A skeleton sits among the dried grasses, alone and forgotten, perhaps reflecting on his life in this earie painting by Buddhist priest Higuchi Ryuon dated Meiji 6 (1873). Ink on paper, it is 41.5 x 179.5 cm (16-1/4 x 70-1/2 inches) and is in fine condition; completely remounted in a border of two subtle shades of black with colorful piping and features black lacquered rollers with mother of pearl flakes. It comes in a kiri-wood box...

A Dojin licking Dango-treats dances in erratic dashes of soft wet lines and swift dark strokes of flying white on this vertical presentation by Edo period eccentric Doi Goga. Ink on paper it is 43 x 184.5 cm (17 x 72-1/2 inches) and has been completely remounted in dark silk with bone rollers. The creature clutches the raku-in stamp in his upper hand, the other stamps seem to follow his feet like footsteps. It comes enclosed in an age darkened wooden box...

Byobu 屏風, folding screen, with six wooden panels covered with hand-painted paper with gold leaf and fine silk applications. The main scene shows a pair of black carts with vases and a selection of flowers, such as wisteria, iris, peony and chrysanthemum, with distinct colors in various shades. Period: Meiji end of 19th century. Dimensions: 118 x 364 x 2 cm. State of conservation: Excellent condition - There is slight wear compatible with time.

A ghost rises from the darkness pulling on her hair, a wry grin as she looks sideways at the viewer on this antique painting by Moriwaki Unkei. Ink on paper completely cleaned and remounted in vine patterned blue silk with dark wood rollers. There are old age stains on the paper, which appear much stronger in the photos than in life. It is 40 x 200 cm (15-3/4 x 78-3/4 inches) and in excellent condition...

Long verses fall like rain upon the sinister figure of an Oni (type of devil) dressed in the habit of a priest who glares as he walks through the village, banging out a warning to all evil-doers. Around his neck hangs a bell which he clangs loudly with the hammer held high in one hand. The stern figure carries in the other hand a booklet titled Hogacho...

A deliciously horrifying painting of a ghost rising from the empty field dating from the 19th century completely remounted and ready to go for another century of leering from the shadows. Ink on paper with highlights of gofun and red pigment separated from a field of blue by a single narrow strand of red and gold Kinran silk terminating in dark wood rollers. The artist has sealed the panting with two crimson chops in the lower corner...

Love lasts beyond the grave, here a skeleton walks, her pate decorated with flowers and a bundle of daisies in her hand as she strolls grinning under the shade of a dilapidated umbrella held by an attendant, a poignant painting signed Shoken dating from the Taisho period (1922). The four character verse above is taken from the Lotus sutra (Hanya-Shingyo) and reads shikisokuzeku, meaning (loosely) all color is void, the void is all color...

Pair of 6-panel screens; ink, colors, gofun (crushed calcified crustacean shell) and gold on paper framed by a double silk brocade border. The screen on the right represents numerous geese (14), some flying down in front of a black moon, others in search of food or resting among the grass at the edge of a body of water with a background of a mountain. The left screen depicts egrets (7), three of which are perched on the trunk of a majestic weeping willow, covered in a white pigment represent...

A sparse image of tiny boats, sails stretched with wind floating out off the coast by Shirakura Niho enclosed in the original signed wooden box titled Enko Hobari (Sails Stretched in the Distant Harbor). Pigment on silk bordered in patterned cloth extended in beige. The scroll is 65.5 x 132.5 cm (25-3/4 x 52 inches). There is some toning to the silk typical of age, but is in overall fine condition...

A peaceful cluster of homes blanketed in snow by Shirakura Niho enclosed in the original signed wooden box titled Kamo Sekkei (Kamo in Snow). This is likely an image from very close to the artists heart, he lived west of the Kamo River in Kyoto, and one can imagine this being one of the bridges spanning that river he has seen out on a winter day. Ink,Gofun & Light color on Silk bordered in light colored cloth...

This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English...

A work so compositionally striking we chose it for the cover of the exhibition catalog by Shirakura Niho titled Baika Shoin Zu (The Plum Blossom Retreat). Pigment on silk in a silk border enclosed in the original signed wooden box. It is 55.5 x 127.5㎝ (21-3/4 x 50 inches) and is in excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata...

