Three figures with bonsai and other vendors, issued 1855

Signed Toyokuni (III) on lower left, good impression and color, lower margin trimmed into publisher’s seal, some wear and light soiling, not backed.

Oban tate-e: 9 ¾ x 14 ¼ in.

Natural Japanese burl wood stand with dramatic, long gnarling root legs and wide, flat base. Hardwood with beautiful grain.

Size: 15" L x 11" W x 6" H

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains...

Framed Japanese woodblock theater triptych, circa 1860. In good condition, it has not been examined out of frame, but the prints appear to be loosely attached. The 3 prints measure as seen, site size: 27.75 x 13.5 site, Frame measures: 32.5" x 18.25" . Please note this is shot through glass and there are some reflections, the prints do NOT have white spots or white streaks.

Japanese wooden lower stand with nice lacquered color.

Age: Japan, Showa Period, Early 20th Century
Measurement: Height 6.9 C.M. / Width 30.5 C.M. / Length 48.8 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

MINIATURE ANTHOLOGY

‘Hyakunin Isshu’ (ref. https://en.wikipedia.org/wiki/Ogura_Hyakunin_Isshu) as the classical Japanese anthological card game of 100 Japanese waka poetry by 100 poets, and this one is unusual tiny version with woodblock printing dated back to the late Edo period (though incomplete with 90 picture cards and 90 letter cards). 2.5 x 3.5cm (0.98 x 1.37in) each. Some wormholes and slightly bended as generally...

An antique pair of architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to ward off evil spirits. The baku devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams...

Bamboo toad on a bluebell flower. The node of the wood is used as the base of the statuette.

The toad and the frog, referred to under the same term in Japanese (kaeru) are associated with good luck and wealth. Kaeru means both "toad/frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the toad to return to the pond of its birth every year...

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is...

Japanese Edo period woodblock print depicting a beauty standing under a pine tree viewing a bustling scene of boats on a waterway by Keisai Eisen (1790-1848). A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, "kiwame" censor's seal, and seal of the publisher Sanoki all appear at the lower right. Dates from the 1820s to 1830s. Vertical oban print measuring 15"V x 10"H. Most likely a panel from a triptych...

Japanese framed woodblock print by Utagawa Hiroshige (1797-1858) of an Oban Tate-E size and format (common sizing / vertically printed), from the series Gujusan Tsugi Meisho Zue. Signature and seal in bottom left with calligraphy seals. Imagery of far off boats heading into shore.

Size: (entire frame) 16.75" L x 20.75" H (artwork only) 9.5" L x 15" H

Lovely antique Japanese large rectangular tray with a scene of a woman gazing at the moon (inlaid mother of pearl), she is sitting near a small stream with flowers and grasses, misty clouds above, the tray is made of kiri wood and the decoration is made of beautiful cherry wood bark, outer sides are also covered in cherry bark, Taisho Period. Size: 24 3/4" long x 15 1/4" wide x 3 1/2" deep.

Original Japanese kabuki actor color woodblock print by artist Toyohara Kunichika, 1835 – 1900. Beautifully framed and matted measuring 17" x 22", the print site size is 9.75" x 13.5". Any streaking is reflection from the glass. Print does not appear to have any condition issues.

A beautiful set of 6 Antique JAPANESE SIGNED Wooden Stack Boxes that fit perfectly into one another! They show the exquisite natural lines of the wood and were finished with transparent lacquer varnish. Nice color of the wood, like mahagony. Overall in good condition, with very minor inconsequential small marks of age/use. Size: A total of 6 boxes, the largest: length 15" x depth 12 1/2" x height 5". The smallest box measures: length 10" x depth 7" x height 3 3/4"

Sen Sha Fuda—Pilgrim’s temple charm placard, issued early 1900s

Very good impression and color, light staining in margins, light staining on verso

Overall size: 6 ½ x 8 ½ in.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner...

Antique Japanese jizai-kagi in the form of a catfish. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood and has patination from hearth smoke. A portion of it's original iron chain is still attached...

Japanese woodblock print by Yoshitoshi, from "100 Aspects of the Moon" series.