealed. Kano Yasunobu (Eishin) (1613-1685) was a brother of Kano Tan'yu (1602-1674) and K...