Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface...

It is a rare event to discover a chawan of oldest Oribe ware. Here we proudly present a fantastic Ao Oribe chawan from the Azushi-Momoyama Period.

Little distorted half cylinder shaped (tsutsu-gata) tea bowl with flaring mouth made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with typical green copper glaze inside and outside...

Little distorted half cylinder shaped (tsutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside.

The window is decorated with three concentric squares and twigs in iron oxide glaze has then covered with a clear ash and feldspar glaze. This is a typical Momoyama design...

Little distorted half cylinder shaped (kutsugata) tea bowl - made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving 2 unglazed 'windows' on opposite sites. One 'window' is decorated with ivy or vine leaves. The other 'window' shows flying birds in iron oxide glaze which has been covered with a clear ash and feldspar glaze. This is a typical Momoyama Era design...

We kindly like to offer you a very unique tea bowl, made around 1800. Very sophisticated Karatsu Chawan, perfect in form and shape.

It presents a real wabi sabi aura with its fantastic lacquer-silver repair and its antique Japanese characters on. The 1st one seem to be Sakura (Cherry), and the 2nd probably Umi (ocean), but they are hard to read.

Size: 10 cm height x 10,5 cm in diameter.

Rough and heavy Hagi Chawan, over 100 years old (Meiji Period), with an expressive crackle glaze.

Aesthetic inborn kiln cracks make this chawan so special. No damages or repairs.

The signature chip located on the bottom (unknown potter to me) is a local tradition from the Edo period when potters would deliberately disfigure their wares in order to sell them to merchants instead of presenting them as gifts to the Môri clan...

A beautifully crafted and remarkable example of Edo period Raku pottery...

This is pure antique Edo: Wan-shaped tea bowl made of dark, iron oxide bearing, sandy Karatsu clay. The thinly thrown body is covered with the typical white, feldspatic Shino type glaze. It differs from the Mino Shino glaze by being glossier due to a higher ash content.

Under the glaze a line was applied in iron oxide resembling the skin of a whale (kawakujira). Just the foot ring and its immediate surrounding was left unglazed. The glaze has a beautiful fine crazing.

This e...

An absolutely stunning Meiji period black Oribe Tea Bowl covered in thick, ink-black glaze with a floral and abstract design.

The slightly irregular kutsu-gata form settles easily into the palm of the hand, with the built up rim resting lightly on the fingers

The Chawan has a seal and is signed by the artist. I was unable to identify him. Of course he was a great master of his craftmanship.

Size:

Pure Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its signed and sealed wooden box and made around the end of 19th century about 120-130 years ago. The inside of the wooden box lid bears an appraisal of the 14th headmaster of the Urasenke Tea School, Sekisō Sōshitsu 碩叟 宗室 (1893-1964), Mugensai無限斎.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another rem...

. H 2-3/8 x W 5-1/4 inches

Minimal traces of usage, short crack

Perfect Aka Raku Tsutsu Chawan made by the 10th generation Kichizaemon Tan-nyu and enclosed in an authentication wood box written and signed by the 12th generation master of Omotosenke, Seisei (1863-1937).

Tan-nyu (1795-1854) was firstly named as Sojiro. He was the second son of Ryōnyu, the second generation master. In 1811, at the retirement of his father-master Ryonyu, he succeeded as Kichiza’emon. In 1819, together with his father Ryonyu, he assisted Oniwa-yaki Kairakuen ...

A beautiful example of an antique Shigaraki Tsubo (storage jar) Vase displaying classic Shigaraki markings of red ochre, pale and natural ash glaze.

This eye-catching tsubo dates back to the the beginning of the 17th century, early Edo Period (1603-1868).

Standing in front of this massive tsubo with its aesthetic form, its Higaki Mon (檜垣文, cypress fence pattern), its rough natural glazes and sparkling tsuchi-aji (clay flavor), one cannot help but feel in awe of thei...

