The size of Tea Cup: 3 1/8" Dia x 2 1/4" High. The pair of Japanese Hakeme Tea Cups by 1st Kuze Kyuho (1874-1947). It is finely made with brownish earthen clay. It has finish of Hakeme, white brush stroke work glazing. The Tea cup is made finely finish. Each cup bear the Kyuho's round chop seal on the wide of Kodai (foot rim). Each cup has Japanese Kanji writing of "Konnichi An" which is name of Urasenke's Tea Room which was built by Sen Sotan (1578-1658)...
19th century Japanese bronze tea ceremony hibashi (long metal chopsticks for handling charcoal in hibachi brazier) with bronze working ends and handles covered in lacquered wood. These hibashi are for use in the winter time - summer ones are made entirely of metal. Finely made of bronze with high copper contents, beautiful lacquering with gold sunspots, superb patina, beautiful wear, pleasantly heavy. Length 10 inches.
19th century Japanese bronze tea ceremony hibashi (long metal chopsticks for handling charcoal in hibachi brazier) with finials in a form of heads of the Fungus of Immortality. These hibashi are for use in the summer time (winter ones have top half covered in wood). Finely made of bronze with high copper contents, beautiful casting and chiseling of the fungus, embossed areas at the working end for better handling of charcoals. Superb patina, beautiful wear, pleasantly heavy. Length 11 inches.
Late Meiji (1880s-1910s) Japanese pottery Oribe ware chaire (tea caddy for storing powdered green tea used in tea ceremony) with handle. Characteristic rich green glaze, underglaze brown painting of pine saplings, wonderful crackled glaze. Oribe ware (named after Furuta Oribe - a famous 16th century tea master) was produced in Mino and Seto kilns: it is particularly Japanese in taste and was never made for export...
Late Meiji (1900s) Japanese ceramic chawan (tea bowl) for tea ceremony decorated with what appears to be dumbbell shaped percussion instruments. Dark brown stoneware body, beautiful Satsuma type glaze with wonderful fine crackling, multicolored enamels with gold. Excellent free potting, wonderful sense of energy to the piece, great object in Japanese taste, in perfect condition. Stamped with a potter’s seal in unglazed area by the foot. Diameter 3 1/2 inches, height 3 1/2 inches.
19th century small underglaze blue and white Japanese Arita porcelain sweetmeat dish used during tea ceremony, in lozenge shape with decoration of 2 boys among bushes on the inside, and scrolling vines on the outside. Very nice potting with indented corners, wonderful thick glaze with minute bubbles, beautiful dark spots in the paste consistent with age. Very good quality freehand painting, overall in excellent condition. Length 4 1/8 inches.
1900-1920s (late Meiji - early Taisho) Japanese ceramic tea ceremony kashiki (dish for holding sweets served along with the tea) modeled in modified lozenge shape. Shino ware with stoneware body and thick glaze with a texture of small holes originated in the 16th century in Mino Province (present-day Gifu Prefecture) and has been popular ever since...
19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region. Beautiful potting with spiral line on the bottom of the bowl showing the way potter finished turning the piece. Stamped with potter’s seal on the lower body...
19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body...
"Silver" hallmarks on the bottom of the saucers. Cups have gold-plating interiors. Probably Meiji Period.
Size: Saucer: 8.5 cm diam. Cup: 5.2 cm diam.
Condition: Very good. Some oxidized wear.
Late Meiji (1890s to 1912) Japanese pottery kogo (box for incense during tea ceremony) of circular shape, its top decorated in low relief with various blooming flowers surrounded by lotus petals. Earthenware body with slight glaze and different color enamels, the inside is gilded and has residue from incense use. Stamped on the bottom with potter’s seal. Great piece in Japanese taste, in beautiful vintage condition. Diameter 2 3/8 inches, height 1 1/4 inches.
Slightly distorted shoe shaped - Kutsugata tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay during the Edo Period (1603-1868)...