The ultimate in tranquility, a sage aloft his peak gazing out at the fresh green landscape, one can hear the rush of the falls in the distance, and occasional birdsong on the spring breeze...

A tiny figure sails on the placid lake depicted among exaggerated precipices of this early landscape by Shirakura Niho enclosed in the original signed wooden box titled Shunpu Taito. Ink & Light color on Silk, it is 59 x 130 cm (23-1/4 x 51 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1974) was born the first son of lawyer and scholar Shirakura Shigeichi in Shibata city, Niigata. His father was a noted Kangakusha, the pre-modern Ja...

A quintessential image of a tiny bean-shaped figure lost in thought, perhaps staring out to sea on a sunny hillock before cascading water in lush Spring-green washes by Shirakura Niho enclosed in the original signed wooden box titled Enpokihan (Distant Sails Returning). Ink & Light color on Silk in fresh green extended with beige featuring bone rollers. It is 64 x 143.5 cm (25 x 56-1/2 inches) and is in overall excellent condition.
Shirakura Kinichiro (Kinro, Niho or Jiho, Kanyu, 1896-1...

A river runs past deeply forested hills populated by rooftops in this naïve ink painting reflecting the charm of rural Japan by Shirakura Niho. Ink on paper mounted in a green cloth border extended with beige featuring Shunkei nuri lacquered wooden rollers which would instantly call to mind the mountain village of Takayama, home of the Shunkei style. It is 52.5 x 116.5 cm (20-1/2 x 46 inches) and comes in the original signed wooden box titled Satoyama Fukei (Mountain Village Scenery).
...

This is a fabulous painting dated 1930 by Shirakura Niho enclosed in the original signed wooden box titled Ko-Ten-Bo-Setsu (Twilight Snow in the Bay). Viewing it one can hear the silence, the soft pattering of snow and the flap of wings as geese take flight in the distance. Shirakura Niho was from Niigata prefecture, so was a man who not only knew snow well, but was well known for his snowy landscapes. The scene is performed in ink and light color with white gofun on silk in a patterned cloth b...

A masterpiece painting by Shirakura Niho showing every aspect of his pre-war fame, lurid washes of color, wispy figures, a dreamlike allure, and hints at continental scenery. Here the foreground is dominated by a thatched hut, beyond which we see a single hazy figure twisting up in a narrow doorway beside twisting trees all like smoke rising to the sky. It is performed with ink and pigment on silk bordered in brass colored satin with rosewood rollers. It is 49.5 x 200 cm (19-1/2 x 79 inches) an...

The sage gazes out from his hermitage clinging to the hillside upon a sparse scene of falling water and precipitous climbing peaks dominating this painting by Shirakura Niho dating from the prime of his career. Ink and light color on silk mounted in blue cloth with thin piping terminating in white ceramic rollers. It is 40.5 x 187.5 (16 x 74 inches) and is in excellent condition; enclosed in a modern wooden storage box. A published version of the Niho Catalog will accompany the work.
Shi...

Luxurious 19th Century Meiji Period Japanese Dragon Painting on Gold Silk Scroll. A grand six-feet-tall painting of ink and colors on paper. In Japan, the dragon is a benefactor and protector. The dragon in this painting is exploding with protective power and the energy of good fortune. Scroll: 70 x 26 inches (178 x 66 cm), Painting: 55 x 21 inches (140 x 53 cm).

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

Antique Japanese 4-panel small screen painting of landscape. Mountain landscape with rocky outcroppings, huts and trees on the edge of a wide expanse of water. A group of scholars contemplate a water fall. More figures sit outside waterside huts. A lone figure fishes from a boat. Painted in ink and light colors on paper. Signed Unkoku Toeki (1591-1644).
Unkoku Toeki was the second son of Unkoku Tōgan. (1547–1618), heir to the artistic legacy and patrons of Sesshû Tōyō (1420–15...

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

Balmy autumn day. Three men enjoy drinking on the boat under the autumn moon light. Painted with ink and light pigments on silk. Signed Shoko, the artist name of Tanomura Chokunyu, and sealed. It is dated on 1838. It is attributed to Tanomura Chokunyu(1814-1907).

