Cotton cloth with katazome (stencil-resist-dye) and dyed with pigments, which is called "wa-sarasa", Japanese chintz. It was produced from late Edo to early Meiji period. This one is "Sakai-sarasa", made in Sakai in Osaka. The second half of the 19th century. In excellent condition. W:34cm, L:120cm

Cotton cloth with katazome pattern which is called "Narumi-Kongata", imitating Arimatsu-Narumi shibori pattern. It is called "Urumi-zome among craftspeople. It uses plural stencils and requires high dyeing technique. In good condition but has two mending patches for the cut which used to be the neck part and in one side of selvedges. The Meiji period (1868 to 1912). W:33cm, L:180cm

Cotton futonji with katazome (stencil-resist dye), which is remade from yogi (one kind of futon in the shape of kimono). It is made of hand spun cotton and dyed with vegetable indigo. The reddish-brown color is bengara (iron oxide red pigment). 19th century. In good condition except for three mending patches. one snag and some small holes. W:153cm, L:165cm

Cotton cloth with "Kikai-suji shibori", Machine-pleated Stripes and vegetable indigo dye. Kikai-suji shibori was developed in 1910s and it was very popular then. Vegetable indigo dye. In excellent condition. 1910s to 1930 W:30cm, L:144cm

Two long bags made of hand spun cotton, probably bags for swords. The top one is katazome "tsuta", ivy motif. The purple belt is made of silk crepe. The bottom one is katazome and vegetable indigo dye. Both are in excellent condition. 19th century. Top:12cm x 75cm, Bottom:16cm x 78cm

A bag made of hand spun cotton and vegetable indigo dye. It has a family crest, "Maru-ni-Yotsumebishi". It has lining made of also hand spun cotton and vegetable indigo dye. The cord is hemp. In good condition but has some holes. The latter half of the 19th century. W:30.5cm, L:48cm

This is the indigo-dyed cotton Tsutsugaki Nobori flag dedicated to the Inari Shrine during the Edo period. Among the characters of tsutsugaki, it is an item written with very high technology. This is an indigo-dyed cotton fabric with a very nice texture that was made in 1825 during the Edo period　bunsei 8 years. Hand-spun natural indigo-dyed cotton...

Festival costumes for children made and used in the Kanto region. Since this item was used in the summer, men-chijimi is used. This material was the highest quality item for children in the late Edo period. The finest materials are used by skilled craftsmen to draw the finest lines, which are extremely sharp and delicate. The blurring technique gives the hawk movement and makes it dynamic. The cotton material is hand-spun men-chijimi. There are some small stains, but they are not noticeable...

Futonji with tsutsugaki (glue resist dye by free hand) made of hand spun cotton. It has traditional "Karajishi-Botan", imaginary lion and peony motif. The green ground cloth is dyed with vegetable indigo and natural yellow, the painting is colored with pigments. It is remade to futonji from originally yogi, which is a futon in the shape of kimono. The tsutsugaki technique is excellent and in excellent condition. Meiji period (1868~1912).

Girl's kimono made of hamp, made in Ohmi region in Shiga prefecture, and it is called Ohmi-jofu. It has kasuri pattern, whose motifs are phoenix, cloud and flower. Warps are machine-spun and wefts are hand-plied. Red cloth inside is silk. Meiji period (1868~1912) In excellent condition. W:97cm, L:107cm

This is an indigo-dyed Shibori cotton kimono made by Arimatu Narumi during the Taisho period. Shibori is squeezed by hand, so the Shibori pattern changes little by little. You can enjoy the interesting changes in the handiwork of folk craftsmen. There are a couple of slight stains, but they are not noticeable. condition is good. Length 147cm x Width 128cm Box.G

Young woman's katabira (unlined kimono made of asa, hemp or ramie) with long sleeves. It is made of Echigo-chijimi, which was woven in Echigo region, now Niigata prefecture. It is handwoven of choma (ramie) whose wefts and warps are hand-plied, and the surface has light shrinkage from twisted warps and wefts. It has hand-painted flower motifs. The lining of collar cloth is thin silk, probably dyed with benibana (safflower). In excellent condition, no hole or no stain. 19th century...