Stunning Japanese golden Tenmoku Chawan of Kyo Yaki. The brown pottery is covered with a gorgeous gold glaze and shows a wonderful crazing. It dates back to the later Meiji Period (1868-1912) and is in greatest antique condition with no chips or cracks.

Kyo-yaki is a type of Japanese pottery. It is a generic name given to pottery made in Kyoto, such as Awataguchi-yaki (Awataguchi pottery) and Omuro-yaki (Omuro pottery). Most Kyo-yaki ceramics are made with an overglaze painting tech...

Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use. The style and the very fine clay indi...

If you are looking for incomparable chawans for your collection, let me introduce you this rare piece: Toujin-bue (Chinese flute) shaped tea bowl made of fine, refined clay with a high content of iron oxide. The rim has cut in the shape of a hissen (fudearai - brush washing vessel), a shape very popular in the mid 17th century and found on shigaraki and hagi tea bowls in the Kobori Enshu style. The clay shows few impurities. Over the clay a thin, transparent ash glaze haze been poured on on...

It is 1.01 inches (2.58 cm) tall by 1.85 inches (4.7 cm) wide. The box is It is 1.9 inches (4.8 cm) tall by 1.7 inches (4.3 cm) wide by 2.4 inches (6 cm) in length. It is 34.8 gram. Total weight with box is 52.4 gram.

It has inclusion, flea bite chips and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purcha...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.

Circumventing lines and dots are scratched into the black glaze be...

Another stunning and important cultural highlight of our collection: distorted shoe shaped (kutsugata) tea bowl made of light, fine, unrefined Mino clay. Shape and style make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - applied with a brush sparing out a cross mark on one side and a kind of a window with a land scope in flying brush style (haboku) ov...

Another wonderful tea ceremony item from the late Momoyama / early Edo Period: little distorted gourd (Hyotan) shaped choshi made of little iron bearing, coarse, unrefined Mino clay.

The expertly thrown body had roughly formed spout handle and feet attached. The lower part of the body is covered with the typical green copper oxide glaze and the upper part is decorated with lines under glaze in iron oxide resembling the pattern of a feather.

This is a typical late Momoyam...

An impressive Kuro Raku Chawan made by the legendary 12th generation Kichizaemon Kônyû (1857-1932). The name of the Chawan is „Akebono“ - Sunrise.

His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku. Hi...

Elegantly shaped Ki-Seto Chawan from the Edo Period, early 19th century with a rarely seen gold rim. Precious metal rings were added when the chawan was made for the aristocracy and for the high nobility.

The beautiful and glossy glaze (guinomi-de) has a fantastic crazing. The bowl has also a decoration with vivid tanpan marks ( copper green marks ).

This Ki-Seto tea bowl is in very good condition, very unusual for a chawan of this age. Absolutely highly recommanded for ...

Perfectly shaped Shino Chawan with beautifully crackled Shino glaze and with the image of 3 Noh mai dancers.

It is extremely rare to find an antique tea bowl with a Noh mai dance motif.

This Chawan was made at the end of the 19th century. The signature of the artist is inscribed close to the foot ring.

Noh mai means „traditional movement“ and came from China to western Japan It was heavily influenced by the elegance and sophistication of the manners often a...

Sold! Impressing black Raku tea bowl of the Raku family, made and signed by the 10th Kichizaemon Tan-Nyu.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). The reverse side of the lid has an appraisal of the grand tea master of Omoto-Senke.

A stunning tea bowl made from one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeed...

This gorgeous grey Shino-Oribe Chawan was made around 1620, the late Momoyama and early Edo Period.

The cylinder shaped (hanzutsu) chawan is made of light, fine, unrefined Mino clay. Shape and style (flaring mouth) make it contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the foot ring and its immedia...

Special autumn offer:

Another beautiful chawan from our familiy collection: square cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay, with a flaring mouth in shape of a half pipe.

Shape and style make it appear contemporary with the late Oribe bowls. The expertly thrown body is covered with the typical black oniita engobe inside and outside - with the exception of the bottom - over which a white, feldspatic Shino glaze has been poured. Just the...