Tanomura Chokunyu (1814-1907) was a Japanese nanga(literati) artist. He learnt painting under Tanomura Chikuden, and for his rare talent, he was later adapted as a son. He became a leading figure in the improvement of Nanga art ci...

Antique Japanese Buddhist Painting depicted Amida Descent of Amida and Twenty-Five Attendants. They each have musical instruments in their hands and fly down while playing music. Finely painted with ink, pigments, and gold on silk. Circa late 19th C.

Some light crease and insignificant light marks are present on the painting itself, and some insignificant light crease, traces of restoration of insect damage, and other light aged damage are present on the scroll mounting due to its great ag...

Flowers. Painted with ink and pigments on paper. Signed Baiitsu and sealed. It is attributed to Yamamoto Baiitsu(1783-1856). Circa 19th c.

Yamamoto Baiitsu(1783-1856) was a Japanese Nanga/literati style painter of the late Edo period (1603-1868). Studied painting with famous painter Cho Gessho（1772-1832）. Baiitsu was excellent at painting flowers and birds. In his later years, he remained as the official painter of the Nagoya clan.

Some light marks and light crease are present on...

Antique Buddhist painting depicts thirteen Bodhisattva and Wisdom Kings. Signed and sealed. Painted with ink and pigments on silk.

Some insignificant light marks, light crease, foxing and tiny insect damages are present on the painting itself, some light marks and light crease are present on the mounting itself, otherwise the piece is in fine condition for the age. It is accompanied by a paulownia wood storage box.

Painting: W10 7/8” x H25 5/8” (W27.5cm x H65cm)
Scroll: W16�...

An antique Japanese 2-panel screen painting of Irises from the Rimpa school in the style of Ogata Korin. Clusters of purple blooms float gently across the panels. Painted in mineral colors over gold leaf.

Age: Taisho (1912-1926)

Dimensions: 54 1/2" Wide by 53 1/2" High

Inkwash painting depicts a long tailed fowl rests in the plum blossom tree. Painted with ink on silk. Signed Tanyu and sealed. It is a great antique piece of Kano school Paintings.

The Kano school is a group of painters who produced fusuma (sliding doors) and wall paintings as official painters for the shogunate at their castles and houses. It reigned at the center of the art world for about 400 years from the Muromachi(1338-1573) to the Edo period(1603-1868). Many of the works of the Kano...

A literati and Butterflies. Painted with ink and pigments on silk. Signed Shunto and sealed.

Some light marks and foxing are present on the painting itself, otherwise the painting is in good condition with the age. Some light crease, marks, damage are present on the scroll mounting.

Painting: W16 1/8” x H43 1/4”(41cm x H110cm)
Scroll: W20 7/8” x H77 1/8”(W53cmx H196cm)

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Landscape with tiger, cow, goat which are related to zodiac animals. Painted with ink and pigments on paper. Sealed. Circa 19th C. Framed with no glass.

Some insignificant light marks and foxing are present on the painting itself, otherwise the painting is in very good condition with the age. The frame is in very good condition.

Painting: W17 3/8” x H41”(44cm x H104cm)
Frame: W25 5/8” x H52 1/2”(W65cmx H133.5cm)

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The two-tiered round mochi(round rice cake) called "Kagami-mochi",Ise lobster, bitter orange and green leaves. Painted with ink and pigments on paper. Sealed. The piece has been restored and remounted with beautiful old silk fabric, and futai tassels have been also reused from the old piece. It is inscribed Motonobu on the lid of the storage box.

The subject depicted is an offering made to welcome the New Year's god "Toshigami", and all of the decorations have a meaning. The round tiered ...

Kakemono (kakejiku), black ink (sumi-e) scroll painting on paper of a bamboo whose top is lost in the clouds evanescently. The power of the line, as traced by a single brushstroke, gives a strength synonymous with permanence in the face of the vagaries of time. Bamboo, a symbol of prosperity, is one of thte three auspicious plants, pine-bamboo-plum (shochikubai). Height approximately 2meter.

Bijin-ga Ukiyoe Painted with ink and pigments on paper. Signed and sealed. Circa early 19th c., or older.