Antique Japanese rare and tall ikebana basket, intricately woven of fine split bamboo. The body of the basket has a beautiful, undulating quality. The woven pattern is wildly natural on the lower portion, then switches to ordered bands closer to a wide rim. The extraordinary handle is made of twisted root wood.
Age: Meiji Period (1868-1912)
Dimensions: 20" high x 10 1/2" wide
19th century Japanese raku ceramic box for use in tea ceremony potted and painted to represent yuzu citron with leaves. Could serve as chaire (tea caddy for powdered tea) or kogo (box for incense). Wonderful hand potting, excellent depiction of fruit skin texture. Stamped with RAKU character on the body by the foot. Comes with newer kiriwood box and wrapping cloth. Very pleasant feel of age, well-used, in great condition. Diameter 3 1/4 inches, height with cover 2 5/8 inches.
19th century Japanese ceramic Shigaraki ware chawan (tea bowl) with celadon color glaze. Shigaraki is one of the six ancient kilns of Japan with long history dating back to the medieval period. Typical Shigaraki coarse clay body with large sand particles, elegant conical shape, beautiful potting with a sublime Japanese touch of a finger print of the potter with identifiable friction ridges (located on unglazed portion of the side by white spots on the left of Enlargement 1)...
Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece...
Antique Japanese tetsubin (kettle for heating water for tea) made of cast iron and decorated with a dragon in swirling clouds. The highly raised design depicts a dragon curling itself around the body of the pot. The clouds over hang in a ledge above the base. There is a large raised cartouche on the back underneath this ridge. The lid is made of bronze.
Age: Taisho Period (1912-1926)
Dimensions: 9 1/2" high including handle x 7 1/4" wide including spout
Antique Japanese Oribe ware (Oribe-yaki) mizusashi (cold water container for replenishing the water in a tea kettle) for tea ceremony. This type of Oribe is called Ao-Oribe (green Oribe) as it prominently features a rich green copper-sulfate glaze. This is applied in generous dripping swaths of color over a white crackle glaze. It is further decorated with designs from nature using deft and quick brushwork in a black glaze...
Late Meiji Japanese Bizen pottery ware chaire (tea caddy for storing powdered green tea used in tea ceremony) with slender body of rounded triangular section and narrow mouth. Wonderful potting, beautiful patina, very nice texture and play of colors to the glaze on its surface. Inscribed by the potter on the bottom. Turned bone cover lined with silver colored foil on the inside. Great piece in excellent condition. Height with cover 3 3/8 inches.
Slightly distorted cylinder shaped (tsuzu) tea bowl with straight walls, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife around the foot ring.
The bowl was partly covered with black iron oxide glaze of the non glossy type (preferable!) and then covered with a black glaze in the style of a Seto-guro bowl. On the other half it is decorated with two oxcart wheels...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...
Cast iron teapot. Very deep decoration. Nice quality of cast iron. Unusual interesting decoration, meticulous details (fineness of the dragon ties of the handle). Signed in relief on the back and under the lid. Difficult to date. Meiji or Edo ? only the translation of the signature could tell us the artist and the period. The handle inlaid with plants in silver.
Good condition.
Height without the handle: 15,5 cm with the handle 25 cm
Large cast iron teapot. Very elegant decoration of Mon and stylized flowers. Seems very old to me perhaps ealier than Edo. Datation of iron is difficult. The bottom is broken and glued with resin. It is not usable for tea anymore.
Height without the handle : 17cm
with the handle : 31 cm
19th Century Japanese Cast Iron Kettle Teapot Tetsubin with Relief Dragon
It is 8.7 inches (22.2 cm) tall handle up by 7.2 inches (18.5 cm) wide. It is 4.7 Lb.
It has oxidation, rubbing gold at the handle and painted stain and surface wears (as seen in the photos).
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Mizusashi or kensui in the shape of a Chinese boy, or karako, holding Hotei’s large bag over his shoulder, as if dragging it.
Over brownish beige very fine stoneware a layer of mottled brown glaze has been applied, over which a blue-green finely crackled flambé dripping glaze. The inside covered with brown mottled glaze, the outside bottom left unglazed.