This is a kagura costume made in the Tohoku region during the Meiji period. Kagura is a dance dedicated to the gods. Several types of pigments are used to paint this item. They are gold, green, bengara-red, yellow, white, brown and black. After first being dyed in beautiful indigo by Tsutsugaki, the painting is then painted freehand using pigments. There are no stains or scratches. It is in good condition. Size: Height 97cm x Width 160cm Accessory belt 145cm

Tall Eboshi-shaped fire hood for a samurai, made of hand-spun cotton, both outside and inside, and dyed with vegetable indigo. In Edo period, the town of Edo often suffered from massive fires, so that "machi hikeshi" by town people as well as "samurai hikeshi" were organized. This hood was worn by a samurai together with samurai fire costume when the fire broke out. In good condition except for slight dirt in the top part. The piping is silk. 19th century. W:53cm, L:69cm

Hemp furoshiki (wrapping cloth) made of hemp whose warps and wefts are hand-plied. It is dyed with vegetable indigo. It has many original mending patches, holes and worn out. The second half of the 19th century. W:105cm, L:112cm

Japanese antique silk fukusa tsuzure nishijin textile.This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa with a design of a parent and child crane. Also recommended for antique collections. There are some stains. However, it is not noticeable. There is no major damage and it is in very good condition. Size: 72m (28.3 inches) / 64cm (25.1 inches)

This is a beautiful fukusa from the Meiji era. This is a high quality silk fukusa designed by Fukurokuju (one of the Seven Gods of Fortune). Fukurokuju is said to govern happiness, status, wealth (being blessed with money), and longevity. This is a fukusa that can be easily displayed on the wall. Also recommended for antique collections. There are some slight stains. However, it is not noticeable. There is no major damage and it is in very good condition...

This is Patchwork silk yosegire child kimono textile in Edo period(1800-1867).This yosegire kimono is a patchwork of natural safflower dyed shibori, shikon dyed katazome, and indigo dyed kaiki-silk.All are originals from the Edo period. The lining is red silk, and the stains on the outer material are due to the red silk. There are slight stains and damage. Recommended for collection. Size: Length 110cm (43.3") / Sleeve to Sleeve: 104cm (40.9")

A piece of hand-spun cotton cloth with chrysanthemum pattern, whose ground cloth in green is dyed with vegetable indigo and vegetable yellow, but the dye of the reddish-brown mum pattern is not clear. In excellent condition. 19th century. W:32.5cm, L:130cm

This is a japanese antique Very nice handspun & natural indigo dye thick cotton katazome kimono. There are a few small holes. There is a light stain on the lining fabric. They are not disturbing, and as a whole it is in very good condition. The sleeve part is a silk shibori. Size:Length:124cm (48.8inch) / Cuff to cuff, across the back: 120cm (47.2inch)

This is a Japanese antique indigo dye cotton Excellent Boro noragi of patched and sashiko stitch Meiji (1868-1912). It was repaired many times, and the boro rag that were used became wonderful folk art by themselves. The patchwork & sashiko stitch of the indigo dye cotton for the repaired is very beautiful. This noragi can enjoy both sides. size: Length:85cm (33.4inch) sleeve to sleeve :87cm (34.2inch)

Fireman's hat from the Edo period. The outer fabric is dyed with vegetable indigo and has sashiko stitching. A dragon holding a jewel is hand-painted on the cotton lining. There are some small stains and holes, but nothing noticeable. Condition is good.Size:: Length: 62cm, hem width 85cm

Cotton futonji with tsutsugaki tsuzumi (hand drums) and cherry blossom design, which is made of hand-spun cotton and vegetable indigo dye. The cherry blossoms look "shidare-sakura", weeping cherry. Meiji period (1868~1912). In excellent condition, no hole or no stain. W:130cm, L:144cm

This is a Japanese antique big boro fabric of natural indigo dye stripes cotton patched boro Material fabric . It has become a boro work of art and is very beautiful. Although it is large in size, it is not heavy. Size::Length::217cm (85.4inch) Width:: 117cm ( 46inch)

This is an original Japanese antique silk children's kimono from the Meiji period (1868-1911). It has a lovely bamboo leaf design. There are no noticeable stains. It is in good condition. At that time, children wore cotton kimonos as their everyday clothes. A luxurious silk kimono that could only be worn on special occasions. Size: Length: 73cm (28.7 inches) / Cuff to cuff, entire back: 65cm (25.5 inches)

