This is cotton Furosiki used in Kyoto in the Edo era. It is thick, and this is good cotton of a good texture . This is dyed with an artistic portrait of a lion and Katazome of the peony pattern and a brown plain fabric. There is small holes and damage ,thin stains. However, the condition is good generally. Size: Length:99cm (38.9inch) / Width:106cm (41.7inch)

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6...

An eye-catching combination of brown-black colors and old expertly applied gold repairs on a classic Japanese E-Karatsu tea bowl dating from the middle of the Edo-Period (1603-1868).

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

This is a Japanese antique indigo dye and Bengala dye hemp-Umakake Tsutsugaki-type dyeing. A very impressive and charming pattern of wheel crests, treasure balls and checkers. There is a slight stain, but it is not noticeable. There is no damage. It's in very good condition. Size:Length:440cm(173.2inch) / Width:67cm (26.3inch)

A Japanese palace scene painted by an unknown painter of the Tosa School, circa 17th century.

The Tosa School was founded in the Muromachi Period of the 15th century, and its painting was devoted to the aristocracy and its lifestyle.

Painted in pigments including silver leaf and black lacquer on paper. The fan is mounted on a paper backing sheet.

Approximately 49 cm. maximum length. 18.2 cm. width. Generally in good condition, wrinkled corners...

An attractive Arita dish made for export to Europe decorated with conventionalised panels of Hoo birds and Paulonia flowers and stylised Peony flowers inset within an underglaze blue brocade ground to the cavetto, and a central motif of Chrysanthemum. The presence of gilt outlined enamels and colloidal pink in the palette indicate that the plate is from the Kyoho period or slightly later. The plate measures 21 cm or 8.25 inches in diameter and stand 3.3cm, or 1.25 inches high at the rim...

Wood mask of the Gigaku theater representing Konju, a figure in ancient Gigaku dance. The finely carved mask shows a very strong expression. Japan, early Edo period. Height: 18 cm. Beautiful age patina. Some abrasion, otherwise very good condition. The mask is nicely mounted on a custom stand. NOTE: Gigaku theater is one of the most ancient dramatic arts in Japan, performing ritual dance, mime and music, and taking place inside Buddhist temples...

Japanese Edo Period scroll painting of a yamabushi, a mountain ascetic hermit or holy man. Often believed to be endowed with supernatural powers, the yamabusi follow the Shugendo doctrine, a religion that places heavy emphasis on feats of endurance. Throughout history, they have participated in battles along side samurai. In this painting, the warrior/sage is leaning on a walking stick. He is dressed only in leaves and animal skins...

The blue and white porcelain made in ARITA erea Japan had been exported to Europe and much prized among the people, instead of Chinese porcelain. They are called as IMARI from the name of shipping port. We call the works produced in the EDO period as Ko-Imari meaning old Imari. This piece is supposed to be produced on the mid EDO period. The simple stroke in this piece is very favorable. No repairs or damages. Fine iron grains from the clay are appeared as black points...

Rather unusual 18th century stag antler netsuke carved as young Yoshitsune holding naginata (a machete on a wooden shaft) as he performs a high jump over the hand of warrior monk Benkei on the Gojo Bridge. For an account of the historical encounter of Yoshitsune and Benkei at the Gojo bridge in Kyoto see H. Joly LEGEND IN JAPANESE ART, p. 82...

A Japanese Tsukioka Yoshiyoshi tryptch "Toin no Akinotsuki" from the "Legend of the Hero and Warrior" series. Autumn Moon at Toin: Flute Player Yasymasa. The print is signed by Toshiyoshi (1839-1892)who is considered one of the last great masters of ukiyo-e. The triptych is a woodblock print with Katada Chojiro, the publisher hand stamped in the left hand corner.

Date: 1894

Dimensions:13.25"h x 27.25"w

18th century good size wooden netsuke of a monstrously tall South Seas islander wearing a leaf skirt and holding a fish in one hand, with a man in Chinese robe hardly reaching a knee level of the giant and raising his hand in amazement. Unusual subject, very strong early carving with obvious and expected wear, wonderful face with wide open mouth, superb patina with beautiful warm sheen, deep himotoshi in accordance with the habit of the time. Perfectly balanced - stands on its own. Excellent scu...

Japanese Edo Period Wood Carving of a Monkey on a Peach Tree. Originally housed in a Buddhist temple. Carved of poloma wood. Original pigments still exist, which is very unusual for the age. It is a wonderfully carved and captivating work of art. 23 x 9 inches, 58.5 x 23 cm.

Beautiful antique Japanese temple scroll from the Edo period (1615 -1867). The Buddha has left his physical being and attained enlightenment. After one of his close followers prepares a bed under the sal trees for him, the buddha dies. All the beings of the earth, good, evil, divine, and animal mourn his departure. The buddha is painted in gold leaf. Sumie ink and mineral colors. Provenance: from a Montclair, California estate. It measures 46" wide by 94" long.

Japanese Stone Nyoirin Bodhisattva Sculpture, Edo period, before 1800, 21" high, 10 1/2" wide, 6 1/2" deep, one(1) arm on the knee seated position. There are some small nicks on the edges.

A pair of Arita, probably the Higuchi kiln at Nangawara, Celadon square form mukuzuke, decorated with alternating panels of Immortals and a Landscape, probably an evocation of Penglai (Horai-san) the Isle of the Immortals all painted in a combination of kinsai gilding combined with iron red and green enamels. Gilding to the rims, kin-beni. The mukuzuke measure approximately 10.5cm diagonally and stand 7cm high. They are of slightly flared square form with indented corners and are quite thick...

Netsuke – A lovely model of boxwood group of chestnuts, one of which reveals the passage of a small worm, in carved bone. The natural chestnut color and wear to the wood provides a very naturalistic depiction. Wide himotoshi at the back. Beautiful natural patina. Nice finesse of sculpture. Probably former Carlo Monzino collection, n°191 sold at Sothebys London in 1995. Dimensions: 5 cm Edo period late 18th century

A rare antique Ryobiraki Choba Tansu (merchant chest with hinged doors) made of Hinoki (Cypress) and Kirinoki (Paulownia) woods. All original thick gauged hand forged iron hardware. Shackle lock with working key secures the removable hinged doors that open to a pair of sliding doors and four drawers. A secret button unlatches the left hinged door to open. The spacious area behind the sliding doors was used to store merchant business records and books while the drawers were used to store money,...