It depicts a beautiful woman wearing a gorgeous kimono with patterns of musical instruments such as drums and shibori drawn on it. This work depicts a courtesan in the early 18th century, with her luxurious kimono, tortoiseshell comb, long hairstyle hanging down her back, and the way she ties her obi. In her hand, a hat called eboshi, which was used in Noh theater, and a fan were pa...

A large antique painting depicted inkwash landscape. A man is fishing in a small boat in the silence. The quiet and peaceful scene are depicted beautifully in rich ink tones. Painted with ink on silk. Signed Tsunenobu and sealed. Edo period. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elem...

Antique painting depicted a flock of crane and chrysanthemum. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. Edo period. It is attributed to Tosa Mitsusada.

Chrysanthemums have long been prized in China as an elixir of eternal life and longevity, and have been cultivated as medicinal plants since ancient times. It is said that it was brought to Japan from China during the Nara period (8th C.). It seems that various varieties of chrysanthemums wer...

Antique Japanese small two-panel screen painting of Kiyomizu-dera temple. The scene shows the famous main hall platform that stands high above the trees on a cliff overlooking Kyoto. Kiyomizu-dera temple was founded in 778 and is now a World Heritage Site. This painting also shows the surrounding area with it's many smaller buildings, stone walls and elaborate gates. Painted in sumi ink and mineral colors on paper.

Age: Meiji Period (1868-1912)

Dimensions: 16" high x 30 1...

SUCH A BOARD

Like a two-sided abstract painting with such unidentified Kanji characters or symbols drawn unintentionally in Indian ink, based on wooden board covered with old used paper coated in ‘kakishibu’ (persimmon tannin). Early 20th century, Japan. 26 x 48 x 1 cm (10.23 x 18.89 x 0.39in). Actually broken with inner cracks at some parts so that unstable when touch, but functionally supported with its coating paper and also no obstruction for appreciatio...

A long horizontal handscroll with ten individual hand-painted shunga scenes, of couples in the act of lovemaking. The focus is on the couples and their actions; there is no background. One couple uses a dildo. For as far as anyone wears a garment, those are decorated in fine details.

Signature at the end of the scroll, on the far-left side: Yamato-e Miyagawa Choshun zu. Gourd-shaped red seal: Choshun.

Very fine and detailed paintings in black ink, mineral colors and gofun (pulveriz...

Antique Kano school ink painting depicted ukiyoe landscape with a rising dragon over Mt. Fuji. Painted with ink and gold pigments on paper. Signed Tatenobu, which is the artist name of the Kano Eitoku(1815-1891). There will probably be lightning and a storm raging in the scene where it depicts a person desperately holding onto a torn umbrella as he rushes forward across a bridge that looks like it is about to overflow with river water. He never dreamed that it was the work of a dragon.. It viv...

Antique Kano school ink Landscape/suiboku sansui and fukurokuju; god of happiness, prosperity and long life that is said to originate from a Chinese hermit. Usually, he is depicted with a crane or turtle, which are symbols of longevity, and his trademark long head and white beard, but in this painting he is depicted wearing a huge traditional Chinese hand-woven bamboo hat. Painted with ink on silk. Signed Tsunenobu and sealed. It is also inscribed as it is a piece of Hogen Tsunenobu(Hogen (the ...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks. He was selected for Bunten art exhibitions.

Some light marks, light damage and foxing are present on the painting and scroll mounting.There is a little damage is present on the scroll end,otherwise the piece is...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period. Hakuen served in the Kaga Kanazawa domain of the Tokugawa shogunate. He was involved in the decoration of Nikko Toshog...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku. "Utano...

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

Auspicious painting depicted Jyuseki, Bamboo, and Reishi sacred mushroom. Painted with ink and pigments on silk. Signed Shuseki and sealed. It is dated as in 1922.

Juseki is an abbreviation for landscape stone, which means a stone that is a scaled-down version of the natural scenery, a stone that resembles a certain shape, or an abstract stone that evokes intimacy and an elegant imagination that is difficult to describe. Furthermore, in the painting, a mushroom called reishi, which has bee...

Kano school painting depicted a white heron rests on the willow tree. Painted with ink and pigments on silk. Sealed. It is inscribed the name Kano Motonobu on the side of the scroll.