It is japanese antique silk child kimono of the original of the meiji era.(1868-1911)It has a charming design of cherry blossoms, chrysanthemums and bamboo. There are a few small stains and discolorations, but overall good condition. Children at this time wore cotton kimonos as their everyday clothes. This luxurious silk kimono was worn only on special occasions.Size: Length: 92cm (36，2 inches) / From cuffs to cuffs, entire back:80cm (31.4 inches)

The woven silk panel is decorated in the typical Kyoto style of the early Edo period. Sewn on a cotton base. Colored silk threads, and silk threads covered with rolled gold ribbon. The whole is made up of three strips with identical silk decorations sewn together, their width must correspond to the maximum width imposed by the looms of the time? Good condition, which is exceptional as well as the dimensions, 171x165cm. Mark painted in black ink.

This is a japanese Antique Tsutsugaki textile Hikeshi Sashiko cotton Long Coat.This item rare design and has been carefully preserved in this condition since the Edo period .It is a super long size with a length of 130cm. The subject of the painting is a plover flying through the waves. This pattern is often drawn on the noren curtains in Shonai. This is a popular design as a firefighter's jacket...

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm

A Hikeshi-Banten Fireman Jacket decorated with protective images of waves and birds outside in various dyed colors and sashiko stitching, the inside emblazoned with a dragon and tiger; symbols respectively of wisdom and protection (the dragon is a water god) and ferocity and bravery as the tiger knows no fear. The handmade coats were fashioned from several layers of highly absorbent quilted cotton fabric...

Boro small rug or a part of it which is made of almost countless fragments of vegetable indigo dye cotton. In cold districts, such as Tohoku and along the Japan Sea area, cultivation of cotton was difficult and cotton cloth was precious in old days, so that people bought fragments of cotton and made them to noragi, futonji, rugs and so on. This one has 7 to 8 layers of cloth. The late 19th to early 20th century. 91cm x 96cm. 1550gm

Antique Japanese fireman's hood. Made of layers of indigo cotton sashiko and decorated on the inside with a scene of a tiger and lightening storm.
Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi). Their primary goal in containing a fire was to tear down the surrounding buildings so the fire had no more fuel...

Maekake, apron made of Ohmi jofu, which is asa (hemp) with kasuri pattern. Weft kasuri yarns are board-clamp dye, so that both selvedges have bar-code like white lines. All hand-sewn and in excellent condition. It has red cotton belts. Late 19th to early 20th century. W:49cm, L:73cm

Noren, a shop curtain made of hemp (taima) whose wefts and warps are hand plied and dyed with kakishibu (persimmon tannin). It has the shop logo "Tawara (俵）”with sumi. All hand sewn. In good condition but has some stains and a hole (1cm x 0.5cm) and mending stitches. The second half of the 19th to early 20th century. W:125cm, L:147cm

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding...

Girl's hanten worn at the festival or ceremony with the girl's name "Kimiko" in front. Itis made of hand-spun cotton and cotton lining with katazome (stencil-resist-dye) crane motif. In excellent condition except for two tiny holes in front. Late 19th to early 20th century. W:73cm, L:53cm

Two pairs of fireman's gloves made of cotton and hand-stitched sashiko. Long ones are used but in good condition. Short one look almost new. The second half of the 19th century. Long gloves L:40cm, W:17cm. Short gloves L:24cm, W:14cm

A 19th Century embroidered tabako-ire with a dragon amidst water, the kanamono of silvered metal in shape of a dragon, and the kagamibuta with a dragon in silvered metal and an imitation ivory bowl.

A 19th Century embroidered tabako-ire with a flower pattern. The kagamibuta is carved with a figure.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Maiwai is a kimono having been given to fishermen from a fish boat owner on the occasion of the large catch. It is seen along the Pacific Ocean, from Aomori to Izu Peninsula in Shizuoka prefecture...

"Sorihiki-happi"from Yusa in Yamagata prefecture which was worn for sleigh pulling. It has cloth with sashiko for reinforcement diagonally, from shoulder to one side of the body, and also both sides. It was worn when sorihiki pull down a sleigh with firewood from the mountain to the foot of the mountain. Yusa sashiko is one of Shonai sashiko in Yamagata prefecture. This happi has fine horizontal as well as vertical sashiko on whole ground cloth. In good condition except for a few breaks on the s...