Impressed mark in the bottom: Kato Shuntai.
Japan, 19th century.
Height: 3.25 in.; diameter: 6 in. (8.3; 15.2 cm)
Kogo, container for storing incense during the tea ceremony, in the shape of the bud of a lotus flower.
The bottom half decorated on the outside with classic lotus sepals, as used to image a Buddhist lotus dais, in relief. The top half also decorated in low relief in a much more stylized manner. The closed lotus bud, crowned by a 16-petal chrysanthemum and topped by a knob, which is probably a stylized rendering of the chrysanthemum heart.
Alternatively the shape could refer to the s...
Japanese Cast Iron Tetsubin, Tea Kettle, tea pot signed by "Ryobundo", "as is" condition, Meiji period, 1910, 8 1/2" high include handle, 7 1/4" wide include spout, signed under the Bronze top, the top knob is damaged. The surface finished with raised circles on the upper section and sandy finish.
1900's Japanese Lavender Amethyst Crystal Carved Kogo Box with Butterfly
It is 1.01 inches (2.58 cm) tall by 1.85 inches (4.7 cm) wide. The box is It is 1.9 inches (4.8 cm) tall by 1.7 inches (4.3 cm) wide by 2.4 inches (6 cm) in length. It is 34.8 gram. Total weight with box is 52.4 gram.
It has inclusion, flea bite chips and surface wears and scratches (as seen in the photos).
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Nice little teapot in satzuma earthenware. Decorated with a landscape of madarin ducks, symbol of marital happiness. Original handle in woven bamboo fibre.
Signature of the artist, I did not look for it but I can do it on request.
Perfect condition.
Width about: 11cm
Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old. The form and compositi...
One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.
Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay. The technique is also called neriage (練上げ), although this term also refers to the throwing of multipl...
This is absolutely rare:
Late Momoyama Period Wan-shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Kuro Oribe bowls this bowl was covered with a black glaze. Three windows on the side were left unglazed and were decorated with a combination of checkers and dots between parallel vertical lines - a decoration usually known from v...
A cute Kutani ware incense box and cover (Kogo) in the form of a mandarine duck (Oshidori) in typical Kutani color pallet: green, yellow, blue and black. The bottom part with Kutani stamp at the base. Enclosed in an inscribed old tomobako. L 8,5 H 5 cm.
Late Meiji to early Taisho.
Good condition.
A rare and interesting, rectangular incense burner (koro) of Seto ware covered in a wet, curry-coloured glaze running thin at places, leaving the raw core exposed. Japan, probably early Edo, c. 1650. H 6.5 cm, L 10.5 cm, W 7.5 cm. Condition: Excellent with slight wear from use.
Late Meiji (1890s to 1912) Japanese ceramic covered box imitating a shape of a drum with nails along its perimeter and with thick enamel decoration of grasses with white flowers on the top, possibly to store cosmetics or to be used in tea ceremony. Very well made stoneware body with beautiful spiral lines on the bottom showing how the piece was taken off the potter’s wheel. Main body is covered in “shark skin” enamel and design on the top is done in moriage (piled-up) technique, which is r...
A real cute, Kawai miniature Kyusu style teapot for green tea with a side handle, made in the tradition of (Otagaki) Rengetsu yaki, from Okasaki production center, Kyoto. Chamotte with a nice craquelure glaze. Size L 10 x h 4 cm. Otagaki Rengetsu (1791–1875) was a Buddhist nun, famous for her calligraphy but also for her production of ceramics for tea appreciation which she would embellish with her poems.
Meiji 1868-1912. Good condition.
KIHARA CHAWAN
Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in).
Some restorations and a crack but no leak.
selected by titcoRet
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Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...
Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.
On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes. During local festivals like in Miyazaki, he appears in traditional dengaku dances and plays the role of a clown...
An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).
Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for.
It comes...
