NOTE: Due to our holiday we can only send parcels again after our return on August 7th.
Distorted half cylinder shaped kutsugata tea bowl of light, unrefined Mino clay.
The expertly thrown body, heavily trimmed with a potters knife (hera) is covered with the typical, glossy black iron oxid glaze inside and outside. Obviously due to a lack of manganese here it is more a dark brown, which is rare to find on Oribe chawans...
Exceptional and very important Edo period chawan by legendary master potter Hirasawa Kuro (1772-1840), a famous Samurai and potter who produced tea ceremony ware for the Tokugawa clan in Nagoya. His work is rare and mostly exhibited in Japanese museums.
The bowl comes with the original silk shifuku and its antique fitted lacquered box...
What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').
Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...
A real piece of art: Shino-Oribe Tea Bowl from the early Edo Period (around 1620, early 17th century). It is a shoe shaped Kutsugata Chawan covered with a whitish Shino-Oribe glaze over an iron oxide engobe in two quarter sections, where a triangle has been scratched into the dark engobe. The other two opposite quarters show a decoration of two squares in the style of mimasu - three squares.
The roughly cut foot ring and its surrounding show the typical little refined Mino clay...
Very interesting antique Aka Raku Bajyohai Tea Bowl, made with a rare long foot. Bowls like this are called 馬上杯, Bajyohai: Rider's Cup. Its form makes them convenient for the ancient horse-riders to drink tea from.
Our Tea Bowl was made in the early stage of the last century during the Japanese Meiji Period (1868-1912).
No chips or cracks.
Size: 12,5 cm height x 11,5 cm in diameter.
Shipping includedIt is commonly said that beauty is in the eye of the beholder, yet, in the real world, there seems to be a fair amount of congruity about what people consider beautiful, with most arguments about particular instances being about degree, not direction. This chawan is pure beauty - no matter from which angle you look at it.
Slightly distorted cylinder shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay in the early Edo Period around 1620...
We are glad to offer you a rare and stunning Kosobe-yaki Chawan with a beautiful hand painting of pines and cranes, under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Finding such a delicate Chawan in such good condition from the Edo period is exceedingly rare...
More than 100 year old Seto Chawan, slightly distorted and with two Samurai emblems. Perfect antique condition with no cracks or repairs. True wabi-sabi atmosphere.
It comes with a good wooden box.
Size: 9 cm height and 10,5 cm in diameter.
Shipping included.Black Raku Chawan with wood box, both have the sign of the 12th. Kichizaemon Konyu ( 1857-1932 ).
The lid back of the wood box bares the appraisal and of Sen Sosa XII 'Sesai' ( 1863 - 1937 ), who has been the 12th grand tea master of Omotesenke.
We offer this tea bowl by order of a German collector.
The chawan is in good condition with no repairs...
We kindly like to offer you a very unique tea bowl, made around 1800. Very sophisticated Karatsu Chawan, perfect in form and shape.
It presents a real wabi sabi aura with its fantastic lacquer-silver repair and its antique Japanese characters on. The 1st one seem to be Sakura (Cherry), and the 2nd probably Umi (ocean), but they are hard to read.
Size: 10 cm height x 10,5 cm in diameter.
Shipping includedThis is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.
The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone). At the rim is a repair in silver lacquer ( refer to pic number ...