The condition is reasonable due to its great age, with some marks, crease, damage are present on the painting and scroll mounting due to its great age. There are more crease than you see in the image.

Painting: W13 3/4” x H42 1/8” (W35cm x H107cm)
Scroll: W18 3/4"x H57 1/2” (W47.5cm x H146cm) ...

A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). ...

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke. He originally se...

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period. He was the younger brother of Kanō Tan'yū, who was to continue the line and become one of the foremost painters of the school. Together with Tan'yu, Naonobu completed a number of prominent commissions for the Tokugawa shogunate...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period. Jurōjin...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan.

Nagashio Setsuzan(1774-1833) was a Kyoto born painter of the late Edo period(1603-1868). He became a private painter for the Mori clan of the Tokugawa shogunate in Izumo (Shimane Prefecture), and created paintings based on the Kano school.

Some marks, severe crease, damage, foxing, fabric peeling off, and t...

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age. So...

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed.

Kano Seisen-in(1796-1846) was a Japanese artist, born as the eldest son of Kano Eishin (Kano Isenin), he studied painting techniques under his father, and since copying the “Honen Shonin Eden”(The illustrated biography of priest Hōnen) for the first time in 1809 at the age of 13, he has been involved in ancient paintings such as Chinese paintings, Kano school paintings, and Yamato-e...

Hawk. Painted with ink on paper. Sealed. Circa late 19th C.

Some light marks, insignificant light crease, traces of restoration of the damage and foxing are present on the painting, otherwise the painting is in very good condition. Some insignificant light marks are present on the mounting, otherwise the piece is in fine condition. It is accompanied by a paulownia wood storage box.

Painting: W22 7/8” x H50 3/4”(W58cm x H129cm)
Scroll: W28 1/2” x H76 3/4”(W72.5cmx H195cm...

Edo String Puppetry. Painted with ink and light pigments on paper. Signed and sealed. Circa 19th C.

The origins of Japanese string puppets date back to the early Edo period (first half of the 17th century). In the first half of the 17th century, during the reign of the third Tokugawa shogun, Iemitsu, the first generation, a man called Yuuki Magosaburo, built a string puppet theater troupe tower (*now called a theater) in a corner of Nihonbashi, Edo. ) was the beginning.

Some light m...

Bird and flower painting depicted a Japanese bush warbler rests in plum blossom tree. Painted with ink on silk. Signed and sealed.

Matsumura Keibun(1779-1843) was a Japanese painter active during the late Edo period(1603-1868). He was a leading figure in the Shijo school established by his half-brother, Matsumura Goshun (1752-1811). Keibun mastered the techniques of painting taught at Goshun’s studio at Shijo-Sakaimachi in Kyoto. He also studied the work of Maruyama Okyo (1733–1795),...

Landscape with Mt. Fuji. Painted with ink and light pigments on silk. Signed and sealed.

Kano Isen（1775-1828）was a painter of the late Edo period and the master of the early modern Kano school. He was a son and pupil of Kano Yosen'in Korenobu, whom he succeeded as seventh-generation head of the Kobikicho branch of the Edo Kano school that had been founded by Kano Naonobu (1607-50) His name was Eishin and his artist name was Genshosai. Isen mastered Yamato-e (Traditional Japanese pai...

A charming, characteristic neko tora tiger in the moon night. Painted with ink and light pigments on paper. Signed Ganku and sealed. It is attributed to Gan ku.

Ganku (1749–1839), was a leading Japanese painter of Kyoto and founder of the Kishi school of painting. He is famous for his paintings of tigers. Ganku was born in Kanazawa as Kishi Saeki, studied painting styles including those of Chinese painter Shen Nanpin (沈南蘋) and the Maruyama-Shijō school, and arrived in Kyoto aroun...

A very good and large scroll painting in ink and colours on paper, depicting the Immortal Gama Sennin (Chinese: Liuhai ) the “Toad Hermit”, with the three-legged toad. Gama Sennin is connected to good luck and wealth. Both Gama Sennin and his toad friend are depicted in a very sweet, humorous manner. It was probably part of a sliding door, later remounted as a scroll with a very beautiful, high quality brocade. The painting is from early Edo period, 17th. Size: total measurement: L 1...