1900's Japanese Cast Iron Gold & Silver Inlay Tetsubin with Bamboo & Bird
It is 7 inches (17.8 cm) tall measured with handle up and 4.5 inches (11.5 cm) tall measured with handle down by 6 inches (15.2 cm) wide. It is 2.5 Lb. It will hold 900 ml (cc) water.
It has rust, loss of gilding, missing a leaf of the finial, oxidation, and surface wears and scratches (as seen in the photos).
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A Japanese cast iron tetsubin or water kettle with an undulating rim. The sides are cast in relief with a temple compound amid pines in a generic landscape, the reverse with sparrows in flight, all above a key-fret band. The kettle has a typical stubby "S" spout, wrought iron overhead swing handle, and is fitted with a bronze lid having "garlic clove" knop. Incised to the interior lid "Ryubundo dzu" (Made by Ryubundo).
Dates early Meiji, measures 10.5" high including handle and 8.5" across i...
19th century Japanese Satsuma kogo (box for incense during tea ceremony), its top decorated with bamboo stems and leaves, and the sides with various flowers and leaves, and several flowers on the inside. Good potting, very nicely painted, typical Satsuma finely crackled glaze, in great condition with appropriate age and usage signs. Signed on the bottom in gold on black with 2 characters reading HARAZAN (alternative reading is Warayama). Excellent quality painting. Diameter 2 3/8 inches, height ...
Edo Period (19c) Yusai Awazu Brown Glaze Chawan formerly in the collection of Nishimura Toshimichi.
The mark Awazu is stamped at the bottom.
Yusai Awazu (1770-1848) was a government official in Inaba Province, an old province of Japan in the area that is today the eastern part of Tottori Prefecture, in the late Edo period.
He was from the house that served as Toneri (servants for imperial house and aristocrats) for generations, and was a disciple of Suehiro Unge in Hig...
An antique Japanese Kadai (natural wood display stand) used for Ikebana flower arranging as well as an accent stand to display precious objects. Made of burl Hinoki (Cypress) from near the roots of the tree trunk. A beautiful Peacock open train pattern emerges from the wood grain.
Age: Late Meiji Period (1900-1910)
Dimensions: 23 1/2" Wide by 1 1/4" High by 20" Deep
An antique Japanese Kadai (display stand for Ikebana and Tea Ceremony) made of Keyaki (Zelkova) wood. Cut from the root trunk of the tree forming a solid top with few air pockets and a multi-leg base providing natural stability. Beautiful wood grain and natural art form.
Age: Meiji Period (1868-1912)
Dimensions: 32 1/2" Wide by 6" High by 24" Deep
Skillfully crafted Shino ware Tea Bowl (Chawan) for tea ceremony made in 19 century by anonymous potter.
Shino ware is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.
Size
Height 7.8cm
Width 11.8cm
Condition
There is an old chip of glaze on the side.
Supplied with wooden box
Beautiful Edo Period (1603-1868) Iga Tea bowl
Natural ash glazed Iga Pottery is traditionally produced in former Iga Province, the birthplace of ninja, in central Japan dating back to 7th century and it generally reflects wabi-sabi aesthetics with its unique rustic appearance.
Size
8cm high;
13cm width;
Condition
There are with few cracks. Please see the photos for reference.
Supplied with old box which says Iga Chawan
Antique Japanese small ceramic teapot in the form of lotus leaves. Buff color clay with light brown glaze and glossy speckles. Leaves sculpted with naturalistic details. The spout is a folded leaf and a small round leaf functions as the thumb rest. The underside of the teapot is sculpted to match.
Age: Meiji Period (1868-1912)
Dimensions: 2 1/2" high x 3 1/2" wide x 4 1/2" long
Japanese cast Iron Tetsubin, Iron Tea pot, with Bronze Top, 5" high include top knob, 8 1/2" with handle upright position, 6 1/2" wide- widest part include spout, brown rust inside the pot, pebble sandy finish outside. The condition is good.
We are glad to present you this Edo period chawan by Japans greatest Poet Rengetsu Ōtagaki ( 1791-1875 ).