This is a japanese antique 1920-1940 cotton Buddhist Shugensha hanten coat worn by Shugen practitioners who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains , but is in very good condition. Size::Length :80 cm (31.4 inch) / Sleeve to sleeve :130cm (51.1 inch) / Back width :65cm (25.5inch)

This is tsutsugaki textile from the Edo period. A design of lions and peonies in the midst of silent falling snow. It's not flashy, but it looks like a fusuma painting from the Edo period. Both the indigo dye and the cotton are from the Edo period, and they have a very nice texture. There is one slight repair mark on the upper left corner. There are some light stains, but overall the item is in very good condition.Size:Length:170cm (66.9inch)inch / Width:150cm(59inch)

A sample book of wa-sarasa (Japanese sarasa) with 106 fragments on 43 sheets of paper board, mostly made in Meiji period (1869～1912) and some from early Taisho period (1910s). Originally it has 45 sheets, but 2 (3rd and 20th) are lost. The dye techniques are katazome (stencil-resist-dye) and print. The book is published by Kyoto Shoin in Showa 42 (1967). The 4th among limited 60 issues. 27cm x 35cm x 5cm.

This is a rare and tattered tunobukuro bag textile made from old hemp and rags from the Meiji period (1868-1911). This is the bag you put the sweetfish in after you catch them. It's been used a lot, so it's a little soft. It has been washed, so there is no smell. You can enjoy both sides. Size: Length: 140cm (55.1"), Width: 30cm (11.8").

HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 96 x 7-26 cm (37.79 x 2.75-10.23in). Creases, slight discoloration, and mending due to aging as is. Shipped as folded.


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HAGIRE

As a waste part cut off from thin make Japanese cotton cloth with the design resist-dyed, early 20th century, approx. 90 x 29 cm (35.43 x 11.41in). Creases, slight discoloration, and mending due to aging as is. Shipped as folded.


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* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be as...

It is a Japanese antique komebukuro bag. It is a komebukuro bag sewn together with indigo dye Omi Kasuri jyoufu and European chintz. It does not stain and has two small holes. There is damage on the bottom.The inside has light stains from aging. 　　 size:: Length 22cm / 8.66inch Width 42cm / 16.5cm

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

This is antique old nature hemp and boro rag tatterd sahiko Stitch textile rare of the meiji era(1868-1911). It is very beautiful Slightly stiff boro textile. It can enjoy both sides. size:length 46cm (18.1inch) 　width:46cm (18.1inch)

Han-gappa which is a kind of jacket worn over kimono. Wefts are silk yarn and warps look cotton yarn. The collar is made of black wool which might be imported, and straps are made of wool cloth and vegetable indigo dye silk cords. In good condition except for a few moth holes in the wool collar and a rip in the shoulder. The second half of the 19th century. 129cm x 98cm

Large bag made of vegetable indigo dye hemp which looks recycled from hemp mosquito net, whose warps and wefts are hand-plied. The second half of the 20th century. 63cm x 88cm

Dochugi made of kudzu fiber for wefts and cotton yarn for warps. Dochugi is a kind of haori worn over kimono and kudzu-fu one is worn in summer. Kudzufu has been produced mainly in Kakegawa in Shizuoka prefecture since 13th century. It was used for hakama (pants), kamishimo and dochugi. The collar and one of straps of this dochugi are replaced. straps have damages and several pin holes in the back and a cut (3cm) in front. It has a slit for a sword in the left side. In good condition for the age...

This is a japanese antique indigo dye cotto tsutsugaki futon cover.It is a design of plovers, waves and family crests.Hand-spun, natural indigo-dyed cotton that is thick and has a very nice texture.There is a very light stain, but it is not noticeable. It is in very good condition with no damage. Size::length:162㎝　/ Width129cm

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. This kogin is called "Nishi-Kogin" which has stripes in shoulders. It is for enforcement of shoulders for a charcoal maker who brings a burden. Kogin is a kind of sashiko and its yarn is white cotton, making the hemp kimono warmer with thick sashiko in the colder district. It has several different kinds of kogin pattern. In excellent c...

Rice bag made of fragments of hand-spun cotton with stripes, katazome (stencil-resist-dye) and checks, all vegetable indigo and brown dye. The cord is cotton. Kome-bukuro was used when people dedicated rice to temples or shrines. In excellent condition except for several mending. The first half of the 20th century. W:44cm, H:33cm