It shows a 31-syllable poem of herself and her signature tastefully carved onto the tea bowl. The poem says:
おともせず
ふるとも見えぬ
朝じめり
枝おもげ成
青柳のいと
Without a sound
rain falls, also unseen
the morning wetness
in heavily sagging
fronds of green ...
Kyushu hard porcelain teapot, kutani style arita kiln. Decor in polychrome enamels and gilding. Symbols of longevity, cranes, turtles and the famous couple of legendary old lovers, Jô and Uba. The old man holds his traditional broom in his hand.
Good condition. No catering. No wear.
Height approximately:25cm.
Perfectly shaped Shino Chawan with beautifully crackled Shino glaze and with the image of 3 Noh mai dancers.
It is extremely rare to find an antique tea bowl with a Noh mai dance motif.
This Chawan was made at the end of the 19th century. The signature of the artist is inscribed close to the foot ring.
Noh mai means „traditional movement“ and came from China to western Japan
It was heavily influenced by the elegance and sophistication of the manners often a...
Cast bronze candlestick. Finely chiseled decoration of tao tie masks and stylized cicadas in the archaic Chinese style. The cast is perfect without the slightest defect. The carving is precise without error. The object has a very elegant atypical shape. Below a mark of 6 characters must announce the name of the artist who is necessarily excellent. Very beautiful object absolutely unique. In a perfect state. Wear of multi-secular use.
Japan Edo period. Height about 25cm.
One of the very rare Buddhist Tea Bowls with a sculptural image of Bodhidharma Daruma. The incomparable Seto-yaki tea bowl was made at the end of 19th century and is in great antique condition with no cracks or repairs.
The historical Bodhidharma (known as Daruma in Japan) was an Indian sage who lived sometime in the fifth or sixth century AD. He is commonly considered the founder of Chan (Zen) Buddhism 禅, and credited with Chan's introduction to China. (Important Note: Zen is the...
A very rare, noble and artful Hirado Chawan with traces of playful glaze surrounding the bowl like icing. It dates from the Meiji Period (1868-1912) and is in great antique condition with no chips, cracks or repairs.
Since such tea bowls are very rare to find, it is a wonderful addition to any serious collection of Japanese tea ceramics.
Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality ...
Hard to find nowadays: fairly shoe shaped (kutsugata) tea bowl, made of light, coarse, unrefined Mino clay. The expertly thrown body was covered with a potter's knife in its shoulder and around the foot ring.
The brim of this bowl covered with a green copper oxide glaze and the lower part was left unglazed and decorated in iron oxide with buddhist wheel of law on two opposite sides over which finally a transparent ash glaze was applied. The wheels were additionally highlighted with...
Sukisha is the word is used to refer to a person who is an enthusiast of sado (tea ceremony) beside his or her profession, or it refers to a person who owns collectable tea utensils.
The selected pieces include Takahashi Dohachi III (1811-1879) persimmon glaze Tenmoku tea bowl, Mashimizu Zoroku II (1861-1936) Kobiki tea bowl, Hozan kiln tea bowl, Akahada Hakeme tea bowl from the early 19th century , Kohagi tea bowl from the early to mid-Edo period, and Karatsu Itome tea bowl from the ...
One of the best tea bowls I have ever seen. Wonderful Raku Chawan in the style of Donyu (Nonko III) Kichizaemon, made by greatest Raku 12th generation Kônyû Kichizaemon. Holding this masterpiece is like a universe held in the palms of your hands.
Among the various generations of the Kichizaemon family, it has always been customary to devote themselves artistically to at least one of their ancestors and produce a work of art commemorating the great work of their ancestors. And so d...
Chawan, tea bowl to be used in the tea ceremony, of distorted oval shape (kutsu or clog, or shoe-shape). Thick cream-colored stoneware that turned red during firing in the unglazed area, covered with a translucent greenish ash glaze that collected in the bottom and around the rim and is very thin around the sides. The sides are ‘rough’, giving a look into the clay.
Japan, Seto region, very early Edo period.
H 3 x W 5.5 in.
Excellent condition
Comes with a red silk po...
